set catches fire – Acilius on Dark Shadows

Episode 400: Fire knows your name

The Rev’d Mr Trask, a cleric of sorts, is convinced that there is a witch in the Old House on the great estate of Collinwood. He is right about this. He is also convinced that the witch is the eccentric Victoria Winters. He is wrong on this point. The real witch is Angelique Collins, wife of the master of the house, the gallant Barnabas. Barnabas, who as a man of the Enlightenment asserts that there are no witches, is hiding Vicki, and has reluctantly agreed to let Trask perform a rite of exorcism, believing that once he is finished he will have to go away and everyone will have to admit that Vicki is innocent.

At the top of the episode, we see Angelique building a house of cards and delivering a soliloquy about her plan to cast a spell to make it look like Trask’s fraudulent ritual has proven Vicki’s guilt. There is an element of suspense as we wonder what the character’s actions will lead to, and an even more powerful suspense as we marvel at the courage it took for the actress to remain calm enough build a house of cards on what is essentially a live television show. Forget the Daytime Emmys, Lara Parker deserved a medal for this feat.

Angelique recites a spell over the house of cards, then sets it on fire. The first time they used an incompletely contained fire on Dark Shadows was in #191, and as a result of that daring experiment a load-bearing beam caught fire and collapsed in the middle of a scene. They finished taping before putting the fire out, and somehow everyone survived. There was also an off-camera fire during a conversation between Barnabas and Vicki in #290, and Jonathan Frid and Alexandra Moltke Isles just kept delivering their lines while we heard fire extinguishers blasting in the background. As a result of an excessive pre-treatment of the cards with lighter fluid, today’s fire burns faster and expels debris over a wider area than had been intended. I suppose a technical term for a rapid fire that expels debris is an “explosion.” Parker keeps up her incantation while this explosion progresses directly in her face. That shows an entirely different kind of courage than she showed with the house of cards, but she exhibits it in an equally rare degree.

The fire starts. Screenshot by Dark Shadows Before I Die.

Downstairs, Trask is standing at the threshold of the house, doing his own fire ceremony. He draws Vicki’s initials on the doorstep, holds up a dowsing rod, and jabbers for a while. Then he sets fire to the rod. In her room, Vicki sees flames erupting from the floor. She shouts in panic.

Barnabas is upstairs. He hears Angelique shouting “Eye of fire, heart of ice!” Her shouts grow louder and louder as she repeats the phrases faster and faster. My wife, Mrs Acilius, said that the pattern of Angelique’s voice sounded to her like someone having an orgasm. The willingness to risk the laugh that pattern might bring represents a third form of courage; by this point, we would have to admit that whatever we may think of Angelique, Lara Parker was one of the bravest people imaginable.

Barnabas is about to investigate, but then he hears Vicki shouting “Fire!” Between these two shouting women, he goes to the one who doesn’t sound like she’s enjoying herself. By the time he gets to Vicki’s room, she is gone. He sees no sign of fire.

Vicki runs out the front door, into Trask’s arms. He shouts “I’ve caught the witch!” and forces her to the ground. He looks delighted that his shtick actually worked, for once.

“I caught the witch!” Screenshot by Dark Shadows Before I Die.

This moment is an odd inversion of the ending of #191. That episode ends with strange and troubled boy David running out of the burning building where his mother, undead fire witch Laura Murdoch Collins, was trying to immolate him, and finding refuge in Vicki’s arms. At that moment, life triumphs over death, and Dark Shadows version 1.0 reaches its conclusion.

When Vicki runs out of the house and into Trask’s arms, death and folly win a victory over life and reason. Nothing comes to a conclusion- the story just gains new layers of complexity. We don’t even go to a commercial break, but get a reaction from Angelique first.

Barnabas talks with Angelique, mystified by what just happened. When he mentions that he heard her in her old room shouting strange words, she lies and says she was in the sewing room. After she leaves, we hear his thoughts- he had searched the sewing room, and knows she is lying. He now believes that there is a witch. He would find it much easier to believe that Vicki, a strange girl who claims to be displaced in time from the year 1967, 172 years in the future, is that witch than to face the prospect that his own wife is, but he can neither overlook the lie she has told nor the sheer improbability that so flagrant a quack as Trask came up with the right answer to any question. He remembers that indentured servant Ben claimed to have been enslaved by the witch, and resolves to find out what Ben can tell him.

