Episode 309: The tougher the better

Over the years, nine writers were credited with scripts for Dark Shadows. This is the final episode attributed to Malcolm Marmorstein, who is not among the eight best of those writers.*

Well-meaning governess Vicki has told her depressing fiancé Burke that she will break off their engagement unless he ends his investigation of her friend, courtly gentleman Barnabas Collins. Burke comes to see her at home today, and she demonstrates her resolve. When Burke says something about how Barnabas can take care of himself, she replies “And I can’t?” Burke tells her that she can be unaware of the evil around her. She holds still, looking very much like the daughter of matriarch Liz. Burke eventually gives in, agreeing to apologize to Barnabas.

Barnabas comes by to give Vicki a book about the history of Collinsport. Burke asks to see him privately in the drawing room. When Burke apologizes to him, Barnabas offers to answer all of his questions. With obvious difficulty, Burke says that he doesn’t want any answers. Burke offers his hand, and Barnabas reluctantly shakes it.

Burke offers his hand while the portrait of Jeremiah Collins looks on. Screenshot by Dark Shadows Before I Die.

Burke says he will leave Vicki and Barnabas alone to discuss the book. Barnabas asks Burke to join them, but he declines. They are all smiles.

Jeremiah watching over three pals. Screenshot by Dark Shadows Before I Die.

Once he is alone with Vicki, Barnabas repeats his offer to answer any and all questions about himself. With no apparent difficulty, she says that the only questions she has are about chapter two.

“The only questions I have are about chapter two.” Screenshot by Dark Shadows Before I Die.

So an investigation which might have uncovered Barnabas’ many secrets and triggered a crisis is over, and in its place we have two people sitting on a couch where they plan to talk about chapter two of an imaginary book. That’s an anticlimax, but Vicki is so appealing when she is in control of the situation that the scenes are pleasant to watch.

Meanwhile, mad scientist Julia Hoffman is hanging around Barnabas’ house catching up on her own reading. She senses the presence of a ghost. She believes it is the ghost of Barnabas’ nine year old sister Sarah. The strains of Sarah’s theme song “London Bridge” play on the soundtrack, telling the audience she is right. Julia goes out into the woods to look for Sarah, then comes back into the house and looks around there, but doesn’t find her.

Barnabas comes home. Julia tells him she thinks Sarah was around. Barnabas is jealous his darling little sister will visit other people but not him. Barnabas claims that Sarah has been visiting his enemies and speculates that she has come back to destroy him. This is unwarranted- no one Sarah has visited has any plans to harm Barnabas, and she has shown enough power that she could have done him in long since if that were her goal.

*In his post about this episode on Dark Shadows Every Day, Danny Horn links to an October 2012 article in which Marmorstein nursed his wounds about getting fired off the show. Producer Bob Costello and writers Joe Caldwell and Sam Hall are all quoted disputing Marmorstein’s version of events.

Leave a comment