Episode 374: A woman decides, and it happens

No two performers did more to pioneer what would become the Dark Shadows house style of acting than Thayer David and Lara Parker. When David first appeared as gruff groundskeeper Matthew Morgan in #38, he stood out in a cast of theater actors who tended to play their parts somewhat larger than life by his exceptional intensity. In the 1795 period piece, he brings the same quality to his portrayal of kindly indentured servant Ben Stokes. As wicked witch Angelique, Parker is the first member of the cast to find a kind of ferocity that outdoes even David. Today, the two of them are the main characters in the episode, yet each shows great restraint and understatement. Their performances are admirably precise.

Angelique is maidservant to Countess Natalie DuPrés, a French lady who took her to the island of Martinique when she fled the Revolution. The countess hasn’t been much in evidence, so that Angelique spends most of her time working for her niece Josette, fiancée of young gentleman Barnabas Collins. Before Barnabas and Josette became a couple, he had a brief affair with Angelique, to which Angelique attached great importance. When she finds that Barnabas does not love her and cares only for Josette, she sets about casting spells to ruin their happiness.

Today, Josette opens a gift box to find a skull wearing a wig. She is altogether undone by this. Barnabas confronts Angelique about it. While he does not seem to have any idea that Angelique is a witch, he is sure she is responsible for the nasty surprise. She denies everything, and he has no evidence against her.

The first bewigged skull to appear on Dark Shadows. Screenshot by Dark Shadows Before I Die.

Ben had tried to tell Barnabas and Josette about Angelique, but being under her power, he cannot. But Barnabas could tell Josette the truth about his past with Angelique. Because he does not, she goes on trusting Angelique, giving her full access to her things and to her person, enabling her to cast whatever spell she wishes. Had Barnabas trusted Josette with the truth, they might have been able to fight Angelique. Because he insists on hiding it from her, they are utterly helpless and will lose absolutely everything.

When Dark Shadows started, the 1960s version of the Collins family was isolated from the community, unable to make anything happen, and vulnerable to a wide variety of enemies, all because matriarch Liz and her brother Roger clung desperately to shameful secrets. When those secrets came to light, they lost nothing and found themselves with a new freedom. Now, in 1795, the Collinses are the lords of the town, running a dynamic business, and apparently unassailable in their wealth and prestige. But in Barnabas’ failure to come clean with Josette, we see the beginning of the process that will lead them to the precarious state in which they are trapped in 1966.

Today, Angelique completes a spell that causes Josette to conceive a mad passion for Barnabas’ uncle and best friend Jeremiah. After Josette sneaks into Jeremiah’s room and makes a fool of herself by propositioning him, she runs back to her own room and sobs on the bed. Angelique is there, feigning puzzlement and sympathy, quietly accepting the young mistress’ refusal to tell her what is wrong.

This is the first episode of the 1795 segment not to include time-traveling governess Vicki. While actors Kathryn Leigh Scott, Thayer David, and Anthony George all appeared in the main time frame (debuting in episodes #1, #38, and #262, respectively,) only Jonathan Frid, as Barnabas, is playing a character we had met there. There’s a heavy-handed moment of self-reference today when Josette tells Barnabas that sometimes he is “too modern,” and he thinks about it during a close-up. That close-up goes on so very long that there is no doubt they are giving us reading instructions, telling us that Barnabas, rather than Vicki, is now our point of view character.

2 thoughts on “Episode 374: A woman decides, and it happens”

  1. Thayer David was a little over theatrical as Mathew. But he is great as Ben. Lara Parker not much of an actress at all. Only a good director could get a good performance out of her.

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    1. I wouldn’t say that. I don’t know if you’ve seen the 1977 miniseries WASHINGTON: BEHIND CLOSED DOORS, but it was a low point in the careers of so many of members of its cast that you can’t credit her fine performance to the director. (It also features David Selby and Thayer David, by the way- they both veer close to self-parody at times, but aren’t among the worse ones.)

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