When suave warlock Nicholas learned that a tall man named Adam was a Frankenstein’s monster, he decided to use him to found a new race of people who would owe their creation to the spiritual forces of darkness. Nicholas wormed his way into Adam’s confidence and persuaded him to demand that a mate be created for him. Adam put this demand to old world gentleman Barnabas. Barnabas donated the “life force” that animated Adam, and mad scientist Julia performed the experiment. When Adam tells Barnabas that he will kill everyone he cares about if he does not provide him with an artificially constructed woman, he and Julia acquiesce.
The Bride of Frankenstein story has been stalled for several days. The body has been built, the equipment is ready, and heiress Carolyn has volunteered to serve as “life force” donor. Today, Barnabas and Julia tell Adam, Carolyn, and each other that they would rather not perform the experiment. Adam talks with Carolyn, whom he loves and who cannot deny that she loves him; he tells her that there is no need for the experiment, that the two of them can simply go away together. Carolyn insists on doing the experiment, for reasons she does not explain. She doesn’t really want it, either- Nicholas has put a spell on her to compel her to volunteer.
Adam and Carolyn share a tender moment in front of the portrait of Josette. Screenshot by Dark Shadows Before I Die.
Nicholas is the only character who wants the experiment. It makes little sense that he would want it. Assuming that Adam and his mate are both fertile, assuming that they in fact produce children, and assuming that those children are any more subject to sin than are the descendants of the first Adam, it would take years for them to grow up. Even if they all developed severe cases of Soap Opera Rapid Aging Syndrome, it would be many years before they would be ready to supplant H. Sap. The show can’t very well expect us to wait that long for the next story point.
There is one fresh thing in today’s episode, and that is the scene between Adam and Carolyn. Robert Rodan projects an overwhelming warmth and gentleness, and Nancy Barrett shows us every twist of Carolyn’s torment and confusion.
Frankenstein’s monster Adam has demanded that old world gentleman Barnabas and mad scientist Julia build him a mate. The other day, he added a condition, specifying that heiress Carolyn must donate the “life force” that will animate this new woman. The body is constructed, the equipment is ready, and yesterday Carolyn presented herself as a volunteer. So we have every reason to expect today’s episode to end with the introduction of Adam’s bride.
That’s certainly what Adam expects. He lets himself in Barnabas’ house, finds Julia in the foyer calling servant Willie to join her on an excursion, and asks why she is not working in the basement laboratory. She makes up a story about having to go off and attend a patient; Adam is intelligent enough to know that Willie would be no help on a house call, and he forces her into an additional lie, claiming that she was going to drop Willie off in the village of Collinsport along her way. Barnabas comes upstairs and rails at Adam for a while.
Adam in charge. Screenshot by Dark Shadows Before I Die.
In fact, Julia and Willie were on their way to the hidden chamber inside the old Collins family mausoleum. Before Adam decreed Carolyn would donate the “life force,” Barnabas and Julia were planning to impose that task on Maggie, The Nicest Girl in Town. Willie has a crush on Maggie, so he took it on himself to abduct her before Barnabas and Julia could fulfill that evil intention.
Willie had drugged Maggie with chloroform when he took her from her bedroom. When she woke up in the hidden chamber, she started to remember what happened to her in May and June of 1967. Willie reacted to that with panic. In those days, Barnabas was a vampire. He took Maggie as his victim. He imprisoned her, tortured her, and tried to replace her personality with that of his lost love, the gracious Josette. After Maggie escaped from Barnabas, she fell into Julia’s clutches. Julia eventually hypnotized her so that she forgot all about her ordeal and thought that Barnabas was a swell guy.
Barnabas was cured of vampirism when he donated the “life force” that animates Adam. Repeating to Julia the news that Willie brought, he laments the unfairness of it all:
Can you imagine the police coming here now?
Now that I am free of my affliction,
and now to pay the penalty for those first months
at Collinwood?
I can’t, Julia. I won’t.
It would be interesting if Maggie were to reach the police. She could not only show them the hidden chamber and its secrets, including perhaps the body Barnabas and Willie buried in its floor in #276, but would also lead them to Barnabas’ basement. On their way to the prison cell where Barnabas locked Maggie up, they couldn’t help but notice the female cadaver constructed of parts salvaged from various corpses Willie dug up from their graves. Even investigators as maladroit as the Collinsport sheriff’s department would likely be able to think of some pointed questions to ask in the face of all that.
Barnabas demands that Julia go to the mausoleum and use her powers of hypnosis to re-erase Maggie’s memory. Julia says the experiment is at such a critical point that she can’t leave it. To that, Barnabas replies “If you will not silence Maggie Evans, I must.” Barnabas does not specify the means by which he will “silence” her, and he lost all his supernatural powers when he was freed of vampirism. So this would seem to be a declaration of intent to commit murder. It is no wonder Julia was prepared to try her methods if that was the alternative.
Barnabas has not told Adam about his former vampirism, and he doesn’t like to talk about what he did to Maggie. At one point today, he exclaims to Willie “Those days are gone! Anyone who remembers them should forget them now, including you!” Rather than bring Adam into his circle of confidence, he repeats Julia’s lies and adds a lot of bluster. That doesn’t move things along very effectively; it leaves time for Willie to run upstairs, get a rifle, and threaten Adam. Adam disarms him and uses the weapon to get Julia back to the lab.
