Tag: pt angelique

Episode 1056: Clio’s squeaking skeleton

Wicked witch Angelique Stokes Collins has cast a spell on Maggie Collins, compelling Maggie to shoot her husband Quentin. Angelique herself dwells among the living because of another spell, one cast by her father, a wizard known as Tim. This spell drains the “life force” from a woman named Roxanne into Angelique, revivifying her after Quentin’s brother Roger drove a hatpin into her brain nine months ago. Angelique has kept her identity secret, in part because Quentin and a friend of his had a panic attack some time ago and destroyed her coffin, keeping the physical evidence from telling its tales. They were two loonies, quelling caskets.

Occasionally Roxanne manages to reclaim enough of her “life force” to make Angelique weak and cold. When this happens, Angelique can perk herself up by hugging a man and kissing him, thereby making all of his body heat flow into her, leaving him an icy corpse. The kiss appears to have become essential to this transfer; her kissing equates coolness. Yesterday she gave Roger this treatment, avenging her own murder.

The spell on Roxanne will break when she speaks, and her pushy ex-boyfriend Claude is about to make her do that. So Angelique has only moments to live. Quentin is on the run from the law, charged with the murder of a man named Bruno. Angelique’s enemy, Barnabas Collins, demands she sign a confession admitting that Bruno was actually killed by a spell she cast using a cravat of his. Quentin is innocent in these loose necktie squallings.

Angelique refuses to sign any such document. Later, Barnabas will tell the whole story to a police inspector whose incredulous response makes it clear that it would not have persuaded anyone had she done so. More urgent is a question he puts to her about the whereabouts of his faithful companion, Julia Hoffman. Angelique has locked Julia in a dungeon and left her to die of thirst. The door to this chamber swings shut silently, and apparently it does not let Julia’s cries for help be heard outside. Many of the places of confinement we have seen on Dark Shadows are the looniest squeaking cells you could imagine, but this one is grimly soundproof.

Roxanne speaks and Angelique dies, defiant to the end. Cloaking queenliest loss, her refusal to bend invests the character with a perverse grandeur.

Barnabas remembers an Angelique who lived on the island of Martinique. For him, all the other Angeliques are just successors to what she brewed up there, Antilles cooking sequels, as it were. Screenshot by Dark Shadows Before I Die.

With Angelique’s death, her spell over Maggie breaks. Maggie collapses and drops the revolver she had trained on Quentin. One of the themes of the show has been that a person who casts a spell creates an alternate version of herself and that version takes possession of the person against whom they direct it. Lara Parker and Kathryn Leigh Scott play Angelique and Maggie’s collapses in the same way; seeing these back to back, we cannot miss the point that what we are really seeing is the simultaneous death of two Angeliques. Sometimes the alternate selves created by the spells outlive the spellcaster, and there is no telling where they will drive the victim. The accursed who wander about the earth, whether they became vampires like Barnabas or zombies like his uncle Jeremiah, are lockless antique legions, unrestricted in their physical movement, unlimited in the duration of their afflictions, uncounted in their numbers.

Miffed that Maggie pointed a gun at him, Quentin leaves the room. He finds Barnabas, who explains everything that has been going on. Quentin goes back to Maggie. She says that she realizes he could never love her or any other woman as he loved Angelique when she was alive. He tells her he never loved Angelique, but that he “hated the ground she walked on” and never shared a happy day with her because she was so cruel to him when they were married. When the same scene played out between Maxim de Winter and his second wife in Daphne Du Maurier’s Rebecca and in Alfred Hitchcock’s film based on the novel, we could take it as grounds for hoping that their marriage would take a turn for the better. But Quentin seems never to have loved Maggie, and we have never seen them share a happy day. They speak lovely words as they embrace; kissing allots eloquence. But Quentin’s declaration that he wasn’t any happier in his first marriage than he has been in his second comes only as confirmation of our suspicion that things will only go from bad to worse as long as he and Maggie stay together.

