We open with the sight of sorely bedraggled blood thrall Willie Loomis broken and crumpled on the floor of the Old House on the estate of Collinwood. He is under the heavy cane which vampire Barnabas Collins carries and which he uses to beat Willie. Barnabas demands Willie confess that he played a part in preventing him from taking full possession of Maggie Evans, The Nicest Girl in Town. Willie at first tries to deny his responsibility, but finally swears that he won’t disobey Barnabas again. Barnabas gives him some orders and dismisses him.

At the Evans cottage, Maggie is sick in bed. When her friend, well-meaning governess Vicki, comes to sit with her, she makes Vicki promise she won’t leave her alone no matter what she says or does. She won’t even let Vicki go as far as the kitchen to fetch her a glass of milk- she doesn’t dare spend one second by herself.
Maggie’s father, artist Sam, has called Vicki because he himself has had to go to the Old House to work on the portrait he is painting of Barnabas. He is working on some problems in the background, and encourages Barnabas to take a walk. While Barnabas is away, Willie comes into the room and asks Sam where he is. Sam is concentrating hard on his work and responds to Willie’s questions with irritated grunts.
When Willie asks Sam how his daughter is doing, Sam turns to him and angrily snaps “Don’t mention her name!” He didn’t mention her name, but he was very rude to Maggie more than once in the days before he met Barnabas, when he was still dangerously unstable ruffian Willie Loomis. In #207, Willie was so crass in his behavior towards Maggie and Sam in The Blue Whale tavern that dashing action hero Burke Devlin had to beat him up and order him to leave town, the incident that prompted Willie to launch the grave-robbing expedition that released Barnabas. Sam was unhappy to see Willie again at the end of #222. By #225/226, he was willing to tell Burke that Willie had reformed, but that doesn’t mean he wants him to have anything to do with Maggie.
Of course, Maggie has already become Willie’s colleague, Barnabas’ second blood thrall. That’s the point of showing us the results of the beatings Barnabas inflicts on Willie. We’ve known Maggie for over 46 weeks and have liked her the whole time, so the idea that she is on her way to suffer that kind of abuse horrifies us. Willie’s determination to help Maggie, asking Sam about her even after the beatings, shows us how much he wants to spare Maggie the fate that has befallen him.
Back in the Evans cottage, Maggie has had another mood swing. These are familiar to readers of Bram Stoker’s Dracula, where the vampire’s victims Lucy and Mina are at one moment desperate to be rescued from him and at the next equally desperate to go to him. Maggie has been displaying these swings for several days now, and it is only because Kathryn Leigh Scott is a highly trained actress with a big bag of tricks that the scene where she demands Vicki leave is not painfully repetitious. My wife, Mrs Acilius, was particularly impressed with the way Maggie enunciates the word “leave” in her commands to Vicki.
Dogs make alarming noises near the french windows, sending Vicki into a state of panic. Maggie denies that she hears them at all. When the windows rattle and it seems that a pack of fierce dogs are about to burst in, Vicki runs to the next room to telephone Burke. When she is out, the door to Maggie’s room slams shut and Vicki finds that she is unable to open it.
Some wonder why Vicki goes to the next room to make her call when there is a telephone next to Maggie’s bed. Maggie used it to make a call in #225/226, and it was prominently featured in several shots in #231. I think it makes sense, though. Maggie is between Vicki and that telephone, and she is being extremely uncooperative. Vicki doesn’t want to take the time to fight her, she wants to call for help at once. Besides, Vicki is so terrified that we wouldn’t expect her to look around, and she has used the telephone in the other room before.
Others might wonder why she calls Burke rather than calling the police. Considering what we have seen of the Collinsport sheriff’s office, I don’t think this is a difficult decision to defend. Vicki tried to call the sheriff from the Evans cottage the other day, and no one was there to answer the phone. Nor have they managed to solve any of the crimes that have been committed on the show so far, even though the perpetrators left so much evidence lying around that Vicki herself, while going about her business, has accidentally stumbled on the solutions to one murder and two attempted murders.
The final shot of the episode, with Vicki banging on Maggie’s door and pleading with her, is not very compelling, and brings a wince to the faces of viewers who remember #84-#87, when Vicki was locked in a room in an abandoned part of the great house of Collinwood and spent several hundred hours of screen time* banging on the door and calling for help. Today’s ending isn’t exactly a Dumb Vicki moment, but it certainly isn’t an interesting moment, and we hope there aren’t any more like it.
*An approximation. It seemed like at least a thousand hours, but since the whole story played out in three and a half episodes lasting 22 minutes each I don’t suppose it could actually have been quite that long.