Episode 274: Compare a crime to an adventure

For sixteen weeks, from March to June, seagoing con man Jason McGuire had lived the high life blackmailing reclusive matriarch Liz. Now the blackmail scheme has blown up in Jason’s face, and the police have given him until sundown to clear out of Collinsport. Looking for someone else to exploit, Jason has come to the Old House on Liz’ estate, where her distant cousin Barnabas lives with Jason’s onetime henchman Willie.

Jason lingers outside a window. He sees Willie bring Barnabas a chest full of jewelry. He hears Barnabas and Willie talking about Maggie Evans, The Nicest Girl in Town, whom they abducted, held prisoner, and, they believe, killed. He is still listening when Barnabas and Willie start talking about well-meaning governess Vicki, to whom Barnabas plans to give the same treatment.

A bit later, Jason finds Willie in the woods outside the house. He demands Willie meet him in the Blue Whale tavern at noon the next day and give him a pile of jewels from the chest. He tells Willie that he knows what he and Barnabas did to Maggie and what they are planning to do to Vicki. Willie agrees to the meeting.

We cut to the tavern. Jason is waiting at the bar when Vicki comes in. She grimaces at the sight of Jason, then asks Bob the bartender if he has seen Liz’ daughter Carolyn. Bob shakes his head no.

Jason insists on talking to Vicki. We do not know what to expect from this conversation. Jason is a villain who has often taken pleasure in being cruel to Liz and other characters, and the scenes in which he threatened Liz were so repetitious as to constitute cruelty to the audience. He believes that Barnabas is a serial killer of women, and his plan to squeeze money out of Barnabas requires him to turn a blind eye while he continues in that career. On the other hand, Jason showed genuine and unselfish concern for Willie when he was ill, and actor Dennis Patrick has taken every opportunity to play him as a comedy villain, with whom we can empathize while he scrambles to keep his lies from being exposed. So we can easily imagine Jason wanting to give Vicki some kind of warning.

Jason begins their talk with a question about Carolyn. Vicki tells him that Carolyn left the house because she believed the false story that he had used to blackmail Liz, and expresses her intense disapproval of him. He makes some defensive and self-pitying remarks, and Vicki continues to tell him how bad he is. He tells her that she will soon suffer hardships while he is far away, laughing at her. She says she doesn’t know what he means, and he refuses to explain. She says “There is nothing as sad as a hollow threat.” At no point in any of this had it seemed that Jason was about to warn Vicki of Barnabas’ plans.

As Vicki is going, Jason says he wonders who she really is and where she comes from. He then says that she does not know the answers to those questions. He says that he was in Collinsport 18 years ago, and he might know them. That stops Vicki in her tracks. She turns, looks at Jason, and asks him what he knows. He says that whatever he knows, he will take with him. She says that he is only trying to hurt her. He asks if he is succeeding. She goes.

Vicki wonders if Jason knows something

It has been a while since we last heard about Vicki’s quest to solve the riddle of her origins. That story element never amounted to much, in part because, as Wallace McBride pointed out in a Collinsport Historical Society post in 2020, the very first episode of the show ended by showing us Liz and Vicki as each other’s mirror images. From that point on, everything has pointed to Liz as Vicki’s biological mother. Art Wallace’s original story bible for Dark Shadows had suggested that Liz’ ex-husband Paul Stoddard would be revealed as Vicki’s father and some other woman as her mother, but Art Wallace also said that the story might be better served by saying that Liz was her mother by another man, and that seems to be what they have tacitly done.

Art Wallace’s plan had also been that Vicki’s origins would be revealed at the climax of the blackmail story. It is not clear when they gave up on that. Since the actual episode, #271, runs drastically short, it is possible that they changed their minds only a few days before taping.

One of the possibilities was that Liz would admit that she was Vicki’s mother and Jason was her father. They haven’t done much to suggest that there ever was a sexual relationship between Liz and Jason, so this possibility lurks far in the background. If it were to turn out to be true, Jason’s indifference to Barnabas’ plans for Vicki becomes all the more chilling. Since Stoddard was also indifferent to Carolyn’s well-being, it would give Liz’ two daughters something miserable to have in common.

Jason was a friend of Stoddard, so he might have some information that would be meaningful if they are going for a twist in which all the hints that Liz is Vicki’s mother by another man were false and another woman were her mother by Stoddard. At any rate, when Jason says that whatever information he has will leave with him, it seems that he is telling the audience that the quest for Vicki’s origins will never be resolved.