The episode peters out in the basement with Julia still fiddling with knobs and Carolyn still upstairs taking a nap. Adam rhapsodizes about how beautiful his mate will be. She is being created by the same process that engendered him, and he is convinced that he is unbearably ugly, so it is unclear where he got this expectation. He says she will be as beautiful as Carolyn. He knows that Barnabas was his “life force” donor, and he doesn’t look anything like him, so her role in the experiment doesn’t explain it.
I usually have an intense dislike for dramas about people being held prisoner by intruders in their homes. Since Barnabas, Julia, and Willie are all violent felons who ought to be locked up, and since Adam spent the first weeks of his life as a recipient of shocking abuse at their hands, I can make an exception for this one.
In 1968, a drama about a home invasion in which the captor gets the best lines would have brought three films to mind for most of the adults in the audience: The Petrified Forest (1936,) in which Humphrey Bogart became a star in the role of the captor; Key Largo (1948,) in which Bogart cemented his troubled good-guy image as one of the captives; and The Desperate Hours (1955,) in which Bogart was again, and for the last time in his career, cast as a villain. Since this is so much a Humphrey Bogart situation, it is too bad the character of Tony Peterson is no longer on the show. Tony consisted primarily of Jerry Lacy’s Humphrey Bogart imitation, and it would have been neat to see him in this scenario.
A terrible script, full of repetitious language and recycled story points, but each member of the cast is in top form. They almost make it feel like we haven’t seen all of this before.
In May and June of 1967, vampire Barnabas Collins imprisoned Maggie Evans, The Nicest Girl in Town, and tried to brainwash her into thinking she was his his lost love, the gracious Josette. After Maggie escaped from Barnabas, she was in a state of total mental collapse for several weeks. By the time her memory came back in August, Maggie’s psychiatrist, mad scientist Julia Hoffman, had become Barnabas’ accomplice. Julia has a preternatural power of hypnosis, and she used it to block Maggie’s memories before she could expose Barnabas.
Now, Barnabas and Julia are conducting an experiment to build a female Frankenstein’s monster. Once constructed, the new woman is to be the mate to patchwork man Adam. They need an existing woman to donate her “life force” to animate their creation. They were planning to use Maggie. Barnabas’ servant Willie has a crush on Maggie, so when he learned of their intentions he abducted Maggie before they could get at her.
Willie stashed Maggie in the hidden chamber of the old Collins family mausoleum. As it turns out, Barnabas had taken Maggie there to torture her when she was his prisoner, so when she found herself in that setting her memories came back. Maggie made that clear at the end of yesterday’s episode; she and Willie spend most of today’s talking it over. Kathryn Leigh Scott plays Maggie’s horror and John Karlen plays Willie’s panic with admirable intensity.
Barnabas is visiting the great house of Collinwood when his distant cousin Roger tells him that heiress Carolyn Collins Stoddard has left the house to spend several days in Boston. Adam is threatening to kill various people unless the experiment is completed soon and Carolyn donates the life force, so Barnabas is alarmed by this news.
Barnabas goes home to the Old House on the estate. He finds Carolyn waiting for him there. She tells him she knows all about the experiment and is eager to serve as the donor. Barnabas is bewildered by her enthusiasm. As Carolyn, Nancy Barrett plays this scene with such gusto that she is electrifying to watch. When Barnabas finds her standing in his front parlor looking at him with total self-assurance the show has what is, as far as I am concerned, its sexiest moment so far.
In August 1967, Maggie Evans, The Nicest Girl in Town, was about to expose old world gentleman Barnabas Collins as a vampire. In the nick of time, Maggie’s doctor, mad scientist Julia Hoffman, hypnotized her and blocked all memory of her time as Barnabas’ victim.
Today, suave warlock Nicholas puts a magical zap on the mind of heiress Carolyn Collins Stoddard to induce her to take part in an experiment meant to produce a mate for Frankenstein’s monster Adam. All this mind control makes for a low level of suspense. If traumatic memories can be erased and personal motives overriden by whatever mumbo-jumbo is convenient, there is no reason to suppose that the story’s events will have consequences or that there is any point in getting to know the characters.
This episode includes a tacit acknowledgement of the problem. The other day, Willie Loomis, Barnabas’ bedraggled servant, overheard Barnabas and Julia discussing another evil plan for Maggie. Willie has a crush on Maggie, so he resolved to foil that plan. He has abducted Maggie and is holding her in the hidden chamber inside the old Collins family mausoleum. This turns out to be the worst possible choice of location. Barnabas tortured Maggie there when she was his victim, and in a series of dream sequences those events come back to her. At the end of this episode, Maggie exclaims “I know what Barnabas Collins is!”
Now, Barnabas is not in fact a vampire at the moment. An experiment involving the creation of a Frankenstein’s monster freed him from the effects of that curse. But it would cause a lot of trouble for Barnabas, Julia, Willie, and the plot if Maggie were to go to the police and identify Barnabas as the man who held her prisoner. So Maggie’s closing exclamation might encourage us to hope that the show will swear off its habit of turning its characters into each other’s puppets.
In April 1968, mad scientist Eric Lang promised Barnabas Collins that he could cure him of vampirism. The cure was an experimental procedure modeled on the one in Hammer Studios’ 1967 film Frankenstein Created Woman. A body constructed of parts salvaged from several fresh corpses was to be associated with Barnabas, and when the procedure was complete Lang expected Barnabas’ body to be dead and his mind to awaken in the constructed body. After Lang’s death, Barnabas’ friend, Dr Julia Hoffman, completed the experiment. To their surprise, the procedure ends with both Barnabas and the new man alive. Barnabas named the new man Adam. They take Adam to the dungeon in Barnabas’ house, and keep him there in horrifyingly bad conditions until he escapes. Adam of course hates Barnabas and Julia.
