Episode 504: A talent for making everyone feel guilty

Well-meaning governess Vicki was the main character of Dark Shadows for its first year, but has been receding further and further to the margins since. Today she returns after a 14 day absence, the first time she has been off screen so long.

Vicki is in the drawing room of the great house of Collinwood with her employer, matriarch Liz. Liz is distraught because her daughter Carolyn has been abducted by a strange man. Liz fears that Carolyn is dead or dying; Vicki urges her to set those fears aside. The police telephone; they have captured the man, but Carolyn was not with him, and he has not answered any of their questions. Liz and Vicki set out for the gaol to see him.

They are accompanied by a sheriff’s deputy. The Collinsport police are exceptionally useless, but even by their standards this deputy is a low performer. Though the man is so strong that it took twenty men to subdue him and bring him in, the deputy enjoys taunting him. He sticks his service revolver in the cell; the man is shackled to the wall, but he is so tall he sweeps his hand into contact with the gun. If the script didn’t say otherwise, he could easily take it from the deputy. Liz orders the deputy to stand back out of the man’s line of sight. Since she owns most of the town, he grudgingly obeys.

The deputy puts his weapon within Adam’s reach.

Yesterday, Liz went looking for Carolyn at the Old House on the estate, home to her distant cousin Barnabas. She found Barnabas’ servant Willie on the ground, suffering from a fresh head wound. Willie told her that the man had been by a few minutes before, and that he had been carrying the unconscious Carolyn. He also referred to the man as “Adam.” When Liz asked him why he used that name, he denied that he did and began jabbering about some bad dream that had frightened him. Today, Liz addresses the man as Adam, and he responds, proving that Willie does in fact know more about him that he will admit.

Liz and Vicki tell Adam that they will treat him as a friend if he tells them where Carolyn is. Adam knows the word “friend.” He repeats it, and adds “food!” Again he says “Friend, food!” The women do not know what he is driving at. They give up and go home.

Returning viewers know that Adam has stashed Carolyn in an abandoned structure that looks exactly like Fred and Wilma Flintstone’s house, that he calls Carolyn “Friend,” and that he had gone out to look for food for her when he was captured. He is dejected when he cannot make it clear that she is hungry.

Liz and Vicki return to Collinwood. They spend several seconds taking off their coats in unison. In the early days of the show, there were a number of scenes designed to emphasize Liz and Vicki’s resemblance and to present each as the other’s reflection in support of a storyline that led us to believe that Vicki was Liz’ unacknowledged daughter. That storyline was forgotten long ago, and it isn’t entirely clear what director Jack Sullivan is getting at here.

Back in the drawing room, Liz tells Vicki her reasons for believing that Barnabas knows a great deal about Adam. Apparently the doors separating the drawing room from the foyer amplify sound, because as the camera takes us from the drawing room to the foyer Liz and Vicki’s conversation only becomes more audible. Liz’ new sister-in-law is in the foyer. This woman calls herself Cassandra, but regular viewers know that she is in fact wicked witch Angelique. Vicki knows that perfectly well. Vicki traveled back in time in #365 and spent nineteen weeks living under the same roof as Angelique while Angelique wrought havoc on the Collins family of the 1790s and framed Vicki for her crimes. Angelique’s only disguise as Cassandra is a black wig- otherwise, she looks, sounds, and moves exactly as she had when Vicki knew her in the eighteenth century. As a result, Vicki is very much on her guard around her.

Angelique/ Cassandra enters the drawing room. Liz excuses herself, and Angelique/ Cassandra demands to know why Vicki doesn’t like her. When Vicki says that she resembles someone she didn’t get along with, Angelique/ Cassandra proclaims that she isn’t that person, bursts into tears, and runs out. Vicki stays in the drawing room, but the camera follows Angelique/ Cassandra to the staircase, where we see her smile gleefully.

Liz returns, and Vicki tells her she may have misjudged Cassandra. It doesn’t speak well of Vicki’s brainpower that a single display of crocodile tears would override the memory of their long and painful acquaintance, but since Barnabas and the others who are doing battle with Angelique/ Cassandra refuse to accept Vicki’s help, she may as well forget everything she knows. Liz tells her that she doesn’t think she misjudged Cassandra, and says she doesn’t trust her either.

Back in the gaol, the idiotic deputy goes back to Adam’s cell to taunt him some more. When Adam protests, the deputy opens the door and waves his baton at him. He places himself within easy reach of Adam, who grabs him and knocks him unconscious.

Yesterday, the high sheriff said “I’m not a stupid man.” He may not have been as stupid as is this grinning imbecile, but it is on his responsibility that he has a badge and a gun.

Another deputy enters. He sees his moronic colleague on the floor, the bars twisted in the window, and no sign of Adam.

Window.

Adam is 6’6″, so it’s difficult to see how he could fit through this opening. Perhaps he is not only tremendously strong, but is also a contortionist.

