Tag: courtleymanor

Friday, Dark Shadows showed us its first séance. Yesterday, the people who attended that séance tried to figure out what it meant. Today, word of the séance starts to get out to people who weren’t there.

These three episodes also involve wrapping up a lot of loose ends that only people who watched the show from the beginning will remember. Friday’s episode harked back to the ghostly image we saw in #30. Yesterday’s episode drew a line under the alarmingly inappropriate crush flighty heiress Carolyn had on her Uncle Roger in the first few weeks of the show. Today, dashing action hero Burke Devlin shows that he is still laboring under a misunderstanding that led him to a dead end in #89 and #99.

In those episodes, Burke was trying to take his revenge on the ancient and esteemed Collins family by hiring the most valued employees away from their cannery. He was confident he would succeed in this plan because he had more money than the Collinses. In #89, he explained that confidence to his lawyer with a bunch of cliches rich guys use when they are villains in old movies: “Money talks. Money buys loyalty. Everyone has their price. Name it and you can buy them. Some just come a little higher than others, that’s all, but everyone is for sale.”

Those men all rebuffed Burke’s offer, as hardworking young fisherman Joe had refused Burke’s attempt to buy his loyalty in #3. Burke believes that the Collinses’ power comes from their money. His failures suggest that it is more nearly the other way around. The Collinses dominate the town of Collinsport because the population is so much in the habit of deferring to them that they can’t really imagine any other way of life. Simply by living in town, they have been indoctrinated into an ideology that puts the Collinses at the center of everything. Though from the perspective of the outside world Burke may have come back to town as a representative of high finance and large-scale capitalism, in the eyes of the locals he might as well be trying to start a communist revolution.

The one Collinsport resident who has agreed to take Burke’s money as payment for working against the Collinses is Mrs Johnson. For many years, Mrs Johnson had been the faithful housekeeper to cannery manager Bill Malloy. In her first appearances, Mrs Johnson talked of her unrequited love for Bill and her conviction that the Collinses were responsible for his death. Wanting revenge on them, she agreed to Burke’s plan to take a job as housekeeper at Collinwood and to give him whatever information she could gather. He has been paying her ever since.

Today, Mrs Johnson comes to Burke’s room and announces she has some information she would give him even if he weren’t paying her. This remark will strike regular viewers as absurd. Those who remember Mrs Johnson’s early appearances know that her motivation for joining with Burke was not his money, but her drive for vengeance. Those who have seen her since, including earlier in this episode, know that she always tells everyone she meets everything she knows. Her usual conversational gambit is to declare “I mind my own business, and expect others to do the same!” and then divulge the entire contents of her awareness, including everything she learned by her incessant eavesdropping on everyone in the house.  

In Mrs Johnson’s case, Burke is overlooking not only the power of ideology, but also the persistence of personal habits. Mrs Johnson not only does not need to be paid to give information; no amount of money could keep her from giving information. She can’t be incentivized out of telling too much, because she doesn’t know that she is doing it. She is perfectly sincere when she says “I mind my business!” or “I’m not a gossip!” or makes any of her other usual protestations.

One thing Burke and Mrs Johnson have in common is a tender regard for well-meaning governess Vicki. The séance was very hard on Vicki, because her body was the scene of a battle between the ghost of Josette Collins and blonde fire witch Laura. Josette had possessed Vicki in order to warn the company about Laura, but Laura used her own powers to drive Josette from Vicki before she could say her name. Now Vicki is spending the day sick in bed. After talking with Burke, Mrs Johnson goes back to Collinwood and takes it upon herself to keep anyone from bothering Vicki.

The first person to try to see Vicki is visiting parapsychologist Dr Guthrie. Mrs Johnson stands on the stairs and forbids him to go up. He tries to persuade her that, as a doctor, he might be able to help. She responds that the only way he will get to Vicki’s room is by knocking her down and walking over her. At that, he gives up and goes to the drawing room.

Laura then comes to the house and tries to see Vicki. Mrs Johnson takes exactly the same line with her. Laura is more aggressive than Guthrie had been, and tries to walk past Mrs Johnson. Mrs Johnson puts her arm in the way to physically block her. Laura too gives up and goes to the drawing room.

There, she finds Dr Guthrie listening to the audiotape he made of the séance and taking notes. We hear Vicki’s voice desperately muttering about “le tombeau vide” before he sees Laura and shuts the player off. He explains that he does not want anyone who was at the séance to hear the recording, as he does not want it to color their recollections.

Laura and Guthrie talk about the tape recorder and about his use of electronic devices in his work as a scientist. Not even actors as capable as Diana Millay and John Lasell can make this dialogue seem to have much point. But a few weeks ago, friend of the blog Courtley Manor called my attention to a 1957 novel for children, David and the Phoenix, by Edward Ormondroyd. I think there is a reference to that book in this scene.

Ormondroyd’s David is a preteen boy who climbs a mountain and finds himself in a magical realm where he comes face to face with the Phoenix. The Phoenix is initially guarded with David, but relaxes when David says that he doesn’t know any scientists. Evidently the Phoenix’ great goal is to be left alone, and scientists were to learn that there really was such a bird as the Phoenix that goal would forever pass out of reach.

Some of the similarities between Dark Shadows’ “Phoenix” storyline and David and the Phoenix may be the result of common source material. In #140, Laura tells David that her real home is a magical world that sounds quite a bit like the place Ormondroyd’s David stumbles upon. But from the 1930s through the 1960s, the legends of the Holy Grail were a staple of university English departments in the USA, and many of those associate the Phoenix with just such places. So it could be that both Edward Ormondroyd and Malcolm Marmorstein had read Wolfram of Eschenbach or someone like him. And “David” was an extremely common name for boys born in the USA in the 1940s and 1950s, so that could be a coincidence.

But when The Scientist appears in Ormondroyd’s book and emerges as the great enemy of the Phoenix, Ormondroyd presents The Scientist in terms of his equipment. He must wait for his equipment to arrive before he can act against the Phoenix, he puts a great deal of effort into transporting his equipment and setting it up, and he suffers his climactic defeat when the Phoenix sabotages his equipment. So readers of Ormondroyd’s book would have to see a nod to it in this conversation between Guthrie the Scientist and Laura the Phoenix.

After Laura has left, Guthrie calls urgently to Mrs Johnson. He asks her if she touched the tape recorder. She tells him she wouldn’t touch the machine with a ten-foot pole. He plays the tape back, and shows that the sounds of the séance have been replaced with the sounds of a crackling fire. Ormondroyd’s readers will remember that The Scientist did not give up after the Phoenix destroyed his equipment, and will expect Guthrie to try to find new ways to fight Laura.

When we heard the crackling on the tape, Mrs Acilius jokingly asked me when the show was made. “This was before Watergate, right?” Yes, indeed; Dark Shadows was not making a reference to the 18 1/2 minute gap in the Nixon tapes. While the consensus among scholars today is that that gap was caused accidentally, it is amusing to imagine that someone in the White House in those days was a Dark Shadows fan and took a page from Laura’s book. I guess the president’s daughter Tricia was into the show for a while, but even if the erasure were deliberate she wouldn’t have been a very likely suspect.