Lately, Adam has been hiding out in a long-deserted part of the great house of Collinwood. Heiress Carolyn Collins Stoddard took pity on him and has been looking after him there. He has fallen in love with Carolyn, to her embarrassment and his frustration. Carolyn has delegated the day-to-day responsibility for looking after Adam to unsightly ex-convict Harry Johnson. Adam’s former protector, occult expert Timothy Eliot Stokes, visits from time to time. Adam’s most frequent and most influential visitor is suave warlock Nicholas Blair. Carolyn and Stokes are good, Nicholas is evil, and Harry is just distasteful.
When Nicholas found out about Adam, he forgot about whatever plans he may previously have had and focused on the goal of founding a new humanoid race. He has talked Adam into demanding Barnabas and Julia repeat the experiment to build a mate for him. Adam threatened to kill well-meaning governess Vicki Winters unless they complied. Now there is a patchwork female corpse and a lot of scientific equipment in Barnabas’ basement. All that is missing is a woman to donate her “life force.”
Barnabas and Julia were plotting to use Maggie Evans, The Nicest Girl in Town. When Barnabas was a vampire in May and June of 1967, he abducted Maggie and tortured her in an attempt to erase her personality and replace it with that of his lost love, the gracious Josette. When that evil scheme collapsed, Maggie escaped and Julia used her preternatural powers of hypnosis to block her memories. Ever since, Maggie has had no idea of what happened during those two months, and she has thought of Barnabas as a wonderful person. Barnabas wants Julia to use those same powers first to bring Maggie to the basement lab, and then to block her memory in case she survives.
Barnabas’ much-put-upon servant, Willie Loomis, overheard this plan. Willie has a crush on Maggie. He tried to talk Barnabas and Julia out of their fell intentions, and when they would not listen he tried to persuade Maggie to leave town. She wouldn’t listen either, so he took it upon himself to abduct Maggie. He stole some chloroform from the lab, broke into her room, and took her to the hidden chamber inside the old Collins family mausoleum.
We open today in the front parlor of the Old House, where Adam is coolly explaining to Barnabas that he does not want Maggie to donate the “life force” for his mate. Barnabas angrily explains that it must be Maggie, because Julia has proven that she can control her. Besides, Maggie lives alone, so she can go missing for several days before anyone knows she is gone. Barnabas is the chief protagonist of this show, by the way.
Adam says that the only woman whose “life force” he wants to animate his bride is Carolyn. Barnabas says that this is impossible. Adam has been gradually learning the details of the experiment that brought him to life; only now does Barnabas tell him that in the original plan, he would die and come back to life in his body. Adam is bewildered by this. “How could you hate yourself so much that you wanted to change your body?” Barnabas does not want to confess his his former vampirism, so Adam doesn’t get an answer.
Adam meets Nicholas at the gazebo on the grounds of the estate. Nicholas wants him to ignore everything Barnabas said, but Adam is giving deep thought to all of it. It was Nicholas’ idea that Carolyn should provide the “life force,” and Adam enthusiastically agreed, believing this meant that his mate would be like her. He says now that he and Barnabas do not recognize themselves in each other, and Nicholas tries to brush this very apt observation off by saying that Barnabas would hide his similarities. Adam demands Nicholas assure him that Carolyn will not be subjected to any violence. She must want to participate in the experiment. As my wife, Mrs Acilius, pointed out, that condition is indeed a similarity with his “life force” donor- Barnabas had been preoccupied with the idea that Maggie and his other female victims would eventually come to him of their own will. While Nicholas is trying to quell the big guy’s concern, Willie happens by.
Adam starts to figure everything out, and wants to reason with Nicholas.
Adam hides while Nicholas confronts Willie. He puts a magic zap on Willie to compel him to release Maggie. After Willie goes, Nicholas tells Adam he will use the same painless technique to cause Carolyn to cooperate. Adam is skeptical, but Nicholas assures him that his doubts will be settled when he sees that Maggie is free before daybreak.
That may not quite work out. Willie made the worst possible choice of hiding place when he stashed Maggie in the hidden chamber of the mausoleum. Barnabas took her to that chamber for torture when she was his prisoner, and shortly after she awoke there her memory started to come back. By the end of today’s episode, she remembers that Barnabas was her captor. When Willie returns, he will find that he has quite a problem on his hands.
Friday’s episode ended with Frankenstein’s monster Adam in the act of strangling well-meaning governess Vicki as she lies in her bed at the great house on the estate of Collinwood. In today’s opening Adam goes on throttling Vicki for quite a while. At length heiress Carolyn and recovering vampire Barnabas mosey into Vicki’s room. Adam is long gone, and Vicki is still alive. Permanent houseguest Julia is a doctor, and we hear a report of her prognosis that Vicki will be all right. Carolyn has been hiding Adam in a spare room; suave warlock Nicholas shows up and does some damage control. He suggests to Carolyn that Adam might not be guilty of the attempted strangulation, then goes to Adam’s room to talk with him while they wait for Carolyn to come. By the time she gets there, Adam and Nicholas have their story straight. Carolyn accepts Adam’s denials. At that point, everyone loses interest in Vicki and what happened to her.