We first got to know Barnabas in the months between April and November of 1967, when he was a vampire preying on the living in Vicki’s native time. In those days, he never mentioned Angelique, and there was no indication that he suspected any of the witchcraft we have seen since we embarked on our journey to 1795. Perhaps in the original timeline, when the place Vicki has taken was occupied by a woman named Phyllis Wick, Angelique had to proceed more slowly and carefully, with the result that Barnabas was turned into a ghoul without ever picking up on what was going on. If so, it would be Vicki’s complete failure to adapt to her new time in any way that accelerated the pace of events and thereby exposed Angelique to Barnabas’ suspicions.

Episode 290: The work itself

It’s chiasmus week on Dark Shadows. Chiasmus is when the last thing that happens in a story resembles the first thing that happened. Usually that causes the audience to look back on that first thing in a new light. Sometimes chiasmus gets very detailed, and the first several things are mirrored by the last several things.

On Wednesday, we began with well-meaning governess Vicki asleep in vampire Barnabas Collins’ house on the estate of Collinwood. Barnabas crept into her bedroom and stood over her, but did not bite. Then it was morning, and Barnabas’ sorely bedraggled blood thrall Willie delayed Vicki as she was leaving the house. Vicki took our point of view with her to the great house on the estate, where we started to see events through the eyes of visiting mad scientist Julia Hoffman. That episode ended with Julia going to Barnabas’ house. Willie delayed Julia entering the house, and Barnabas and Julia met. Their scene was tense, but Barnabas did not use any of his powers against Julia. That chiasmus marked the transition from Vicki to Julia as the audience’s main character to identify with.

On Thursday, we began with Barnabas spying on Vicki through her window, then entering her bedroom and standing over her while she slept. He again left the room without harming her. We ended with Julia spying on Barnabas through his window, then entering his house, opening his coffin, and looking at him. The parallel is completed when we see today that she left the coffin room without harming Barnabas. That chiasmus showed that Julia is capable of turning the tables on Barnabas.

Today’s episode begins with a reprise of yesterday’s cliffhanger, showing Julia gasping when she opens the coffin. So returning viewers suspect that it is likely to end with Barnabas in Julia’s room, and the suspense comes as we try to figure out how he will get there and how she will escape his malign power.

We see Julia in the drawing room of the great house talking to her friend, addled quack Dave Woodard. Dr Woodard says that her failure to report to him on the progress she has made with their common patient, Maggie Evans, The Nicest Girl in Town, coupled with her presence at Collinwood, a hundred miles from the hospital where Maggie is, has forced him to remove Maggie from her care. Julia lies to him, claiming that she has no progress to report and that the whole thing is impossibly boring. This somehow convinces Dr Woodard to leave Julia on the case.

Julia is at Collinwood pretending to be an historian studying the old families of New England, and Vicki has volunteered to help her in her research. Now Vicki is terribly afraid that if she gets involved in what Julia is doing, she will become involved in things that are too interesting for her to handle, and she wants to withdraw before she forever loses contact with tedium and drabness.

Barnabas tells Vicki that she has nothing to fear from “the past,” which at this point on Dark Shadows means the plot. While he is reassuring her, the set catches fire. We hear fire extinguishers and other noises in the background, but Jonathan Frid and Alexandra Moltke Isles don’t break character for an instant. The scene is a dreary one, marking as it does the doom of Vicki as a major part of the show, and the lines are poorly written, but they are absolutely committed to their work.

