Episode 495: A nice boy

In #134, strange and troubled boy David saw his mother Laura Murdoch Collins for the first time in years. To everyone’s surprise, not least his own, David reacted to Laura with terror. It turned out that he had good reason for this reaction, as Laura was actually an undead blonde fire witch come to lure him to his own death.

In #489, David learned that his father Roger had remarried. Like everyone else in the great house of Collinwood, David was stunned to learn that Roger had known his new wife for less than a day before he married her. Unlike the others, his speechless reaction prompted Roger to jump to the conclusion that he disliked his new stepmother. Roger scolded David and sent him to play outside until he could come back and be charming.

While outside, David had stumbled upon the new Mrs Collins kissing a man other than her husband. Later, he found her alone in the drawing room, told her what he had seen, and informed her that he would tell his father about it.

Roger’s new wife wears a black wig and calls herself Cassandra. What the audience knows, but neither Roger nor David do, is that she is actually an undead blonde witch. Roger does have a type.

The new Mrs Collins’ real name is Angelique. She has come to 1968 from the late eighteenth century to resume her punishment of Barnabas Collins, whom she turned into a vampire in their time, but who has now been freed from the symptoms of the curse. When David told Angelique/ Cassandra that he would report her misconduct to Roger, she used her magic powers to strike him dumb. When his muteness became inconvenient for her in #492, she cast another spell to erase his memory and restore his speech. To execute this spell, she took fire from the hearth and spoke words to David that caused him to drift into a trance. We remember #140, when Laura urged David to stare into the flames of this same hearth while she told the story of the Phoenix, causing him to drift into a trance. From that point on, he liked his mother very much.

Today, David meets Roger in the foyer of Collinwood. He tells his father that Angelique/ Cassandra took him into town, where she bought him a Swiss army knife. He says she would have bought him anything he wanted. Thus we learn that, though she is a wicked witch (as well as a wigged one,) Angelique/ Cassandra is in some ways a typical step-parent. When Roger says he is glad to see that David now likes Angelique/ Cassandra, David is mystified. As far as he can recall, he always liked her.

Roger sends David to answer a knock at the door. It is their distant cousin Barnabas. This is the first time we have seen David and Barnabas together since #333, when David barely escaped with his life after Barnabas caught him looking at his coffin. David now greets him quite calmly.

David leaves. In the foyer, Roger scolds Barnabas for his rudeness to Angelique/ Cassandra. Barnabas could hardly be expected to fail to recognize his old nemesis, but he has indeed shown an extreme lack of prudence in his uninhibited talks with her. Not only has he created unpleasant scenes to which Roger is bound to object, but he has also let Angelique/ Cassandra know exactly what he does and does not know about her.

Roger says that if Barnabas cannot be friendly to Angelique/ Cassandra, he shouldn’t come to the great house anymore. Barnabas asks if Roger shouldn’t ask his sister Liz, who after all owns the house, what she thinks. Roger says that will be unnecessary, since Liz has even less tolerance for rude behavior than he does. Barnabas is promising to do better when Liz runs in, frightened by a tall man she met on the grounds. Liz told the man he was on private property and directed him to leave. The man said nothing at all in response to this challenge or to her subsequent questions. He stood still and appeared to be mute until he spoke Barnabas’ name. Liz ran from him when she saw that he had a shackle attached to his leg. Roger flies into a panic, assuming that a shackled man must be dangerous and remembering that David is alone in the woods. He gets his gun, and rushes out. Barnabas accompanies him.

In the woods, David is playing Mumblety-Peg with his new knife. The tall man shows up; when David finds that the man cannot talk, he says that he is glad. He says that he often wishes no one could talk. He goes on at considerable length about the disadvantages that come with the ability to speak. He then explains to the man that you play Mumblety-Peg by dropping the knife into the ground so that it sticks there. The man becomes excited and grabs the knife. David objects and demands he return it. They struggle; David falls and hurts his ankle. David grumbles that all the man had to do was give him his knife back. The man looks alarmed and picks David up. David doesn’t like that one bit, and insists he be put down.

Roger points the gun at Adam and David.