Nicholas had put Adam up to demanding that Barnabas and Julia build him a mate. Adam had threatened to kill Vicki if they did not comply. Yesterday, he concluded that they were not taking him seriously, and that was his motive for the murder attempt. At the end of today’s episode, Barnabas goes back home to the Old House on the estate and finds Adam waiting for him. Adam tells Barnabas that he has decided they should use Carolyn as the donor of the “life force” that will bring the mate to life.
Adam’s attack on Vicki was Friday’s week-ending cliffhanger. It might have generated substantial suspense, as it has been so long since Vicki has had much to do on the show that it is possible we might be seeing the last of her. But, as Danny points out, they botch the scene badly:
I mean, there is obviously no way that she could have survived this attack. Adam is an enormous Frankenstein creature; it’s been established that he can bend steel bars just by giving them a stern look. Even for a soap heroine, there’s no way that Vicki could maintain structural integrity under these circumstances. She’s just not built for it.
It’s quite a grisly little scene, actually, because it happens so quickly. She doesn’t really get a chance to react. She was sleeping, and then Adam put his hands around her neck, and now she’s dead, and she doesn’t even know what’s going on…
By the time Carolyn returns to the scene of the crime, Julia’s already been and gone — the invisible off-screen soap doctor who doesn’t actually appear in this episode.
Barnabas tells Carolyn that Vicki’s alive, but she’s in shock. I am too, actually; our lame Frankenstein monster can’t even kill a governess at point-blank range.
Danny Horn, “Episode 586: The Invisible Woman,” posted 17 February 2015 on Dark Shadows Every Day.
Danny revisits this point later in his post:
Problem number one is the lack of consequences. They actually opened the week with the murder of a main character — and ten minutes later, everyone’s back to starting positions. Vicki’s not dead, and Adam’s not even being blamed for the assault.
Now, I’m not complaining that Adam hurt somebody and isn’t expressing any noticeable remorse. It’s true that today’s felony places Adam squarely in the villain column, but that’s fine. Fantasy-adventure stories need villains, and villains are supposed to do villainous things.
The consequences issue is that Adam basically just killed Vicki, and it hardly even registers as a plot point. There’s no investigation, no confession, and no character development; it’s just a thing that happened, and we can all forget about it.
Danny Horn, “Episode 586: The Invisible Woman,” posted 17 February 2015 on Dark Shadows Every Day.
Adam’s threat to kill Vicki never seemed to fit with his personality, but considering that he accidentally killed his friend Sam because he didn’t know his own strength, we could at least imagine that he might inadvertently carry it through. And as Danny says, the brevity and simplicity of the scene add to its force if we think it might actually show Vicki’s death. She was the show’s protagonist for its first 38 weeks and an important part of it for a long time after, and for her life to end so abruptly that she doesn’t even have a chance to scream, for the sake of a plot point that isn’t even her killer’s own idea, would be shocking in the pointless, unsatisfying way that violent deaths are shocking in real life. But if Adam can shake Vicki by the neck from the opening teaser through the first scene without seriously injuring her, he clearly isn’t going to kill anyone, and Barnabas and Julia may as well go off and do something else.
Nicholas is Dark Shadows’ main villain at this point; he is supposed to seem so powerful that we can’t imagine how the other characters will overcome him, and so wicked that we will forgive them for any expedient they can find that will work against him. This is currently the show’s main source of suspense. As Danny explains, they do serious damage to that today:
Nicholas is supposed to be the real mastermind behind this operation, so Adam still ends up reduced to being the dumb muscle, rather than a strategic thinker.
Unfortunately, Nicholas’ management skills are also kind of questionable at the moment. We see him scolding Adam for trying to kill Vicki, but where has Nicholas been for the last couple weeks?
It’s up to Adam to fill Nicholas in on the latest plot development — that Barnabas has chosen Maggie to be the sacrificial victim in their Bride of Frankenstein mad science experiment, giving her “life force” so Adam’s new mate can live.
Nicholas has a crush on Maggie, so he’s furious about this, but it’s a hollow moment. If Nicholas is the manipulative wizard running the show, then he should have known that they spent a good chunk of last week discussing this.
Dude, you have a magic mirror that can show you anything that’s going on at the Old House. You should have been on top of this. It’s just irresponsible.
Danny Horn, “Episode 586: The Invisible Woman,” posted 17 February 2015 on Dark Shadows Every Day.
A third major flaw with the episode comes with Carolyn’s role. Danny explains:
I know that it’s odd to say, “This storyline about creating a female love-slave for a violent psychopath isn’t particularly strong on women’s issues,” but Dark Shadows isn’t just a fantasy-adventure story, where you can marginalize all the female characters and move on to the car chase. It’s also a soap opera, and soap operas are supposed to be about women, and women-related subjects like feelings and consequences.
But here we are, watching an episode of daytime television that begins with strangling a woman who doesn’t struggle or even cry out, and then the rest of the time is mostly Carolyn talking to a series of men who lie to her and boss her around.
This is a real problem, and it’s going to come up again. The Bride of Frankenstein story has turned into a reverse beauty pageant, where the guys get together and argue about which woman they’re going to sacrifice on the altar of mad science. This hot potato is going to be tossed around between Carolyn, Vicki and Maggie all week.
Julia is the one female character in the story who actually has agency of her own, but she’s kind of sidelined too — mostly just turning the knobs and flipping the switches while the guys decide whose life force they’re going to extract. The fact that they can have this whole episode with Julia off-camera pretty much says everything.