Barnabas does not believe Julia’s cover story, and is quite sure she represents a threat to him. He meets with her in the drawing room to reiterate his refusal to cooperate with her project. When Julia says that she is particularly interested in his “namesake”- actually himself- Barnabas airily asserts that he was by all accounts a dull fellow. Julia may have been able to sell that line to Dr Woodard on this same set a few minutes ago, but Barnabas doesn’t make any impression on Julia with it. The two of them continue to argue as they pass from the drawing room through the foyer. The dialogue isn’t really any better than what Barnabas and Vicki had in the previous scene, but because Frid and Grayson Hall have a lively relationship to depict- two people who each of whom knows more about the other than they are willing to say, and each of whom knows that the other knows much of what they are holding back- they make their whole sparring match seem to glisten with wit and style.

Barnabas agrees to meet Julia at his house the next evening. After he leaves, Julia tells his portrait that she can’t wait that long for their next encounter, and she knows he can’t, either.

We cut to Julia in her bedroom. Vicki pays a visit, during which we hear another depressing conversation about Vicki’s newfound fear of narrative relevance. Julia assures her that “There is nothing for you to fear.” After Vicki leaves, Julia looks at her clock and sees it is a quarter to one in the morning. We dissolve to the foyer, where the hall clock reads 2:00. Barnabas appears in Julia’s bedroom and approaches the bed, where he prepares to uncover Julia. We then hear Julia greeting Barnabas by name. She emerges from the shadows on the other end of the room, and tells Barnabas she has been waiting for him a long, long time.

Julia greets her long-awaited visitor. Screenshot by Dark Shadows Before I Die.

Episode 191: Everything will be complete

We open in an old, abandoned fishing shack loaded with junk, much of it made of dry, brittle wood. The floor of the shack is on fire. Flames leap from the floor several feet up to the ceiling. Over the next half hour, none of the junk will catch fire, nor will the walls. During that period, strange and troubled boy David Collins and his mother, blonde fire witch Laura, will stand around in the shack, carrying on a conversation. David slowly recites the legend of the Phoenix. There are also several cuts away from the burning shack. We see well-meaning governess Vicki in the drawing room at the great house of Collinwood; we see reclusive matriarch Liz in her hospital room in Boston. Evidently it’s one of those leisurely shack fires that don’t demand your undivided attention.

In the pre-credits teaser, Laura calls David to come to her, deeper into the flames. He takes a few steps in her direction. After the credits, David is back where he started. This sets the amazingly dilatory tone that persists throughout the whole episode.

David has got this far towards Laura at 1 minute 35 seconds into the episode.

In the drawing room, Vicki is shouting at the ghost of Josette Collins, asking where David is. My wife, Mrs Acilius, says that on this viewing of the series she is starting to identify with the ghost of Josette. Josette must be getting pretty frustrated that after everything she and the other ghosts have done to try to explain the situation to them, the living still don’t get it. Vicki really ought to have thought of the fishing shack several days ago, when a ghost told her that there would be a deadly fire in a very small house by the sea, but it doesn’t dawn on her until some minutes into today’s episode, by which time a wooden shack would have burned to ashes.

Laura asks David to tell her the legend of the Phoenix. He announces the title: “The Legend of the Phoenix!” Then he looks at the teleprompter, intones a few more words, and looks at the teleprompter again. It is very unusual for David Henesy’s memory to fail him, and even more unusual for him to bellow his lines like some kid actor on a 1960’s TV show. Usually he’s letter-perfect and remarkably natural. But Diana Millay is also a good study, and she’s looking at the teleprompter today as well.

Maybe writer Malcolm Marmorstein didn’t get today’s script to the actors at the usual time. It’s easy to imagine that the producers might have kept sending Marmorstein back to do rewrites- this is the grand finale of the most ambitious storyline they’ve had, and it stinks to high heaven. Maybe by the time they realized they weren’t going to get a decent piece of writing out of Marmorstein, it was too late for the actors to learn their parts properly.

In a hospital room in Boston, flighty heiress Carolyn is sitting with her mother Liz. Liz has been in a catatonic state and off the show since #160, immobilized by Laura’s evil spell and Joan Bennett’s annual five week vacation. It’s the first hospital room we’ve seen on Dark Shadows, and it comes equipped with Ivor Francis, who would be one of the busiest and most distinguished character actors on American television in the 1970s. Francis plays the doctor who very patiently and calmly tells Carolyn that there isn’t any point in sitting with Liz tonight. Francis is always interesting to watch- you can tell that the doctor has a thousand interesting things on his mind, and are engrossed in his every word, expecting him to say one of them out loud. But of course he never does.

