Episode 912: A little water won’t hurt her

In his post about this episode on his great Dark Shadows Before I Die, Danny Horn remarks that this is one where you don’t need any background- as a first-time viewer, you tune in, see the characters confronting each other, and you’re so curious as to what it is all about that “you are now a person who watches Dark Shadows.” So I will try to write it up as if I were coming to it cold.

We open in a corridor where a girl aged about eleven is vowing not to be frightened. She hears heavy breathing coming from behind a door. She opens the door. She looks forward and screams in terror.

We cut to what appears to be the home of someone with a hoarding problem, but which we will later learn is an antique shop. A creepy looking man in a dark cape enters and scolds an eight year old boy whom he addresses as Alexander. He demands to know why Alexander let the girl, whose name we learn is Amy, go into the room. Alexander is defiant, the man cold. Alexander asks the man if someone named David told him what happened, and he responds that it does not matter who told him. He tells Alexander that he will obey him when he is grown, but that as long as he is a child he will give the orders. Alexander must not do anything to upset the plan which some group they are in is putting into effect. The man then announces that he is going off to solve the problem Alexander created when he let Amy enter the room.

We cut to a door surrounded by foliage. Amy knocks on it. Receiving no answer, she lets herself in.

We cut to the foyer of a large house. A man and woman are looking at a startlingly bad portrait in oils. They are talking about how good it is, leading us to wonder if we are supposed to think there is something wrong with them or if we are expected to suspend our disbelief and pretend the painting is actually good. Other paintings hang on the walls of the set, some of them so far superior to this one that we are inclined to the first interpretation.

The art critics. Screenshot by Dark Shadows Before I Die.

The man’s name is Professor Timothy Eliot Stokes, the woman’s Dr Julia Hoffman, MD. They appear to be friends, answering to the names “Eliot” and “Julia” respectively. The painting is the work of an artist named Charles Delaware Tate. Julia has found another painting, one executed just a year before, which she believes to be another work of Tate’s, even though it is signed “Harrison Monroe.” Stokes says that a friend of his who is an expert on Tate attended Tate’s funeral ten years previously. Julia says that she wants to go to a nearby cottage to tell someone named Chris Jennings about the paintings. Stokes is surprised that Chris is interested in late Victorian art, and Julia says that he is helping her with a project.

We cut to a room in a small house. Amy is there. A young man comes in. She is frightened when she hears him approach, but runs to him and embraces him when she sees who he is. He asks what’s wrong, and she cannot speak. She takes a paper, and writes the single word “SHOP.” This tells the man nothing.

Julia enters. She addresses the young man as Chris. When Chris tells Julia that Amy cannot speak and that she wrote the word “SHOP,” Julia reacts strongly. She orders Chris to go and make David tell him what happened to Amy in the antique shop. Chris goes, and Julia asks Amy if Alexander hurt her. Amy’s eyes widen and she looks away. Julia pleads with her to relax and then try to talk.

The creepy looking man in the dark cape enters. Julia calls him Barnabas. Barnabas asks if he frightened them; Julia says that he did not, an obvious lie. He smilingly sets about diagnosing Amy, touching her forehead and saying she has no fever. The girl manages to say that she is thirsty. Barnabas directs Julia to fetch a glass of water. Julia refuses, and insists Barnabas do so. He eventually capitulates. While he is away, Julia urgently whispers to Amy that she must say nothing while Barnabas is with them.

Barnabas returns with the water. Amy drinks it, and he fondles her face in a manner that might not be alarming if she and Julia weren’t so tense and he weren’t so languidly pleased with himself. As it is, it is like an assault. He tells Amy that she will feel better soon. She takes a few wandering steps to her left and sinks into a chair, asleep. He tells Julia that she should let Amy sleep, then excuses himself.

Chris returns. He says that he did not interrogate David, because Alexander was with him. He did get a story about a man named Grant entering the antique shop and frightening Amy because she thought he was someone named Quentin.

Stokes enters. They talk about calling on Harrison Monroe at his home some miles away. Stokes says that he has a lecture to deliver tonight, but that he will be glad to go with Julia to Monroe’s place tomorrow. Julia is determined to go tonight. Julia says that she will go to Monroe’s by herself, and we see Amy looking alarmed, shaking her head.

Back in the larger house, we see Alexander and Barnabas in a drawing room, looking at a box. Barnabas tells Alexander that Amy “is in the intermediate stage” and that if they have been successful she will open the box and become part of their group.

In the foyer, the front door opens. Chris and Amy enter. Chris tells Amy that it is his job to take care of her. She says she knows that it is, and hugs him. He leaves, and Amy heads for the drawing room. Alexander opens the doors to the drawing room and stands in the doorway. Amy approaches carefully. She sees the box, and without a word opens it. She gives Alexander a snapshot and apologizes for not returning it to him earlier. He accepts it with poor grace, and she repeats her apology. She exits.