Danny Horn, “Episode 586: The Invisible Woman,” posted 17 February 2015 on Dark Shadows Every Day.
Danny goes so far as to say that the gullibility Carolyn has to display when Adam and Nicholas lie to her “actually threatens to break the show,” and he is right. The failure to take female characters seriously not only disrespects the show’s core demographic, but specifically makes it harder to tell a suspenseful story. We can see why when Carolyn asks Barnabas why he believes Adam attacked Vicki. At this point Barnabas knows that Carolyn is hiding Adam, and he believes that Carolyn, like everyone else in the great house, is in danger from him. He therefore has every reason to confide in her, and since she can’t go to the police, no reason to hold back even the parts of the story that would incriminate him. But he flatly refuses to tell her anything at all. Ever since March 1967, the rule on Dark Shadows has been that only the villains are allowed to know what is going on. That cramps the action seriously, and when they add further restrictions on who can participate, it limits the possible outcomes of any situation so severely that it becomes all too predictable.
The scene in which Barnabas refuses to tell Carolyn what he knows brings up yet a fourth problem, one Danny does not mention. Barnabas takes such an indefensible position that he winds up seeming ridiculously weak. The main villain already looks weak, so when the principal protagonist does too, we have little reason to hope for an exciting story.
What keeps this episode from the “Stinkers” bin is Robert Rodan’s performance as Adam. In his early days, when Adam knew only a few words, Rodan managed to play on our sympathies, but had little opportunity to do more. Now the character speaks fluently and the actor delivers his lines with remarkable precision. Danny calls it a blooper when, during the three-scene in Adam’s room, Nicholas tells Carolyn that Adam is growing used to being blamed, and he responds by shouting all but the last word of “I am not used to… it.” I disagree. The dropping of his voice shows that there is a great deal Adam is not used to and does not plan to get used to, more than he can put into words.
The final scene in Barnabas’ house is also a fine turn for Rodan. Barnabas finds Adam waiting for him in his front parlor. We had seen Adam there in his first weeks as an inarticulate, raging creature; now he is well-spoken and very much in control of himself as he presents Barnabas with an impossible demand implicitly backed by a horrifying ultimatum. The contrast is chilling. I particularly relished Rodan’s rendering of this little speech:
Barnabas, please sit down.
When I first knew you,
I never thought I could be the gentleman that you are.
You are a very imposing man, Barnabas.
I still find it difficult not to be frightened by your manner.
Adam does not make threats in this scene; he creates a frightening situation simply by the imperturbable calm with which he issues his commands. It is Rodan’s finest moment so far.
Nicholas tells Carolyn that he is concerned about what happens on the estate of Collinwood since “I live here too.” When he first moved into the house he now rents from the Collins family, it was on the other side of the village of Collinsport from their home. A week or two ago, the opening voiceover referred to it as “another house on the estate,” and we’ve been hearing people around Collinwood refer to it as “very near.” So that’s a retcon. Since Adam has been coming and going between Collinwood and Nicholas’ house without being seen, I suppose it is a logical one, but it does make you wonder what they were thinking when they originally made it so clear it was some distance away.
Barnabas asks Carolyn if there is a way into Vicki’s room than her locked door. He knows very well that there is, since he himself used a secret passage to get into that room twice when Dark Shadows was a costume drama set in the 1790s and the gracious Josette slept there.
Frankenstein’s monster Adam wants recovering vampire Barnabas Collins and mad scientist Julia Hoffman to build him a mate. Adam has threatened to kill well-meaning governess Vicki Winters and everyone else at the great house of Collinwood unless they comply. Today, Barnabas and Julia have to tell Adam that the procedure has hit a snag and they are not sure how to resolve it. So Adam goes to Vicki’s bedroom and, while she sleeps, prepares to strangle her. We hear Adam’s thoughts in a voiceover, saying that he does not hate Vicki, but that because Barnabas loves her and Barnabas “has condemned me to being alone forever,” Barnabas “must be alone too.” Barnabas knocks on Vicki’s door while Adam puts his hands on Vicki’s throat. Adam has hold of Vicki before she has a chance to cry out.
Adam first came to life when Barnabas donated his “life force” to him. When the episode ends with Barnabas trying to save Vicki while Adam tries to kill her, we therefore see two sides of the same character in conflict with each other. The donation that created Adam freed Barnabas from vampirism. The sides in this particular conflict reverse what we saw at Adam’s creation, when he represented an end to the danger Barnabas posed to Vicki.
Had the show been made in the 1990s or the 2000s, this ending might have been very suspenseful indeed. By this point in the series, Alexandra Moltke Isles was rather vocal about her dissatisfaction with the role of Vicki, and wanted out of her contract. In the era of soap opera magazines and internet discussion fora, that would have been well-known to the fans. When they saw a week-ending cliffhanger in the form of an attack on Vicki, they might have wondered whether this meant Mrs Isles had succeeded in escaping from the show. But none of those media existed in 1968. Besides, the broadcast networks’ Standards and Practices offices enforced rules that murderers had to be punished. If Adam killed Vicki, those rules would limit what they could do with the character. So I doubt the original audience really thought they might tune in Monday to see that Vicki was dead.
Closing Miscellany
They shot this one with cameras that were in very bad shape. Most of the episode is so heavily green tinted that it is surprising it met ABC’s broadcast standards.
