Episode 482: Someone you hate

Recovering vampire Barnabas Collins hopes that mad scientist Eric Lang will be able to free him of his curse once and for all. Since wicked witch Angelique, who put the curse on Barnabas in the first place, has come back to the great estate of Collinwood, Barnabas found a twelfth century Sicilian talisman with the power to protect against witches and gave it to Lang with instructions that he was to keep it on his person at all times. Several days ago, Angelique drove Lang to the point of death, and he survived only because he managed to touch the talisman at the last moment. Even so, Lang refuses to wear the talisman or even to keep track of it. Now Barnabas is with Lang in his study, whence they discover that the talisman has been stolen. Lang asks Barnabas if he can get another one for him. Barnabas looks at Lang as if he were the world’s stupidest man, and tells him that such objects are extremely rare.

The whole business with Lang and the talisman is a prime example of what Roger Ebert called Idiot Plot, in which the story would end immediately if the characters showed as much intelligence as the average member of the audience has. If Lang were played by a good actor, he might be able to hold our interest through a few of these inexplicable actions. Both Alexandra Moltke Isles, as well-meaning governess Vicki, and Dana Elcar, as Sheriff George Patterson, were cast as the Designated Dum-Dum in a number of episodes, and each managed to survive longer than one might have expected. Mrs Isles kept the audience on board for Vicki by making us wonder how anyone could absorb the torrent of bizarre information drowning her. Elcar made the sheriff watchable by making speculate he might only be pretending to be clueless. But as Lang, Addison Powell is just dismally bad. Not only does he not invent a way to make Lang seem like he might be secretly smarter than the script makes him out to be, he does not show any sign of ever having acquired even the most basic acting skills. When Lang seems to think Barnabas can take him to Talismans-Я-Us to replace the priceless object he has lost, the audience loses whatever patience it may have had with him.

Lang’s assistant, a former mental patient named Peter who insists on being called “Jeff,” is quitting after months of helping Lang steal body parts from fresh graves. Peter/ Jeff tells Barnabas that he will be staying in town. That’s bad news for Barnabas, but much worse news for the audience. Peter/ Jeff is played by Roger Davis, who is a far more skilled actor than Addison Powell but, if anything, even less pleasant to watch. His characters are either full of rage or insufferably smug, he often manhandles his scene partners, and when he raises his voice he projects, not from the muscles of his pelvic floor, but from his anal sphincters, causing him to sound like he is suffering from severe constipation.

Lang tells Barnabas he needs a new assistant as soon as possible. Barnabas says he knows just the man. He is Willie Loomis. As Peter/ Jeff was a patient in an institution for the criminally insane when Lang found him, Willie is a patient in such an institution now. Willie was Barnabas’ servant for the first months he was in the 1960s, when Barnabas was a vampire rampaging through the village of Collinsport. Barnabas eventually took the heat off himself by pinning some of his crimes on Willie, packing him off to the mental hospital.

Willie was a fan favorite. Largely this was because actor John Karlen was as capable as Addison Powell was inept and as likable as Roger Davis is repellent. But the writers, too, always found fresh ways to make Barnabas’ conversations with Willie interesting, and when mad scientist Julia Hoffman teamed up with Barnabas she and Willie were great fun to watch together. The idea of Willie replacing Peter/ Jeff, in whatever capacity, is something to cheer for.

We cut to the cottage where Maggie Evans, The Nicest Girl in Town, lives with her father Sam. Maggie is wearing a pair of trousers which may well be the weirdest things ever shown on Dark Shadows. According to a blog called 1630 Revello Drive,* they are based on an article of women’s clothing traditional in India called a gharara. Surely no one in India ever made such things out of this brightly colored floral quilt. If this garment can exist, we would be foolhardy to rule out the possibility of ghosts or vampires or time travel or witches or anything else.

Maggie in her quilted pseudo-gharara. Screenshot by Dark Shadows Before I Die.

Maggie answers a knock on the door and finds Peter/ Jeff. Vicki had arranged for him to rent a room at the Evans cottage. Shortly after he arrives, Vicki comes. Peter/ Jeff tells her she doesn’t know much about him, and asks what she will do if it turns out he is someone she hates.

The next thing we see after that question is Peter/ Jeff with his shoe, a shoe he wears while robbing graves, on Maggie and Sam’s coffee table. Anyone who saw that might well conclude that Peter/ Jeff is such a clod that any civilized person would be tempted to hate him.

That isn’t an ottoman, buddy.