Barnabas and the inspector look for Roxanne. They don’t find her, and the inspector dismisses Barnabas’ whole story. The law moves a lot faster in Soap Opera Land than it does in our world, but only the looniest legal quickness could get Quentin out of trouble in the time that seems to be remaining in this storyline. Later, the inspector catches up to Quentin and arrests him, and Barnabas finds Claude stabbed to death in the woods.

This episode marks the final appearance of Angelique Stokes Collins. Lara Parker, that member of the queenliest looking class, will be back later as another witch named Angelique. It is also the final appearance of actor Brian Sturdivant and of the character Claude North. Sturdivant’s performance has many problems, most obviously his wildly uncertain accent. At times he manages to enunciate a few words in the old “mid-Atlantic accent” stage performers were trained to use in the first half of the twentieth century, but he never keeps it up for a whole line.

Episode 1055: The man who murdered Angelique

Angelique Stokes Collins has returned from the grave to take vengeance on her murderer. Unfortunately, she doesn’t know who that is. For the last several weeks, she has been operating on the assumption that she was killed by her widower, foul-tempered sourpuss Quentin Collins. She has managed to get Quentin charged with one murder and suspected of several others; under her influence, he assaulted a police officer and broke out of jail. She has persuaded him that his current wife, the former Maggie Evans, is a witch and is responsible for all his troubles. He is lurking about the great house on the estate of Collinwood, where yesterday he encountered Maggie and told her he would kill her.

Angelique herself is residing in the great house. Eleven weeks ago she killed her identical twin sister Alexis, assumed Alexis’ identity, and took her place as Quentin’s houseguest. Maggie now thinks of “Alexis” as her friend.

Others in and around the house know better. High-born ne’er-do-well Roger Collins, Quentin’s brother, has seen through her imposture. Two visitors from the alternate universe where Dark Shadows was set for its first 196 weeks, mad scientist Julia Hoffman and vampire Barnabas Collins, knew her counterpart in their world and are onto her tricks.

Angelique hears some noise in her old bedroom in the east wing of the great house. She finds the door locked and hears Roger’s voice. She demands to be let in. He opens the door and she forces her way past him. She finds Maggie in a heap on the floor. Roger rushes out. Maggie tells “Alexis” that Roger tried to strangle her after confessing to three murders, including Angelique’s. Angelique and Maggie decide to call the police.

Julia and Barnabas learned that Angelique’s father, evil barfly Tim Stokes, made it possible for her to rise from the dead by using a mixture of medical science and black magic to establish a remote connection between Angelique and a woman named Roxanne. Through this connection, Stokes drains most of the “life force” from Roxanne into Angelique. Julia and Barnabas have taken Roxanne from the back room of Stokes’ apartment and hooked her up to some mad science equipment in the basement of the Old House at Collinwood. They hope to manipulate Roxanne’s condition as a means of controlling Angelique.

Angelique has locked Julia in a dungeon off the basement of the great house and left her there to die of thirst. Barnabas is sure Angelique has captured her, but cannot begin to guess where she might be. He takes a shot at using the mad science equipment to revive Roxanne sufficiently to knock Angelique out. He cannot see any effect, and goes out to try to look for Julia.

As Barnabas goes out, a man peers at him from behind a tree. Since Barnabas never under any circumstances locks his front door, the man strolls into the house as soon as Barnabas is out of sight.

The man is Claude North, a mysterious person somehow connected with Roxanne. Barnabas comes back to the basement and finds Claude trying to get Roxanne to talk. He tells him that she must not do so just yet, because at her first word Angelique will die and there are some things he has to take care of before that happens. Claude cares nothing for this. Barnabas is afraid that if he attacks Claude, Roxanne will be startled into speaking, so he withdraws.