David’s shouting brings Roger and Barnabas. Roger points his gun at the man and orders him to put David down. When the man does not move, Barnabas tells Roger not to shoot. David, in the line of fire, seconds this recommendation. Barnabas talks to the man in a soothing voice, gesturing towards the ground, and the man does set David down. David runs to Barnabas and gives him a hug.

This is the second time David has run into Barnabas’ arms. The first was in #315. David had been trapped in the hidden chamber in the old Collins family mausoleum, where Barnabas was confined in his coffin from the 1790s until 1967. Barnabas learned that David was there, suspected he might have deduced his secret, and decided to kill him. David got out of the chamber just as Barnabas was approaching it, and ran from it directly to him. He had not in fact figured out Barnabas’ secret while in the hidden chamber, but Barnabas’ behavior in the minute before someone else came along was menacing enough that David caught on that he had sinister plans for him. For the next ten weeks, his fear of Barnabas would deepen, leading him to discover the whole horrible truth about his distant relative. All that is forgotten now, evidently.

Roger jumps to the conclusion that the tall man had “tried to kill David!” He shoots him in the shoulder and runs after him with his gun, over Barnabas’ objections. Roger had been quite unconcerned with David’s well-being throughout the first year of the show. In the first months, he openly hated the boy and continually tried to persuade Liz to send him off to an institution; in #83, he coldly manipulated David into attempting to murder someone who posed a problem for him; even after other characters had begun to realize that Laura was a deadly threat to David, Roger continued to press eagerly for her to get full custody of him and take him away; and in #313, when David was trapped in the mausoleum, Roger could barely be bothered to take part in the search. Roger’s behavior will therefore be less likely to suggest to regular viewers that he is overcome with paternal feeling than that he is a panicky fool who is much too excited about an opportunity to shoot someone.

The tall man is Adam, a Frankenstein’s monster created in the procedure that caused Barnabas’ vampirism to go into remission. Though he is 6’6″, Adam is only a couple of weeks old, effectively a baby. Barnabas has been keeping him in his basement, chained to the wall in the prison cell he maintains for those times when he has abducted a pretty girl and has to keep her from running away. The opening voiceover tells us that “no man has suffered more” than Barnabas, just as we cut to Adam, despondent in his shackles. Barnabas comes in to give Adam a cup of broth and a couple of minutes of rigidly formal social interaction, then leaves him alone again. Somehow this sequence makes it difficult to sympathize as deeply with Barnabas as the narration would have us do.

Episode 478: Carried on the wind

Soap operas usually have multiple more or less independent storylines going simultaneously. Dark Shadows had trouble keeping that up, usually having an A story with all the action and a B story that never got off the ground and eventually dried up altogether. Now, in the spring of 1968, they have several equally dynamic arcs going at once. As a result, today’s episode is a bit of a jumble, as we catch glimpses of several loosely related events.

For the nineteen weeks stretching from #365 to #461, well-meaning governess Vicki came unstuck in time and found herself trapped in the 1790s. In that period, she met many people, among them gracious lady Josette and wicked witch Angelique. In the 1960s, one of Vicki’s closest friends is Maggie, The Nicest Girl in Town. Like Maggie, Josette is played by Kathryn Leigh Scott. When Vicki saw Josette, she realized that Maggie had some kind of metaphysical connection to her. This was a daring move on the part of the show, since it means that vampire Barnabas was onto something in the summer of 1967 when he abducted Maggie and tried to brainwash her so that her personality would vanish and Josette’s would appear in its place.

Angelique has followed Vicki to 1968. She calls herself Cassandra, wears a black wig, and has married sarcastic dandy Roger, thereby securing residence in the great house of Collinwood. Vicki and Barnabas recognize Angelique/ Cassandra, and each knows that she is a deadly threat to everyone in and around the estate. For her part, Vicki is trying to hide her knowledge from Angelique; Barnabas has taken a different tack, and the other day let Angelique into his house where he proceeded to give her all the information she could possibly need to realize her evil intentions towards him. This is not because Barnabas cannot keep a secret. Vicki has tried to enlist him in the battle against Angelique, but he, now in recovery from the vampire curse Angelique placed on him in the 1790s, does not want Vicki to know the truth about him, and so he will not cooperate with her in any way. It’s only his enemies with whom Barnabas compulsively shares damaging intelligence.