Again, there are actors who specialize in playing men who are compelling to watch when they do unpleasant things. Dark Shadows hit the jackpot in this regard when it cast Jonathan Frid as the vampire Barnabas. It narrowly missed doing so on other occasions. In the first year of the show, future movie stars Harvey Keitel (in #33) and Frederic Forrest (in #137) showed up as background players. Surely they would have taken speaking parts on the show at this point in their careers, and either of them could have made Peter/ Jeff almost as much of an asset as John Karlen made Willie, even if he did wantonly ruin people’s furniture.

*As cited by Christine Scoleri on Dark Shadows Before I Die.

Episode 481: Every time, it will be the same story

Dr Julia Hoffman is in the front parlor of the house of her fellow mad scientist, Eric Lang. She is on the telephone, asking the operator to connect her with the police. Even though she has lived in the Collinsport area for months now, she is still surprised that the sheriff’s office doesn’t have an emergency number.

Julia locked the door to the parlor; Lang is outside it with a gun, and recovering vampire Barnabas Collins is knocking and calling her name. They want to stop her reporting to the police that Lang is building a Frankenstein’s monster with body parts retrieved from the cemetery, and that he was planning to cut a living man’s head off to use as the last piece of the creature. Lang plans to bring the body to life by draining Barnabas’ “life-force” into it. Barnabas hopes this will free him of the vampire curse once and for all, and is desperate to complete the experiment.

Barnabas shouts that Julia should remember “someone.” When he can’t come up with the name, Lang prompts him with a yell of “Dave Woodard!” Barnabas and Julia killed local physician Dave Woodard in #341; Julia hangs up the phone, realizing that if the operator ever does manage to find a police officer any investigation of Lang would likely expose her as a murderer.

Barnabas has told Lang a great deal about himself. For example, in #467, Lang was the first person Barnabas told that his vampirism was the result of a curse placed on him by wicked witch Angelique. So returning viewers can believe that Barnabas might have confided in Lang about the murder of Dr Woodard. But it would be strange for him to have done so off-screen. And just Friday, Barnabas explained to Lang that the reason he thinks Julia can be trusted with the secret of the experiment is that she has a crush on him.* He hasn’t had much time to share more information with Lang since then, and if Lang had already known that Julia couldn’t call the cops without exposing herself to a murder charge Barnabas wouldn’t have needed to mention her crush on him. The likeliest explanation is that the loud and clear exclamation of “Dave Woodard!” is not Lang prompting Barnabas at all; rather, it was Addison Powell prompting Jonathan Frid. The result is a blooper that seriously confuses the relationships among Lang, Barnabas, and Julia. It’s early enough in the episode that it really is odd they didn’t stop tape and start over.

At any rate, they never mention Woodard again. He was introduced early in the vampire storyline. He was the counterpart to Dr John Seward, the physician in Dracula who realizes that all the patients who are suddenly showing up with puncture wounds on their necks and massive blood loss need care he is not trained to provide, and calls in his old med professor, Dr Van Helsing. Julia was the Van Helsing analogue, but she wound up siding with the vampire and killing her onetime friend. It is appropriate that the last reference to Woodard comes in this, the second episode of Dark Shadows with no cast members introduced before Barnabas. From now on, the daylight world Woodard represented and tried to restore is no longer present even as a memory.

Julia lets Barnabas and Lang into the parlor, and asks Lang to promise that he won’t kill anyone. He gives such a promise. She is unconvinced, but agrees not to call the police. She also tells Lang she will continue to oppose the experiment.

On the terrace of the great house of Collinwood, Barnabas and Julia talk about Lang’s experiment. Angelique, wearing a black wig and calling herself Cassandra, lives in the house as the wife of sarcastic dandy Roger, and the terrace is surrounded by trees, fences, and other prime screens for eavesdroppers. Barnabas and Julia know this well, as each of them has eavesdropped on important conversations here themselves.

Of course Angelique/ Cassandra comes by and hears everything. Barnabas does catch her, grab her, call her by her right name, and vow that she won’t stop him. After he lets her go, he moans to Julia that it was foolish of them to discuss their plans there. That underlines the foolishness of an idea key to the plan, that after Lang’s creature has been animated Angelique will never realize that Barnabas is dwelling within it and place a fresh curse on it. Barnabas assumes that Angelique, who has transcended time itself to pursue him, will just give up and go away once she sees that his original body is dead, and won’t have any questions about the new guy living at his doctor’s house.

