Episode 91: Everything she knows

Well-meaning governess Vicki, fresh from imprisonment at the hands of strange and troubled boy David Collins, gets a few days off work to visit Bangor, Maine. Flighty heiress Carolyn had agreed to drive her to the bus station in the town of Collinsport. Carolyn doesn’t have a job, go to school, or seem to have anything else to do, so why she and Vicki don’t just take a road trip together is unclear.

They wait for the bus at the local restaurant. From there, Carolyn telephones dashing action hero Burke Devlin, her family’s arch-nemesis and the object of her own obsessive crush, and invites him to join the two of them at their table.

Carolyn tells Burke that Vicki has recently seen the ghost of beloved local man Bill Malloy. Vicki tries not to give Burke any additional information. When Burke learns of Vicki’s plans, he volunteers to take her to Bangor in his car. She declines, but he won’t take no for an answer. I don’t drive, and I admire the way this scene shows how hard it can be for a non-driver to decline a ride.

When Burke leaves to get Vicki’s bags, Carolyn blows up at her. Carolyn tells Vicki that she must have known she came to town hoping to see Burke and spend the evening with him. Vicki did not know any such thing. After all, Burke has openly declared his intention of forcing Carolyn’s entire family into bankruptcy and disgrace, and she has expressed remorse for her infatuation with him. When Carolyn makes it clear she is still chasing Burke, Vicki doesn’t know what to say.

The Collinsport Historical Society says that Carolyn spends this week alienating the audience, and her passive-aggressive behavior towards Vicki is indeed exasperating. Watching the scene in the restaurant, it makes perfect sense that Vicki would decide that escaping Carolyn is worth the risk of getting in trouble with her employers by spending an hour with Burke.

Back home at the great house of Collinwood, Carolyn hears her mother, reclusive matriarch Liz, playing the piano. She makes a lot of noise when she comes in, ensuring that her mother will call her into the drawing room. Once there, Carolyn puts on a great show of being upset. She gives partial, teasing answers to each of her mother’s questions, drawing her in as best she can. She finally declares that Vicki is not to be trusted. She reveals that Vicki is in a car with Burke, probably telling him everything she knows about the Collinses and Collinwood. We then cut to Vicki and Burke in the car, where she is telling him everything she knows about her recent sighting of Bill Malloy’s ghost in the house.

Burke asks Vicki about Bill’s ghost. Screenshot by Dark Shadows Before I Die

Again, the scene in the restaurant explains Vicki’s behavior. Carolyn had told Burke so much about it that it would be hard for Vicki or anyone else to see much point in trying to keep the rest of the story from him. When Burke wants her to say that the ghost accused someone in the house of murder, she insists that it only said it was someone in Collinsport, not Collinwood.

Carolyn has always been tempestuous, and Vicki has always been quick to forgive her. Perhaps now that the relationship between Vicki and David is about to enter a quieter, more complicated phase, the makers of the show wanted to ensure that there would be a continual source of conflict within the house. That might explain why they have chosen to feature Carolyn’s nastier side so heavily this week.

Episode 47: Three calls for the ghosts of Collinwood, and none for me

Carolyn finds her mother playing the piano in the drawing room. They have a very sweet conversation about the good times they had when Carolyn was growing up. Liz laughs when her daughter calls her a “bit of a kook.”

Carolyn wants to talk about Roger and Bill Malloy; Liz doesn’t, but can’t help listening when Carolyn tells her that Roger had declared that he wouldn’t be anyone’s sacrificial lamb. Liz is troubled by what Bill had told her about Roger and the manslaughter charge that sent Burke Devlin to prison ten years before, and wonders if the sacrificial lamb has been led to the altar.

Screenshot by Dark Shadows Before I Die

In this scene between Liz and Carolyn, we see a relationship we can care about. In the concern the two women have for Roger, we can see their wish that he would just be part of the good times, not a source of heartache.

Roger is in his office, where Bill had told him, Sam Evans, and Burke he wanted to meet them at 11 PM sharp. It’s 11:30 when we first see the three of them sitting around wondering where Bill is. Burke wants to keep waiting, the others decide to leave. Roger tells Burke that he wants to give him his pen back, feels for it in his pocket, and says he must have left it at home.

The three men in the office don’t have anything interesting to do today. They mention that they’ve spent their time talking about the weather and the price of sardines; it’s a wonder that three New England men with nothing in particular to say to each other on an August evening wouldn’t talk about the Red Sox, but I suppose the club had a bad enough season in 1966 that it would just have added to the gloom.

Roger comes home, apparently quite happy that Bill never showed up and the meeting ended without any new information for Burke. Liz confronts him in the drawing room. She tells him that Bill had told her he thought Roger, not Burke, was responsible for the manslaughter ten years ago, and demands Roger tell her the truth. He emphatically denies Bill’s charges. For good measure, he adds more lies, denying that Bill had said the same thing to him. Liz leaves him alone in the drawing room. Out of her sight, he looks stricken.

In yesterday’s episode, the clock in the foyer at Collinwood chimed at 10:10 and again at 10:30 pm. In today’s, it chimes at 11:10 and 11:30. We saw the hands on the clock each time, and today Carolyn even says that it is 11:10 immediately before it chimes. So it isn’t a blooper- they really want us to think that the clock chimes at 10 minutes and 30 minutes after the hour. That’s just a weird thing to set your clock to do, is what I’m saying. Staying home for 18 years isn’t the only kooky thing about Liz.