Early in the episode, there is a fight scene between Adam and Barnabas. Violent scenes like these usually give way to woodwind music and the sight of either Vicki or heiress Carolyn in the sedate setting of the great house. But today it is followed by more heavy music and another scene of violence, as Adam finds Julia in the woods and assaults her. After that, we hear the woodwinds and see Vicki in her bedroom.
There, longtime viewers will be reminded of the fourth episode. In that one, high-born ne’er-do-well Roger Collins tried to let himself into Vicki’s bedroom while she slept, and when he was caught and his sister Liz scolded him, he told her not to supervise his “morals.” That choice of words leaves little doubt he meant to violate Vicki in some sexual way. Since then Roger has ceased to be a villain and has become occasional comic relief. Today, he knocks on Vicki’s door, identifies himself, and she very calmly lets him in while in her nightgown, with no suggestion anything untoward might be in the offing. They have a little conference about Vicki’s relationship problems and Liz’ mental health. We can see why Mrs Isles was frustrated with Vicki’s part on the show- even when a man comes into her room in the middle of the night, half the time it’s for some dull recapping, and the other half she doesn’t even get to scream.
Recovering vampire Barnabas and mad scientist Julia are under pressure to create a female Frankenstein’s monster. The process they are using requires draining the “life force” from a woman into a constructed corpse. The other day, Barnabas announced they would force the role of donor onto Maggie, The Nicest Girl in Town and one of his former victims. When Barnabas’ servant Willie heard of this plan, he was horrified. Willie has a crush on Maggie, and is determined to spare her this fate.
Now, Willie has abducted Maggie and is hiding her from Barnabas and Julia. Barnabas is worried about what will happen if they cannot find another woman to use in the experiment. Julia says “If worse came to worst, I could do it.” Barnabas points out that only she is prepared to operate the equipment, and that she could not do that if she were serving as donor. She makes a feeble suggestion that their onetime lab tech, an unpleasant man named Peter who prefers to be called Jeff, might run the equipment. Barnabas says that Peter/ Jeff does not have her training. In any case, Barnabas had to fire Peter/ Jeff because he had reason to believe he was trying to sabotage the experiment, so he can scarcely trust him now.
This is not the first time Julia has offered to solve a problem by destroying herself, only for Barnabas to turn her down. In #350, when Barnabas was still a vampire and was desperately thirsty for blood, Julia volunteered herself as his victim. Barnabas was sufficiently moved to address her for the first time as “Julia” rather than with a distinctly contemptuous pronunciation of the title “Doctor,” but he still said the reason he was refusing was that he had use for her medical expertise. Barnabas’ cruel plan for Maggie suggested that he isn’t really any nicer now than he was as a vampire; this echo of that moment would suggest that he hasn’t even stopped seeing Julia, who after all loves him, as a kind of higher servant.
Willie has taken Maggie to the hidden chamber inside the old Collins family mausoleum. It was in this chamber that Barnabas was trapped in his coffin from 1796 until Willie inadvertently freed him to prey upon the living in #210. When she was his prisoner in #248, Barnabas took Maggie to that chamber and shut her up in the coffin there. While Willie tries to assure Maggie that she will be safe as long as she is with him, the memories that Julia used her preternatural powers of hypnosis to erase start coming back.
We see a flashback, not to Maggie’s time at Barnabas’ mercy, but to #283, when she was Julia’s patient at Windcliff Sanitarium. Julia took her on a trip to the old cemetery north of Collinsport, and they went into the mausoleum. Julia did not know about the hidden chamber, and did not understand why Maggie became upset when they were in the publicly known part of the mausoleum. Maggie remembers visiting the mausoleum with Julia, and cannot remember why it frightened her to be there. But the fact that she recognizes the chamber as part of the mausoleum means that her memory of what Barnabas did to her is coming loose.
This creates a truly suspenseful situation. Maggie is an audience favorite with connections to several other characters, and so it seemed unlikely anything Barnabas and Julia did would result in her leaving the show. But if she remembers what they did to her and tells the police about it, they will go to prison. Since Barnabas and Julia are the source of all the action on Dark Shadows, that would mean the end of the series. So her memory coming back sets up a crisis that might be resolved with a significant change.
Perhaps Barnabas and Julia will force Maggie to donate her “life force” with the consequence that her body dies and she wakes up in the newly created woman, who just so happens to look exactly like her but to have a drastically different personality. That seems plausible, since the long-running storyline of her romance with hardworking young fisherman Joe seems to be over, the minor theme of her relationship with her hard-drinking father Sam had been resolved long before Sam died a few months ago, and we have reason to expect her to move out of her house, which has long served as our window into the working class of Collinsport. If Maggie is running out of story, they may very well decide to keep Kathryn Leigh Scott on as another character.
Closing Miscellany
The flashback is not made of tape cut from #283. It couldn’t be- the show was in black and white then, and is in color now. So they recreate it. It’s kind of adorable to see Julia in her old wig.
This was not the episode they intended to shoot. It was the dress rehearsal. Shooting the flashback scene put them so far behind schedule they didn’t have time to do the episode, and they had to send this footage to the network. I believe that is the only occasion they ever resorted to that desperate expedient. The camera is out of focus much of the time and occasionally does not seem to be pointed in the right direction, the microphones are misplaced so that it sounds at one point like Julia is referring to Maggie as “Greg,” booms and other equipment intrude into the shots, and the actors frequently blow their lines. In other words, it is in no way different from any other episodes.
