Month: October 2024

Episode 594: Ominous stillness

In yesterday’s episode, everyone was very upset about the death of heiress Carolyn Collins Stoddard and frightened that Frankenstein’s monster Adam would react to it by murdering everyone in the great house of Collinwood. Then it turned out Adam was sitting peacefully under a tree and Carolyn was alive and well, so the upshot of it all was that the audience grew half an hour older.

Today, suave warlock Nicholas Blair tells Adam that it is thanks to his powers that Carolyn is alive. Nicholas also gets Carolyn to go to his basement and help him with a séance. This doesn’t take the same form as the show’s previous séances, nor is it meant to achieve the same purpose. Rather than putting questions to a ghost who has been trying to communicate, Nicholas wants to raise a spirit that he will then reinvest with flesh. It is the spirit of homicidal maniac Danielle Roget.

Danielle lived in France during the First Republic, and enjoyed sending people to the guillotine. Later, she came to America and, as Nicholas says, “died… here.” The emphasis he puts on the word “here” makes it sound like she died in the basement, though they don’t follow up on that. Nicholas tells Carolyn how evil Danielle was, and she is puzzled that he wants to raise such a spirit. It’s odd that she goes along with it. Maybe she is simply too tired to say no- after all, she just died a couple of hours ago, that must take a lot out of a person.

Carolyn’s temporary death was the result of an unsuccessful attempt to create a mate for Adam. Mad scientist Julia Hoffman and old world gentleman Barnabas, with assistance from Barnabas’ servant Willie Loomis and an unpleasant man known variously as Peter and Jeff, have built a woman’s body from parts scavenged from corpses and set up some very flashy equipment in Barnabas’ basement. The procedure needs a living woman to donate her “life force” to animate the constructed body. Under Nicholas’ influence, Carolyn volunteered to be that donor. Since everyone agrees that they shouldn’t kill Carolyn again tonight, Nicholas tells Adam that he will provide another woman. That is why he wants Danielle.

Regular viewers might have been surprised that Nicholas guided Carolyn to volunteer. In #575, he had said that the donor would have to be “the most evil woman who ever lived!” so that he could be sure she and Adam would produce a race of offspring loyal to the devil. Carolyn was tempestuous and selfish in the first six months of the show, but she was never really evil. Perhaps Nicholas not only brought Carolyn back from the dead and kept Adam from going on a murderous rampage, but also arranged the failure of the experiment so that Julia and Barnabas would have to use Danielle.

Danielle appears. She is disappointed Nicholas won’t let her kill Carolyn. Nicholas tells her to come back in a bodily form. She tells Nicholas that she can exist in that state for only a few hours; he tells her she will only need a few hours.

Barnabas is home alone, wondering where Julia is. A knock comes at his front door. It is Danielle, in modern dress, introducing herself as “Leona Eltridge.” She says Adam told her to come. The door opens further, and we see that Adam is standing next to her.

Erica Fitz as Danielle Roget, alias Leona Eltridge.

Danielle/ Leona is played by Erica Fitz. Miss Fitz’ IMDb page has a total of five credits, the earliest in 1966 and the latest in 1970. She is an unbelievably bad actress. She doesn’t deliver lines, but articulates her dialogue word by word as if she were presenting challenges to the contestants in a spelling bee. She seems to be a nice person, though. In 2017, a GoFundMe was posted in her name because she has an incurable form of cancer. Describing herself on it, she wrote: “My biggest ‘claims to fame’ were that I was in Arnold Schwarzenegger’s first movie in the U.S. called Hercules in New York (we did not win an Oscar), a TV series entitled Dark Shadows, and a small part in a Broadway show entitled There’s a Girl in My Soup.” It doesn’t look like the fundraiser is still open, but she’s still around.

Nicholas refers to Adam’s mate today as “Eve.” This is the first time we have heard her called by that name.

Episode 593: To face reality

Our story so far…

Frankenstein’s monster Adam has threatened to kill everyone in the great house of Collinwood unless old world gentleman Barnabas and mad scientist Julia create a mate for him. They are to do this by building a woman out of parts scavenged from corpses and draining someone’s “life force” into her. Adam has a crush on heiress Carolyn, so he insisted she be the “life force” donor. Under the influence of suave warlock Nicholas, Carolyn volunteered to serve in that capacity. On Monday, Adam figured out that Carolyn is in love with him, so he told her there was no need to complete the procedure. They could just marry each other. She reacted to that with evident confusion, her own feelings competing with Nicholas’ spell. Nicholas’ influence won out, and Carolyn insisted on going through with the experiment.