Episode 498: One step closer to the dream

Sarcastic dandy Roger Collins has remarried. His previous wife, undead blonde witch Laura Murdoch Collins, was Dark Shadows’ first supernatural menace, posing a threat to the life of their son David from #123 until she vanished amid a cloud of smoke in #191. The ghost of gracious lady Josette joined in the battle against Laura. Among other things, Josette compelled artist Sam Evans to paint a series of pictures warning of Laura’s evil plans. Laura responded to those paintings in #145 and #146 by causing a fire that burned Sam’s hands so badly it seemed he might never again be able to paint.

Roger’s new wife is also an undead blonde witch, though she wears a black wig all the time. This wiggéd witch calls herself Cassandra, but is actually Angelique, who in the 1790s killed many of Roger’s ancestors and turned his distant cousin Barnabas into a vampire. Angelique/ Cassandra has returned to the world of the living because Barnabas’ vampirism is now in remission, and she is determined to restore it.

Before he met Angelique/ Cassandra, Roger became obsessed with a portrait of her. Barnabas concludes that this portrait is essential to her power. He orders his servant Willie to steal it from the great house of Collinwood. Barnabas takes the portrait to Sam and commissions him to paint over it so that Angelique will look tremendously old. He doesn’t offer Sam any explanations, but we heard him tell Willie his theory that what happens to the painting will also happen to Angelique. If her likeness is aged to reflect her actual years, then she will vanish from 1968 and be confined to the past. At the end of the episode, Angelique’s hands have aged dramatically, suggesting that Barnabas is correct.

This is David Ford’s first appearance on the show since December, and he had shaved his mustache in the interim. The fake is not up to the makeup department’s usual standards. Screenshot by Dark Shadows Before I Die.

Portraits have been a very prominent part of the visual composition of Dark Shadows from the beginning, and a battlefield on which supernatural combat could be joined for almost as long. So it is hardly surprising that the show would eventually get around to doing a story based on Oscar Wilde’s The Picture of Dorian Gray.

It would seem Barnabas has little time to lose. Angelique/ Cassandra has distributed some malware to the minds of the people around Barnabas by means of a dream that one person after another will have. The first dreamer is beckoned into a Haunted House attraction by someone, opens some doors behind which there are scary images, is terrified, and cannot find relief until telling its details to the beckoner. That person then has the dream, changed in only two particulars, the identity of the beckoner and the image behind the final door. When everyone’s brain has been hacked, this worm is supposed to reset Barnabas as a vampire.

Yesterday, David had the dream, and Willie was his beckoner. Today, we open in Barnabas’ house, where Willie is paralyzed with fear. David has already told him the dream, and Willie knows he will have it. With all the previous instances of the dream, the audience had to sit through a highly repetitious dream sequence, then a scene in which the character agonizes about whether to tell the dream to the next person, and finally a speech repeating all the details of the dream. At least this time we skip the second and third of those rehashings.

Since Willie is so close to Barnabas, it seems likely that he will be the last to have the dream before it gets back to Barnabas and makes him a vampire again. So it’s no wonder that Barnabas decides it’s time for the high-stakes gamble of a burglary at Collinwood.

There’s also a scene in Barnabas’ basement. Barnabas’ vampirism is in remission because some mad scientists created a Frankenstein’s monster, whom Barnabas named Adam. They connected Barnabas to Adam in a way that drains the symptoms of the curse from Barnabas without manifesting them in Adam. Barnabas has no idea how to raise any child, let alone a 6’6″ newborn with the strength of several grown men, and so locks him up in the prison cell where he used to keep Sam’s daughter Maggie.

The imprisonment of Maggie was a dreary, unpleasant story, but Adam’s time in the cell is even harder to take. Maggie was established as a strong, intelligent person who knew her way around, she could speak, and she had many friends who cared about her. So we never quite gave up hope that she would get away and be all right in the end. But Adam has none of that. As a result, his scenes in the basement are a tale of extreme child abuse, made all the harder to watch by Robert Rodan’s affecting portrayal of the big guy’s misery.

Moreover, Maggie was a major character, introduced in the first episode and connected to everyone else. It’s unlikely they would kill her off unless the show had been canceled and they were going out with a bang. But only the people holding Adam prisoner know who he is, and Frankenstein’s monsters meet their deaths practically every time they feature in a story.

Worst of all, the show is basically very silly right now. A story about a child locked in a cell from birth can be made bearable only by joining it to some kind of deep insight into the human condition, and there is little prospect that anything like that will crop up among all the witches and vampires and other Halloween paraphernalia. My wife, Mrs Acilius, watched the whole series with me in 2020-2021. She was avidly rewatching it with me this time. But when they took Adam to the cell, she suggested I start watching it on days when I get home from work before she does. I’m sure she isn’t the only Dark Shadows fan who takes a pass on the Adam story.

This is the first episode credited to director Jack Sullivan. Lela Swift and John Sedwick took turns at the helm until #450, when executive producer Dan Curtis tried his hand at directing a week of episodes. Swift and Sedwick then returned to their usual pattern. Sedwick will be leaving in a few weeks; Sullivan, who has been with the show as an associate director since the third week, will be Swift’s alternate until November, and from #553 on will be credited as Sean Dhu Sullivan.