Some time ago, mad scientist Eric Lang promised Barnabas Collins that he could cure him of vampirism. His cure involved building a Frankenstein’s monster and draining Barnabas’ “life force” into it. Lang expected that this experimental procedure would end with Barnabas’ body dead and his consciousness awakening inside the newly constructed creature.
Lang died before he could complete the experiment. Barnabas’ friend, Dr Julia Hoffman, picked up where Lang left off. To their surprise, both Barnabas and the new man lived. Barnabas was freed of his curse, but he and Julia turned out to be the worst parents conceivable. They took the new man, whom they named Adam, to the prison cell in the basement of Barnabas’ house and kept him chained to the wall, alone for all but a few minutes a day, with nothing to stimulate his mind. Adam eventually escaped, and quite understandably hates Barnabas.
Adam has fallen under the influence of suave warlock Nicholas Blair. Nicholas persuaded Adam to go to Barnabas and threaten to murder well-meaning governess Vicki and everyone else Barnabas cares about unless he provided him with a mate. Barnabas enlisted Julia to take charge of the process and his servant Willie to steal dead bodies to use for parts. Now there is a constructed female corpse on a table in Barnabas’ basement and an apparatus to use in its animation. All that is missing is a woman to donate her “life force.”
Yesterday, Barnabas’ servant Willie overheard Barnabas telling Julia that he wanted her to hypnotize Maggie Evans, The Nicest Girl in Town, so that she would submit to the procedure. When Barnabas was a vampire, he took Maggie as his victim, keeping her in the cell where Adam would later be chained. After Maggie escaped from Barnabas, Julia hypnotized her to forget her ordeal. She now believes that Barnabas is just peachy.
Today, Maggie is on the terrace at the great house of Collinwood. She is having coffee with Vicki. The two of them are lamenting the fact that their fiancés have both become strangely distant lately, leading to the end of their engagements. Some of the fan-sites mention that both Kathryn Leigh Scott and Alexandra Moltke Isles have moments during this sad scene when they seem to be stifling laughter. In the years since the show ended, several of the actresses have said that Louis Edmonds had a habit of making wickedly hilarious remarks to them immediately before a taping that would involve a deeply serious scene, and that it would take everything they had not to burst out laughing at the worst possible moments. Edmonds’ character Roger Collins isn’t in this episode, but maybe he was on set for some other reason.
Barnabas shows up and talks with each woman separately. While Vicki is away getting a cup for Barnabas, Maggie tells him she might be leaving town soon. He is distressed to learn she may not be available for the crimes he is planning against her. After Maggie leaves, Vicki mentions that her charge David just left on a camping trip, and “It was quite something getting him off.” On Danny Horn’s Dark Shadows Every Day, a commenter named “Chris” remarked on this:
During the outdoor coffee scene after Maggie leaves Vicky with Barnabas, is the funniest blooper ever…….
Vicky, paraphasing: “I was getting David ready for his trip to Boston.”
Actual finish: “It was quite something getting him off.”
And then, she buries her face in the coffee cup, knowing that everyone is holding back laughter, and the awkward pause goes on forEVER.
Comment left by “Chris” at 7:57 AM Pacific time, 21 March 2016, on “Episode 583: Every Woman We Know,” by Danny Horn, on Dark Shadows Every Day (12 February 2015.)
To which I replied, “Vicki, no, he’s only twelve!”
When Mrs Isles is trying not to laugh, she bites her upper lip. She visibly does that before lifting the coffee cup to cover as much of her face as she possibly can, and the pause does go on a long time. So it could be that “Chris” is correct. I can only imagine Edmonds saying that now we know why they stopped showing the audience what goes on when Vicki and David are alone together.
While Maggie was Barnabas’ prisoner, Willie came to be very fond of her. Barnabas eventually framed Willie for his own crimes against Maggie; Willie was sent off to the mental hospital Julia is in charge of. After a few months, he was released. Willie came back. Since his return, Willie has been firmly convinced that Barnabas is his friend. Willie is also in love with Maggie. These attitudes thrust Willie into a crisis when he learns of Barnabas’ cruel plan for Maggie.
At first Willie tries to persuade Julia to refuse to bring Maggie into the experiment; she will not. Then he tries to stab the constructed body. Barnabas caught him before he could plunge the knife in, and threatened to kill him if he tried again.
Later, Willie goes to Maggie’s house and tries to persuade her to leave town immediately because “people” will hurt her if she doesn’t. When she asks what people, he with great reluctance tells her that “Barnabas, he’s involved… Now look, it’s not his fault- but he’s in it whether he likes it or not.” When Maggie expresses disbelief that Barnabas could be a part of any plan to hurt her, Willie says “I’ve got my loyalties to Barnabas, because he’s been good to me. And I’m being as loyal to him as I can be.” Even first-time viewers who do not know that Barnabas was a vampire who fed on Willie, beat him unmercifully, killed his friend Jason and forced him to dispose of the body, etc, will remember the opening of today’s episode when Barnabas greets Willie with a death threat. When we see that Willie sincerely believes that Barnabas has been good to him, we know that we are seeing a man who is as utterly lost as he can be.
After he fails to talk Maggie into getting on the next bus out of town, Willie goes back to the lab and steals a bottle of chloroform. He knocks over a stool; the noise brings Barnabas. Barnabas glances around the room, concludes that he is alone, and leaves. We see Willie cowering behind a table. Barnabas’ brief visit to the lab makes Willie seem even more pitiable. Barnabas doesn’t know where Willie is, does know that he has access to the lab, and has seen him trying to sabotage the experiment. Even so, he has so little regard for Willie’s ability to take action that he doesn’t see any need to do a real search. We hear his thoughts in voiceover as he thinks “There’s no one here.” Seeing Willie making himself small, we might suspect that Barnabas would have the same thought even if he were looking directly at his onetime slave.