The experiment failed to bring the mate to life, and left Carolyn badly injured. After a soulful conversation with Adam in the upstairs bedroom, she lost consciousness. Julia pronounced her dead. Adam then went to Barnabas and declared that he would make good on his threat. He knocked Barnabas down and stalked out of the house. When Julia saw how badly Barnabas was hurt, she went back up to the bedroom to get her medical bag. She found that Carolyn’s body was gone.

Barnabas and Julia wonder where Carolyn’s remains could be and how they can prevent Adam killing everyone. Barnabas’ servant Willie returns to the house to tell them about another crisis. In May and June of 1967, when Barnabas was a vampire, Maggie, The Nicest Girl in Town, was his victim. He imprisoned and tortured her. In August of that year, Julia abused her position as Maggie’s psychiatrist to hypnotize her so that she would forget all about her ordeal. Now Maggie’s memory has come back, and Willie is keeping her locked up in the hidden chamber of the old Collins family mausoleum. Willie tells Barnabas and Julia that Maggie has figured out how to get out of the chamber, and that she is staying there now only because he knocked her out with chloroform. It’s just a matter of time before she gets away.

Willie also says that he saw Adam a few minutes before. Adam was sitting quietly under a tree. He did not have Carolyn’s body with him. Julia wonders if that means that Adam has decided not to go through with his threats, but Barnabas is not so optimistic.

In the Mausoleum

We see Maggie awaken in the mausoleum. She goes to open the door, only to find Julia standing behind it. Julia blocks the exit and enters. Maggie is afraid Barnabas has sent Julia to kill her. Julia can deny that, but denies nothing else Maggie says. Maggie confronts her as Barnabas’ accomplice and walks toward her; Julia backs away, and Maggie chases her around the coffin in the center of the little space. Julia tells Maggie that she will never get out of the chamber unless she cooperates. Julia tries to hypnotize Maggie, but that only succeeds in reminding her of how Julia erased her memory before. Julia admits that she did that, and tells Maggie her only hope for survival is to let her do it again. Maggie says she would rather die than submit to such a thing. When we first met Julia, she was a doctor whose ambition to treat a vampire led her to betray a patient’s trust, but who could still tell herself that she was serving a greater good. Now, we see that she has lost her moral compass completely. This scene is a showcase for both Grayson Hall and Kathryn Leigh Scott.

A Fanfic Interlude

Julia has been inseparable from Barnabas long enough that it is possible for daily viewers to forget that she was introduced in scenes with Maggie, and that it was by betraying Maggie’s trust that she earned her place as a main character. This scene reminds us of that history, but it doesn’t really make sense. Julia must know that if she calls on Maggie in the hidden chamber where she is being held prisoner, it will be obvious to her that she is in league with her captors. If she wants Maggie trust her so that she can hypnotize her, she will have to deceive her in some way. Julia is the show’s most fluent and plausible liar, so you might assume she would have come up with an effective stratagem.

Mrs Acilius and I came up with a method that might have worked. Imagine an episode that opens with Maggie alone in the hidden chamber. The door opens, and Willie enters. Maggie confronts him with enough information to bring the audience up to date with her situation. Maggie hits him with something, stunning him momentarily. She is opening the door when he grabs her and puts a cloth over her nose. She passes out.

After the opening titles, Maggie comes to in her old prison cell in Barnabas’ basement. She finds that Julia is also there, chained to the wall. Julia tells her that she has only recently discovered the full truth about Barnabas, and that he locked her up to keep her quiet. Maggie knows how close Julia and Barnabas have been for the last year, and is skeptical. At the end of Act One, Maggie is still unsure whether she can trust her.

