Episode 417: Distant laughter

The terrace at the great house of Collinwood is a set where characters often behave as if things are possible that the audience knows won’t happen. Couples make dates we know they will never keep and talk about weddings we know one of them won’t live to see. Today, much put-upon servant Ben sees grand lady Josette there. He urges her to leave Collinwood, and she says she is planning to do so. Ben is overjoyed. He, and he alone, knows that Josette’s lost love Barnabas has become a vampire and is obsessed with her. When Josette talks about leaving, Ben hopes she will escape from the danger Barnabas represents.

The placement of this scene at the terrace is one of several pieces of evidence that Ben’s hopes will be dashed. We have known since #5 that Josette is fated to jump to her death from the precipice known as Widow’s Hill. We learned in #233 that she did this because she saw Barnabas up there and was horrified by what he had become. Josette’s death is such an important part of the show’s backstory that we are sure she will not escape her doom. Moreover, we have seen bewildered time-traveler Vicki try to persuade Josette to go away before it is too late. Everything Vicki has done since arriving in the year 1795 has backfired, so that is another sign that Josette will not leave.

Toward the end of the scene on the terrace, Josette asks Ben if he can hear a sound of distant laughter. He says that he didn’t hear it, and neither did she. He urges her to get some sleep, and they go their separate ways.

After sunrise, Ben goes to the secret chamber in the Collins family mausoleum where Barnabas’ coffin is hidden. Obeying Barnabas’ command, he has brought a stake made of holly wood and a mallet. When he was alive, Barnabas had been a friend and benefactor to Ben. Ben finds it difficult to stake him, but is just about to do so when a loud sound of laughter, punctuated by sharp intakes of breath, comes on the soundtrack. The head of wicked witch Angelique floats onto the screen. This visual effect had been a signature of undead fire witch Laura Murdoch Collins when she was on Dark Shadows late in 1966 and early in 1967; it is the first time we have seen it since Laura went up in smoke in #191.

Floating head. Screenshot by Dark Shadows Before I Die.

It was Angelique who cursed Barnabas to become a vampire. As her head floats in front of Ben, we hear her recorded voice telling him her curse will be fulfilled. When Ben says she can’t stop him, she points out that the stake and mallet have vanished from his hands. She orders him to leave the chamber. He is to come back tonight and tell Barnabas that they will never escape her power.

In his post about this episode on Dark Shadows Every Day, Danny Horn argues that since Barnabas just killed Angelique in #411, she hasn’t been gone long enough to make her return particularly effective. I agree. Even if the scene were well-conceived and well-executed in every other way, that alone would make it disappointing. But there are some other substantial problems. Angelique regretted the curse she put on Barnabas, and her last mortal act was to try to stake him to keep him from rising as a vampire. Nothing she says today explains the reversal of her attitude.

The repetition of the effect from the Laura story isn’t much of a problem, not only because it has been a long time since they’ve used it, but also because the show had such low ratings when Laura was on that most viewers watching now never saw it then. What is a problem is the execution of the effect. Angelique’s voice is a tinny recording that sounds very bad when she laughs, and they keep sliding the floating head around in the frame trying to square it with Ben’s line of sight. So far from terrifying us, the result simply irritates.

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