Willie hiding.
Meanwhile, Barnabas encounters Adam on the terrace at the great house. Adam says that he will murder Vicki tonight unless Barnabas returns to the lab and gets back to work.
Willie breaks into Maggie’s bedroom. She awakens to find him pressing a cloth to her mouth. She screams, he apologizes, and the chloroform takes effect. He hears Barnabas let himself into the house and call for Maggie; when Barnabas comes into the bedroom, he finds the room vacant and the French windows open. We first saw this room in May 1967, when Barnabas was a vampire taking Maggie into his power. In those days, her father Sam and fiancé Joe were horrified to find that she had disappeared from it, leaving the windows open. That was because she was answering Barnabas’ call. Now Sam is dead and Joe is estranged from Maggie, and it is Barnabas’ turn to find that Maggie is gone. When he does, Adam’s threat to kill Vicki replays in his thoughts.
Recovering vampire Barnabas Collins goes into his basement, where an experiment is being planned that is intended to bring a female Frankenstein’s monster to life. He finds lab tech Peter, who prefers to be called Jeff, running the equipment with electrodes attached to the constructed body. He demands to know what Peter/ Jeff is doing. Peter/ Jeff makes some lame excuses, and Barnabas fires him.
As it happens, Peter/ Jeff is under the influence of Angelique. In the 1790s, Angelique was the wicked witch who made Barnabas a vampire. Recently, she defied her master, suave warlock Nicholas. Nicholas punished Angelique by stripping her of her powers and making her a vampire. The Frankenstein experiment involves draining the “life force” from a person into the constructed body. Barnabas served as the “life force” donor in a previous experiment that brought a man called Adam to life, and was freed from vampirism as a result. Angelique is trying to force Peter/ Jeff into conducting the experiment with her as donor, hoping for the same result. She was in the lab, strapped to a table next to the one bearing the body, when Barnabas entered, but used her vampire powers to vanish before he could see her.
The mad scientist who is in charge of the experiment is Barnabas’ best friend Julia. Barnabas and Julia meet in the basement lab and puzzle over Peter/ Jeff’s conduct. Barnabas concludes that Peter/ Jeff was trying to destroy the body because he knew the failure of the experiment would set off a series of events that would put Peter/ Jeff’s ex-fiancée Vicki in danger, and Peter/ Jeff now hates her so much he wants her to be killed. Julia dismisses this idea as absurd, but Barnabas seems really to believe it.
Barnabas and Julia talk about their need for a woman to serve as the creature’s “life force.” Barnabas announces that he has chosen Maggie, The Nicest Girl in Town. In May and June of 1967, Barnabas was a vampire and Maggie was his victim. After Maggie escaped Barnabas, Julia hypnotized her into forgetting what he was and what he had done to her. Barnabas may no longer be bound by Angelique’s curse, but when he says that he has decided that Maggie is “the body” they will use, Julia responds that he still sounds very much like “the old Barnabas.” In a cold voice, Barnabas observes that “You don’t like to be reminded of him, do you.” She objects to the idea of forcing Maggie to take part in a procedure that may well kill her, but he tells her that he is sure she will agree with him once she has given it some thought.
My wife, Mrs Acilius, points out that Barnabas’ expectations of other people suggest that even though he is now a human being, he is still as alienated from others as he was when he was a vampire. Vicki broke her engagement with Peter/ Jeff, therefore it makes sense to him that he would want her to be brutally murdered. Julia abused her medical skills to cover up his crimes against Maggie, therefore he expects her to use them again to commit more crimes against the same victim. He has plans for Maggie; so far from trying to gain her consent, he calls her “the body,” as if she were a slab of meat. His sarcastic line to Peter/ Jeff, “Everything seems to be my fault now!,” drives this home for regular viewers. Almost every bad thing that has happened in and around the town of Collinsport for a very long time is entirely his fault, and he ought to know it.
Barnabas’ much-bedraggled servant, Willie, overhears this conversation. He has a crush on Maggie, and is horrified that Barnabas wants to endanger her life. He talks with Julia, pleading with her to refuse to conduct the experiment unless Barnabas chooses another woman. She will not agree. He tells her that she doesn’t know what it is like to think of someone you care about on that table; she tells him that he is wrong, because she watched Barnabas go through it.
Julia admits to Willie that she has feelings for Barnabas.
This is the first time we have seen Julia explicitly tell Willie that she has feelings for Barnabas. He looks stunned; she leaves before he can say anything else. If Willie were not caught off guard by Julia’s frankness, he might have said that it was different for Barnabas. He volunteered to be the “life force” donor, and laboring under the vampire curse he had little to lose even if the worst happened. But they do not plan to give Maggie a choice, and she is a healthy young woman with everything to live for.
The episode ends with Willie in the basement lab, raising a scalpel to stab the constructed body. This is a nice bit of ring composition, taking us back to the day’s starting point. But we saw Peter/ Jeff try to stab Adam with that same scalpel a few days ago, and that effort was a ridiculous failure. Moreover, the constructed body isn’t alive yet, and if Julia could sew it together from dead parts surely she could repair any damage Willie might do. So we don’t end with much suspense.
Dark Shadows Commentary 