In episode 1 of Dark Shadows, dashing action hero Burke Devlin returned to his home town, the isolated fishing village of Collinsport, Maine. He’d left Collinsport in poverty and disgrace, and returned as a millionaire many times over, the master of a financial empire. He had vowed to use his great wealth to exact vengeance on the ancient and esteemed Collins family. In #201, he gave up his quest for revenge, which had never been very interesting to watch anyway, and now is unconnected to any storyline. He’s still in town though, spending his evenings in The Blue Whale, a waterfront tavern where he has appointed himself to act as bouncer.
In #207, dangerously unstable ruffian Willie Loomis was rude to some other patrons at the Blue Whale. Burke defeated Willie in a fight and ordered him to leave town. Today, Burke comes back to the tavern. No one has seen Willie for a week or so, but neither is it clear that he has left Collinsport for good. Burke is looking for Willie, planning to beat him up again if he finds him.
When Burke enters, he sees Maggie Evans, The Nicest Girl in Town, sitting alone at a table. While she waits for her boyfriend, hardworking young fisherman Joe, Maggie talks with Burke about not knowing where Willie is.
Willie’s associate, seagoing con man Jason McGuire, comes into the tavern. Burke goes up to him. They also talk about not knowing where Willie is.
Joe shows up. He’s been helping his uncle search, not for Willie, but for a missing calf. They found remains of the little guy, far from the farm and completely drained of blood by some mysterious process. They are baffled by this development.
Willie drifts in. He sits down at the bar and starts drinking. Burke goes up to confront him, but is confounded by Willie’s broken demeanor. After a few moments, his hostility gives way to compassion, and he speaks gently to Willie.

Jason returns, and Burke tells him he’s worried that Willie seems to be very ill. Jason then confronts Willie, and is astounded when Willie tells him he doesn’t want the $500 in cash Jason is holding for him. Jason also notices that Willie has some bloodstains on his sleeve.
Everything I have to say about the acting in this episode I said in a long comment I left on Danny Horn’s Dark Shadows Every Day in December 2021. Here it is:
I like this one. Sure, the writing has its flaws, and there are a couple of shots where it’s hard to tell what the visual composition was supposed to be. And Mitch Ryan is obviously drunk. But they rise beyond all that.
Kathryn Leigh Scott plays Maggie throughout as an understated version of her original wised-up conception, very apt for the barroom setting and a fine offset to the intensity all the male characters have to show this time. She doesn’t have many lines, but she has everything she needs to keep the show on track.
Dennis Patrick’s face and voice show at least two emotions in every shot, and he and Mitch Ryan do a terrific job as two men who don’t like each other but can’t help getting absorbed in a puzzle that fascinates them both. The music that builds throughout that scene and reaches its crescendo as Jason leaves the bar matches the complex emotional palette with which the actors are working; it doesn’t sound anything like the usual Dark Shadows music, and I don’t think we ever hear it again.
Joel Crothers’ turn as the messenger announcing the tragedy of the calves is as tense as the dialogue between Patrick and Ryan, but his studiousness and deliberation change the pace sufficiently to keep the scenes from blurring together. Ryan and Scott deliver their responses to him with a calm intelligence that emphasizes those qualities and makes Willie’s stumbling entrance a real surprise.
Ryan’s scene with John Karlen is a turning point in the series. Burke’s shift from a menacing demand that Willie leave town to an alarmed concern for his well-being marks the end of Scary Violent Willie and the arrival of Wretched Broken Willie, and his conference with Jason confirms that change. Everything Karlen does on the show from this point on, right up to his performance as Kendrick, begins with this scene.
If that looks familiar, it may be because I linked to it on tumblr.
I should also link to a characteristically insightful post in which Patrick McCray explains how this episode, in which Barnabas Collins is neither seen nor mentioned, contributes substantially to the sense of danger surrounding him. The story Joe tells about his uncle’s calf is the show’s first reference to blood-sucking, and it comes after we’ve started to wonder whether Barnabas really is a vampire, or is some less familiar type of hobgoblin.
Glad to see that Jason has standards that don’t include grave robbing. Liked the concert that the two of them had for the change in Willie. Also liked how the writers weaved the blood evidence in from two directions at once.
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