Angelique summons her new cat’s paw, lawyer Tony Peterson. Jerry Lacy plays Tony. From #365 to #461, Dark Shadows was a costume drama set in the 1790s. In that phase of the show, Mr Lacy played the Rev’d Mr Trask, a fanatical witchfinder who inadvertently gave Angelique a great deal of assistance in her campaign to destroy the Collins family and those close to them. Most of the characters in the 1790s segment represent a commentary of some kind on the characters the same actors play in the parts of Dark Shadows set in the 1960s. Tony and Trask have seemed to be an exception. In 1967, Tony was introduced through his profession and served mainly as an instance of Mr Lacy’s famous Humphrey Bogart imitation. Trask did end up functioning as a lawyer in a witchcraft trial, and his lunatic shouting about “THE ALMIGHTY!!” and “THE DE-VILLLL!!!!” were occasionally suggestive of what Bogart might have ended up doing if Captain Queeg’s testimony before the court-martial in The Caine Mutiny had gone on for nineteen weeks. Otherwise, there didn’t seem to be any fruitful points of comparison between the two.

Angelique tells Tony that the reason she chose him as her servant was that he reminded her of Trask. She orders him to go to Lang’s and steal a talisman that can guard against witches. At that, Tony shouts “Against you!,” and he sounds very much like Trask. Perhaps we are to think that a secular education and a steady diet of Hollywood movies could have turned the farcically warped Trask into a basically reasonable fellow like Tony, but that there is no strength in those things to stand up to a force like Angelique.

Angelique zaps Tony. Screenshot by Dark Shadows Before I Die.

The talisman was a gift to Lang from Barnabas. Lang refuses to keep it on his person, even though it saved his life to clutch it when Angelique was making his heart beat so fast it was about to burst. Lang shows up at Barnabas’ house, under the false impression he received a telephone call from Barnabas. Barnabas, who has no telephone in his house, explains to Lang that Angelique has lured him away. When he learns that Lang has left the talisman in his desk drawer at home, he insists on accompanying him back there.

It is too late. Tony has already stolen the talisman and delivered it to Angelique. She looks at it and says that Lang will not be able to save either Barnabas or himself. Presumably, not even by reminding him of his lines.

*My wife, Mrs Acilius, pointed this out.

Episode 475: Still in the world

Recovering vampire Barnabas Collins receives a visitor in his home, Professor Timothy Eliot Stokes. Stokes agrees to lend Barnabas a twelfth century Sicilian talisman to ward off the power of a witch, and makes it clear he will not rest until he finds out why Barnabas needs it.

Stokes passes the talisman to Barnabas. Screenshot by Dark Shadows Before I Die.

This scene is a tour de force for Thayer David as Stokes. I’ve already quoted Danny Horn’s remark in his post about it that David “plays to the balcony. Not this balcony, naturally; I mean the balcony in the theater next door.” David’s style works brilliantly in this context.

The rest of the episode is marred by some bad writing. When wicked witch Angelique, pretending her name is Cassandra, comes to call on Barnabas, he immediately calls her by her right name and tells her everything she could want to know in her campaign to restore his vampirism. This is a pattern of Barnabas’; he withholds information from people who would use it to help him, and blabs without inhibition to his deadliest enemies.

Barnabas takes the talisman to Dr Eric Lang, the mad scientist who has freed him of the symptoms of Angelique’s curse. Lang knows that Barnabas has been a vampire and knows that a curse made him one, but scoffs at the idea of witchcraft and refuses to touch the talisman. Jonathan Frid is a good enough actor that we can wonder if Barnabas has a reason for disclosing all his secrets to Angelique, but Addison Powell plays Lang so ineptly that there is nowhere to hide the fact that his skepticism makes no sense.

Angelique shows up in Lang’s office and casts a spell on him that is about to cause his heart to burst. He staggers to the desk, touches the talisman, and quickly recovers. He will not let her take it from him.

Barnabas comes back and asks Lang if he now believes that he must carry the talisman to protect himself from Angelique. He says he does not want to believe, and again walks off leaving the talisman on his desk.

Barnabas presses Lang for information on the final stage of the treatment that is supposed to end the curse once and for all. Lang takes him to the secret laboratory in his home. There, amid a lot of flashy equipment, is a partially assembled Frankenstein’s monster. Lang says that he will drain the “life-force” from Barnabas’ body and use it to animate the creature once it is completed. Barnabas’ old body will be dead, and Angelique will presumably believe that he no longer exists. But he will live in the new body.