We cut to another door surrounded by foliage. Julia knocks on it. A voice booms from a loudspeaker mounted above it, commanding her to leave. She says that she has come on business relating to “Delaware Tate.” The door opens, and she enters.

This episode marks the final appearance of David Jay as Alexander. His character will undergo a metamorphosis and return as another actor in the next episode. Two of Danny Horn’s commenters (here and here) identified themselves as personal friends of Mr Jay’s. They reported that “David Jay” was a stage name, and that as of March 2021 he was alive and well and living an intensely private life.

Julia’s scene at Monroe’s door recalls the end of #153, when well-meaning governess Vicki and instantly forgettable young lawyer Frank knocked on a door that opened by itself and went into a tomb. Longtime viewers can only hope that once inside Julia will meet a character as appealing as the one Vicki and Frank met in #154.

Episode 908: Mollycoddle that monster

The current phase of Dark Shadows is focused on the threat to the human race posed by the Leviathans, unseen supernatural beings who have taken control of several characters on the show. Among their devoted servants are matriarch Elizabeth Collins Stoddard and her nephew, strange and troubled boy David Collins. Today, Liz and David welcome a boy known as Alexander to the great house of Collinwood. Alexander appears to be an eight year old boy, but is in fact an extreme case of Soap Opera Rapid Aging Syndrome. Last week he was an infant, and a few days before a whistling sound coming from a wooden box. Whatever Alexander may really be, he holds a key position in the Leviathans’ plan.

At times, Dark Shadows becomes so much a kids’ show that it loses much of its adult audience. The Leviathan story so far has gone to the opposite extreme. A scene in which Alexander orders the thirteen year old David to give up the transistor radio he had long wanted and that his father just gave him will probably get similar reactions from viewers of all ages, but when Alexander scolds Liz for asking questions and she apologizes, only those who remember Joan Bennett as the great star she was in the late 1930s and early 1940s will get the full force of the moment. In general, adults will probably feel the distress Alexander’s tyranny is supposed to induce, while the fans who are running home from elementary school to watch the show will likely be either annoyed with the kid or amused to see the grownups getting theirs.

Liz’ ex-husband Paul is being persecuted by the Leviathans and their human agents. Paul is staying at Collinwood, and he is outraged to find Alexander in the house. Paul carries on like a crazy man, prompting Liz to tell him that if he doesn’t compose himself he will end up in a mental hospital. He tells Maggie Evans, David’s governess, about his suspicions; she listens sympathetically until he catches Alexander eavesdropping and roughs the boy up. Maggie then freezes in horror, and Paul goes on shaking Alexander and yelling at him until Liz enters and puts a stop to it. While Liz and Maggie stand in the corridor and talk about Paul’s lunatic behavior, he paces in the drawing room, telling himself that he mustn’t “fly off the handle” again.

David enters and hands Paul a small photo album. He says that it has pictures of Paul and Liz’ daughter Carolyn when she was a child. Since Paul wasn’t around when Carolyn was growing up, David says it occurred to him that Paul might want to look through it. Paul thanks David for his thoughtfulness.

As Paul leafs through the album, we get a look at a picture depicting Carolyn as she was when she was about ten. We haven’t seen the model before. Dark Shadows had such a tight budget that regular viewers will be fairly sure they wouldn’t have brought a girl in only to pose for a single photograph, so we might start wondering when we will meet the ten year old Carolyn.

Child Carolyn. Screenshot by Dark Shadows Before I Die.

We may also be wondering when we will see another girl of about the same age. Denise Nickerson, twelve years old in December 1969, has been in the cast for a year at this point, and has made major contributions every time we’ve seen her. We saw in #893 and #896 that her character Amy Jennings is still living at Collinwood and is still David’s chief playmate. But as is usual in episodes where she does not appear, Amy is unmentioned today. Liz tells Paul that David spends entirely too much time surrounded by adults, as if Amy does not exist. They followed the same pattern during the eight months of 1969 when Dark Shadows was set in 1897 and Nickerson played nine year old Nora Collins. When Nora was in the episode, she was often its brightest spot, but when she wasn’t her name never came up. It’s unnerving that the show does so little to reassure us that it will continue to make use of such a talented and appealing young actress.

Alexander sits on the bench that has been in the foyer at Collinwood throughout the whole series. The Dark Shadows wiki says this is only the second time the bench has been used. I want to say it is the third- I remember David sitting there in #176, when Maggie’s predecessor Vicki told him he could have two desserts, cake and ice cream, but I seem to recall either him or someone else sitting there at some point around that time. I’m not going to go back through those episodes to check, but if you’ve been watching them I’d appreciate it if you’d leave a note in the comments.