Vicki makes her way to the shack, where the fire hasn’t made the slightest progress. Maybe the real danger David is facing is asbestos exposure. Vicki tries the door and finds it locked. She stands at the window, which has no glass but is crossed with stout wooden beams, and shouts at David to come out. Laura urges him to finish telling the story of the Phoenix, Vicki urges him to stop telling the story and get out of the shack. Vicki can stick her hand into the shack, but can’t quite touch David.

Laura looks up at Vicki and says that David can’t hear her. Vicki keeps talking, and Laura sounds as exasperated as we imagine Josette must be. After all the research she and her allies have done, hasn’t she figured out that this was what was going to happen?

Returning viewers share Laura’s exasperation, because we know that Vicki has indeed figured it out. She’s spent weeks warning all of her friends that exactly this scenario would play out. But suddenly today she has forgotten everything. It’s the ultimate Dumb Vicki moment, when the writers paint themselves into a corner and escape by making Vicki act like a moron. Marmorstein has to keep the shack burning and David in it from 4:00 to 4:30 PM Eastern time, and if that means Vicki has to develop some kind of amnesia, too bad for her.

Laura says that David, like her, will attain immortality if he burns in the fire. We know that is false.The ghost of David Radcliffe, a son whom she burned in a previous incarnation, spoke through David at a séance the other day and told us that he was separated from his mother in the fire and has been an unquiet spirit since. Laura may not know this, and may sincerely believe that David will share in her resurrection. But Vicki was at the séance. It’s a bit odd she doesn’t try to correct Laura on this point, since they have plenty of time for chit-chat while the flames burn in place.

In Boston, Liz wakes up. Evidently Laura’s impending immolation has broken the spell she cast on Liz. After some minutes of preliminaries, Liz starts shouting “David! Fire! David in fire!” Carolyn and the doctor try to calm her, but she keeps shouting. Almost 300 miles away at Collinwood, David can hear Liz’ voice.

After he hears Liz, David can hear Vicki as well. Evidently all of Laura’s spells are breaking. Laura keeps pleading with David to join her in the flames, Vicki keeps yelling at him to stay where he is. Two minutes before the end of the episode, a burning beam falls, and Laura looks terrified. She delivers her lines after this with the utmost intensity. In an Archives of Television interview, Diana Millay explained that the beam wasn’t supposed to fall, that she really was frightened, and that after all those weeks on the show she had developed a maternal feeling for David Henesy that nearly led her to break character and try to protect him at that moment. She uses those feelings to great advantage, selling the audience on the idea that this is Laura’s last chance to take David with her into the flames.

Finally Laura tells David it is too late. David looks back and forth between Laura in the flames and Vicki at the window. The flames consume Laura as she cries out “From these ashes, the Phoenix is reborn!” David is horrified as he watches his mother disappear in the blaze.

David pulls at the window in an attempt to escape. Vicki calls him to come out the door. He does, and she embraces him as he weeps.

David tries to get out through the window

The climactic moment of *Dark Shadows* 1.0

The last couple of minutes of the episode work well enough to show us what we are supposed to be feeling. Mostly that is down to the emotions Millay and Henesy are able to project when they aren’t burdened with a lot of lines they got at the last minute and that don’t make much sense anyway. It also rests on the foundation of the only relationship that has been interesting every time we’ve seen it, the growing friendship between David and Vicki.

Now that David has chosen the life Vicki is offering him over the death his mother represented, that relationship has nowhere to go. None of the unresolved stories has ever been interesting, and there is no reason to suppose that will change now. So today marks the end, not only of the Laura arc, but of Dark Shadows 1.0. ABC has renewed the show for thirteen more weeks, taking them to episode 260. At this point, there is no indication of what they could possibly do to keep the characters busy for that long.