Maggie comes to the great house to have a tea party with Vicki today. Angelique/ Cassandra opens the door, and cannot hide her shock at Maggie’s resemblance to Josette. She so blatantly stares at her that she has to admit that she is unnerved because Maggie looks very much like someone she knew a long time ago.

Vicki comes in, and Angelique/ Cassandra asks her, not in her usual mid-Atlantic accent, but in Lara Parker’s sweetly musical Tennessee voice, if she and Maggie are planning to use the drawing room. Vicki at once offers to use a different space, not only as would be correct for a member of the household staff speaking to one of the family, but in a relaxed and friendly way that betrays nothing of her knowledge of Angelique/ Cassandra’s true identity. While returning viewers know that Angelique/ Cassandra remembers Vicki from the 1790s, the Southern accent is so much more natural than her usual way of speaking that it suggests Vicki has managed to get her to let her guard down to some degree.

While Vicki and Maggie settle into the drawing room, Angelique/ Cassandra goes to a portrait of Barnabas that hangs in the foyer of the great house and delivers a speech to it. She tells the portrait that Maggie is the very image of Josette, and will therefore be the first victim of her latest evil plan. She is going to spam people’s dreams with a series of nightmares, and when the last person has had the nightmare Barnabas will be a vampire again. Evidently the dreamers of Collinsport didn’t have anti-virus programs installed in their brains, because Angelique/ Cassandra expects them all to be helpless before this morphean malware.

In the drawing room, Maggie is too preoccupied with Angelique/ Cassandra’s strange reaction to her to hear when Vicki asks her how she takes her tea. When she tells Vicki that Angelique/ Cassandra was shocked by the sight of her, Vicki amazes her by saying that she is sure she did react that way, and giving her the details of the reaction before Maggie reports them. Maggie asks Vicki to explain how she knew and what it means. Vicki explains nothing.

This is something of a reversal. In #1, Vicki met Maggie. Vicki had just arrived in Collinsport, and went to the diner where Maggie was the waitress. While Maggie served Vicki, she told her that Collinwood was haunted and that it was unwise to go there. Vicki did not at that time believe in ghosts and told Maggie so. Now, Vicki is the one serving the tea, and she is the one who knows far more about the supernatural than does Maggie. At least, far more than is in Maggie’s conscious mind- she has amnesia about her experience as Barnabas’ victim.

Vicki and Maggie’s tea party

Maggie is far more upset by Angelique/ Cassandra’s reaction to her than circumstances would appear to warrant. Vicki’s reticence is understandable, given the extreme complexity and improbability of her story, but she has always been so forthcoming with her friends that when Maggie asks why she is being so mysterious it seems quite likely that Vicki will tell her everything. Together, these two facts suggest to regular viewers that Maggie will eventually hear herself compared to Josette, that the comparison will jar loose the memory of what Barnabas did to her, and that she will go to the authorities. As an audience, we hope Barnabas will get away with his crimes, because the show is most fun to watch when he does. Now that Angelique has come to 1968, we have a morally defensible in-universe reason for this hope. Angelique is even more evil than Barnabas is, and without his active participation there is no hope she can be stopped.

Vicki’s reticence brings up another question. In the months before her journey to the past, she saw a great deal of evidence that Barnabas was a vampire. While in the eighteenth century, she saw so much more that upon her return Barnabas was certain she must have figured out his secret, and bit her to keep her quiet. When his vampirism responded to medical treatment, the symptoms of his bite went away. We wonder what Vicki knew at each stage of the story, and what she remembers now.

One possibility is that she has known everything all along. That would put Vicki in an intriguing position if Maggie’s memory does come back. Vicki originally represented the audience’s point of view; if she turns out to have been aware of Barnabas’ crimes from the beginning, she will put us in the uncomfortable position of wondering what it tells us about ourselves that we are consistently on the vampire’s side.