Willie shows up at the tavern and gives Jason one piece of jewelry. Jason is loudly dissatisfied with this. Willie leaves him.

Later, Jason breaks into the Old House. As he enters, three notes ring out on the soundtrack. I sometimes laugh at this three note motif with my wife, Mrs Acilius. Not only because “dum, dum, DUMM!” is a corny way to end a show, but also because it often follows a three syllable closing line. So if the last words spoken before we hear it are “I want more!,” we will sing “I- want- MORE!” Since Barnabas is a far more dangerous person than Jason knows, this time Mrs Acilius sang “You- are- DEAD!”

Episode 118: Last chance to get away

Well-meaning governess Vicki is the prisoner of the fugitive Matthew. Matthew is keeping Vicki in a hidden chamber inside the long-abandoned Old House on the great estate of Collinwood. Today, Vicki tries to reason with Matthew, telling him that it is unlikely anyone realizes she is missing now, but that they will figure it out very soon. So, while the coast is probably clear for him to make his escape now, if he waits for any length of time the place will be crawling with police.

In the great house on the estate, reclusive matriarch Liz is sharing her worries about Vicki with hardworking young fisherman Joe and dashing action hero Burke. They telephone the sheriff and ask him to come with several deputies. Liz tells Joe and Burke that Vicki was going to look for her wallet in the Old House when last she saw her; they pick up some shotguns and flashlights and head that way.

Joe and Burke on the hunt. Screenshot by Dark Shadows Before I Die

Back in the Old House, Matthew seems to be considering Vicki’s arguments. He tells her that he will indeed make a run for the spot in the woods where he has hidden his car and drive off. He also tells her that he will take her with him so as to discourage the police from shooting at him. She objects to this part of the plan, but he is too strong, and she is too frightened, for her to prevent it.

They reach the front door just as Burke calls to her from the other side of it. Matthew covers Vicki’s mouth and hustles her back to the hidden chamber. He clutches her while Joe and Burke search just outside.

The search goes on for quite some time. After a commercial break, Burke describes the house as “huge,” and says that they’ve searched most of it. He then sends Joe back to the great house to ask Liz about any parts of the Old House they may have overlooked. When they were on their way to the Old House, Joe had said they still had a quarter of a mile to go, so the total distance of a round trip between the two houses must be over a half mile.* Joe goes there, talks to Liz, and comes back. He did that over rough terrain, in the dark, while carrying a loaded weapon and looking for a lost person, so we can be sure he didn’t move particularly quickly. When he gets back to the Old House, Burke tells him that while he was away he found the storm cellar, broke the lock on its entrance, and searched it. They also remark that the sheriff and his men must be at the great house by now. So I think we can assume that Burke was in the Old House for at least an hour altogether.

During all that time, Matthew is gripping Vicki and listening to Joe and Burke. He is frozen in place, and her attempts to struggle against him achieve only a glacier’s pace of movement. We wonder how long he can stay so still, and whether she can find a way to break free. That adds up to considerable suspense.

Matthew and Vicki listen to Joe and Burke. Screenshot by Dark Shadows Before I Die

Only when Joe and Burke are gone does Matthew relax his grip sufficiently that Vicki can let out a shriek. He throws her to the floor and tells her that it was a dumb thing to do. The episode ends with a closeup of her shattered reaction to this.

Poor Vicki. Screenshot by Dark Shadows Before I Die

There are a couple of moments when Joe and Burke are supposed to be elsewhere, but we see the front parlor of the Old House anyway. In those two moments, we see something we’ve seen twice before- the portrait of Josette Collins hanging over the mantelpiece glows with an unearthly light while spooky music swells on the soundtrack. On those previous occasions, Josette’s ghost had emerged from the portrait and become visible to us. This time, it only glows. The glow stops when one of the men comes into the room. So Josette may not be ready to manifest herself to either of them, but she’s around, and we can expect her to come out of the supernatural back-world that the show has hinted at and implied into the foreground, where it will intervene in the action. Vicki didn’t know how right she was when she told Matthew he was missing his last chance to get away. Not only has his shilly-shallying brought Joe, Burke, and the sheriff’s department to the scene, but his defilement of the Old House has stirred up the ghosts who haunt it.

* In this episode- there are other episodes where the distance is much longer or much shorter.