In Act Two, Barnabas comes in and threatens both women. He lets slip that Maggie found a way to escape from the cell in June 1967. By the time he leaves, Maggie believes that Julia is on her side. In Act Three, Julia asks Maggie how she escaped the year before. That part of Maggie’s memory hasn’t come back, so Julia offers to hypnotize her so that she will remember. Maggie agrees. Julia produces her medallion, and Maggie goes under. We dissolve to the aftermath of the hypnosis. Maggie is asleep on the cot in the cell; she is smiling. Julia is taking the fetter off; it was never locked. Barnabas and Willie open the door; Julia says that Maggie’s memory has been wiped clean again. She will be asleep for an hour, so they should take her home now.

That would not only remind us how Julia began, show us how she has turned out, and explain how Maggie lost her memory, but it would also give us a glimpse of the old, evil Barnabas who first made the show a hit. Barnabas spent his first year as a bloodthirsty ghoul pretending to be a kindly cousin from England; it would be interesting to see the humanized Barnabas pretending to be his old self.

Meanwhile, In the Episode They Actually Made…

Julia leaves the mausoleum and goes back to Barnabas’ house. She tells him the hypnosis failed. At that, Barnabas decides the time has come for him to go to the surviving members of the family in the great house and tell them the truth. Julia tries to talk him out of it, and he says he will do what he can to “exonerate” her from responsibility for the crimes they have committed together. But with Adam and Maggie both at large, he feels he can no longer keep secrets. Just as Julia has lost her conscience it seems that Barnabas, who earlier this week told Julia he would murder Maggie if she couldn’t keep her quiet, may at last have found his.

At the door of the great house, Barnabas wrestles with doubts:

I can’t go through with it. I can’t tell them Carolyn is dead. I’d be forced to tell them about the experiments, Adam, everything Julia and I have done. And if the truth starts to come out, where will it end? Where?… No. I can’t think about that. The family has to know that Carolyn is dead–how she died! I have to tell them no matter what happens to me. No matter what happens. I must tell them!

He finally knocks on the door, and is thunderstruck when Carolyn opens it, looking the picture of health. This might have been an effective surprise if Barnabas’ voiceover soliloquy hadn’t given us ninety seconds to think about who might open the door, and realize there is only one possible candidate.

Episode 592: Why isn’t it showing some sign of life?

Frankenstein’s monster Adam has threatened to go on a murder spree unless old world gentleman Barnabas and mad scientist Julia build him a mate. He has further demanded that heiress Carolyn donate the “life force” that will animate his bride. We open today with a reprise of yesterday’s ending in which the experiment begins and immediately goes wrong. Julia announces that unless the mate comes to life in the next sixty seconds, Carolyn will die. They show us a clock. Sixty seconds pass, and the mate doesn’t come to life. So I guess Carolyn is dead now.

When we return from the opening titles, Adam insists on taking Carolyn from the laboratory. Julia says that Carolyn is in a bad way. Using a bit of Collinsport English, she says that Carolyn’s “pulsebeat” is decreasing. Alarmed, Barnabas asks if she might die. Julia reluctantly admits that it is possible. Evidently the opening titles wiped their memories clean of her earlier statement about the sixty seconds that would determine Carolyn’s fate.

Adam and Carolyn share a scene in the upstairs bedroom. Robert Rodan and Nancy Barrett do a wonderful job of acting, enough to save the episode from the “Stinkers” label. As Carolyn describes what she saw while she was unconscious during the experiment, images of sculpted pieces depicting body parts are superimposed on the screen over her face. She says she “saw something in the fog… hazy forms, floating in the air. They began to take shape. A collection of dead things, disconnected, coming toward me, wanting something from me-wanting life. My life!” The superimposed images don’t lead to anything, anymore than anything else in the episode does. But they are typical of the bold visual artistry of director Lela Swift, and evocative of the sort of thing you would see in the more ambitious low-budget films of the period.

One of the images that illustrates Carolyn’s account. Screenshot by Dark Shadows Before I Die.

Carolyn loses consciousness just before Julia comes in with her medical bag. Julia pronounces Carolyn dead. Adam goes to the basement, where he tells Barnabas he is ready to start his murder spree. Barnabas tries to stop him, and Adam easily beats him down. Adam storms out of the house, passing Julia in the foyer on his way to the great house of Collinwood. Barnabas staggers upstairs and tells Julia what happened. She goes upstairs to retrieve her bag so she can treat his wounds, and finds that Carolyn’s body has vanished from the bed.