Vicki changes the subject to her boyfriend, a man named Peter. Vicki met Peter in the 1790s, and like Angelique he has followed her into her own time. Also like Angelique, he keeps insisting that he has a different name. He wants to be called Jeff. Unlike Angelique, Peter/ Jeff is amnesiac, is under the control of mad scientist Dr Lang, and brings the show to a screeching halt every time he is on screen. Vicki asks if Peter/ Jeff can rent the spare room in the cottage Maggie shares with her father. Maggie has never met or heard of Peter/ Jeff, and wants more information before she commits to living with him. Vicki doesn’t have anything to tell her, inflaming Maggie’s curiosity to the point where she exclaims “I can’t stand it!”

Peter/ Jeff telephones from Lang’s laboratory, and Vicki gets Maggie to agree to meet him at her house in an hour. Unknown to Vicki, Lang is building a Frankenstein’s monster, and plans to download Barnabas’ personality into the body once it is completed. Peter/ Jeff has dug up graves and fetched body parts for Lang to use, but is tired of that sort of work and is eager to make a fresh start. Unfortunately for him, Barnabas requested that the body look like Peter/ Jeff. So Lang persuades Peter/ Jeff to call Vicki back to say he won’t be available to meet her and Maggie today after all. He then gives Peter/ Jeff a shot to knock him out, straps him to a table, and sets about cutting his head off. Peter/ Jeff comes to and complains about this; Lang, irritated, tells him he can’t very well have expected him to let him live, knowing what he knows.

Maggie has the dream Angelique has sent. It begins with Peter/ Jeff calling on her. Since they went out of their way to tell us Maggie has never seen Peter/ Jeff, this tells first time viewers that this sequence, as is typical of dream sequences on Dark Shadows, comes not from the character’s mind, but is the product of a supernatural agency. In the course of the dream, Maggie hears the sound of Josette’s music box; Barnabas made her listen to this when he was holding her prisoner. This again raises the prospect that Maggie’s memory will return. The rest of the dream is a concerto for fog machine. Technical director Lou Marchand is credited today; presumably he was the soloist. The fog immerses everything so completely that it is anyone’s guess what exactly Miss Scott is doing for most of the sequence.

Episode 475: Still in the world

Recovering vampire Barnabas Collins receives a visitor in his home, Professor Timothy Eliot Stokes. Stokes agrees to lend Barnabas a twelfth century Sicilian talisman to ward off the power of a witch, and makes it clear he will not rest until he finds out why Barnabas needs it.

Stokes passes the talisman to Barnabas. Screenshot by Dark Shadows Before I Die.

This scene is a tour de force for Thayer David as Stokes. I’ve already quoted Danny Horn’s remark in his post about it that David “plays to the balcony. Not this balcony, naturally; I mean the balcony in the theater next door.” David’s style works brilliantly in this context.

The rest of the episode is marred by some bad writing. When wicked witch Angelique, pretending her name is Cassandra, comes to call on Barnabas, he immediately calls her by her right name and tells her everything she could want to know in her campaign to restore his vampirism. This is a pattern of Barnabas’; he withholds information from people who would use it to help him, and blabs without inhibition to his deadliest enemies.

Barnabas takes the talisman to Dr Eric Lang, the mad scientist who has freed him of the symptoms of Angelique’s curse. Lang knows that Barnabas has been a vampire and knows that a curse made him one, but scoffs at the idea of witchcraft and refuses to touch the talisman. Jonathan Frid is a good enough actor that we can wonder if Barnabas has a reason for disclosing all his secrets to Angelique, but Addison Powell plays Lang so ineptly that there is nowhere to hide the fact that his skepticism makes no sense.

Angelique shows up in Lang’s office and casts a spell on him that is about to cause his heart to burst. He staggers to the desk, touches the talisman, and quickly recovers. He will not let her take it from him.

Barnabas comes back and asks Lang if he now believes that he must carry the talisman to protect himself from Angelique. He says he does not want to believe, and again walks off leaving the talisman on his desk.

Barnabas presses Lang for information on the final stage of the treatment that is supposed to end the curse once and for all. Lang takes him to the secret laboratory in his home. There, amid a lot of flashy equipment, is a partially assembled Frankenstein’s monster. Lang says that he will drain the “life-force” from Barnabas’ body and use it to animate the creature once it is completed. Barnabas’ old body will be dead, and Angelique will presumably believe that he no longer exists. But he will live in the new body.