The other day, we saw a grave marker in Claude’s name, and we have seen that he has the same power Barnabas does to mesmerize people when they follow his command to “Look into my eyes!” He had also been staying in a hidden chamber identical to the one where Barnabas’ coffin was kept for his first 171 years as a vampire. And he had some kind of mystical power over Roxanne, as Barnabas has over his victims. So we thought Claude might be a vampire, too. But today he explains that the grave was his grandfather’s, he clearly doesn’t recognize Barnabas as a fellow bloodsucker, and when cornered he doesn’t flash fangs. So we’re left thinking he’s probably just Roxanne’s overconfident ex.

Meanwhile, Angelique is feeling cold and weak because Roxanne has reclaimed so much of her “life force.” She has cast a spell to cause Roger to slip past the police swarming the estate and make his way to her in her old room. Once they are together, she warms herself up for a while by hugging and kissing him. First time viewers may think this is an odd thing for her to do, but returning viewers know that she is a heat vampire who can by those actions drain the warmth from a living body and leave it an icy corpse. Louis Edmonds has been doing some great work these last few weeks, and he plays Roger’s death scene especially well.

So long, Rodgie. Screenshot by Dark Shadows Before I Die.

Downstairs in the drawing room, Angelique is still shivering. Maggie enters and sees that “Alexis” is ill. Maggie insists on helping, and Angelique suggests she walk her to the fireplace. They sit together beside it. We learned Wednesday that Angelique has magical hypnotic powers, and Maggie’s counterpart in the main continuity was subjected to frequent mind-wipes. So there is a nice sense of inevitability when Angelique puts her into a trance and orders her to get a gun and prepare to shoot Quentin.

Angelique is still sitting by the fire, still feeling miserable, when Barnabas comes back. He tells her that Claude is with Roxanne and that Roxanne will be speaking at any moment. He writes up a confession and orders her to sign it, saying it will clear Quentin of the murder with which he was charged. He says that this will allow her to find peace. She says she doesn’t want peace. We may wonder how the confession could possibly clear Quentin. All she could do would be to admit that the man Quentin is charged with killing actually died because she cast a magic spell on him. We have already seen that the policeman in charge of the case has zero patience for talk about magic, and there is no end of evidence pointing to Quentin’s guilt.

We end where we began, in Angelique’s room with a homicide in the offing. Then it was Roger with his hands around Maggie’s neck; now it is Maggie pointing her revolver at the door as the knob turns. That isn’t all that suspenseful a situation. I’m sure Maggie would feel bad if she had killed Quentin, but he’s so hyper-violent that no one would doubt she acted in self-defense and has been such a bad husband to her that it’s hard to imagine she wouldn’t get over it in short order. If Quentin dies, there will be so few characters left that the show couldn’t go on, but we will probably be leaving this universe in a few days in any case. So this isn’t much of a Friday cliffhanger.

Episode 1054: The room keeps changing

Yesterday, Elizabeth Collins Stoddard overheard her brother Roger Collins having a conversation with the portrait of wicked witch Angelique. When Roger told the portrait that he murdered not only Angelique herself but also Liz’ daughter Carolyn, Liz stormed into the room. Roger then strangled Liz and stuffed her corpse under a window seat. Today, he is in the room fretting about what to do with Liz’ body. It strikes him that his brother Quentin is currently a fugitive from justice, suspected of three murders, including those of Angelique and Carolyn. He decides to pin Liz’ murder on Quentin as well.

Angelique has come back from the dead and is impersonating her identical twin sister Alexis, whom she herself murdered in #1001. She has persuaded Quentin that his new wife Maggie, whom he does not seem ever to have liked very much, is a witch, Quentin now believes that Maggie, by use of the black arts, committed all of the murders. Maggie has looked at the publicly available evidence and concluded that Quentin has gone insane. She believes that he, by use of his hands and some sharp objects, committed at least some of the murders.

Roger has figured out that “Alexis” is really Angelique. They have a couple of awkward conversations. He asks the portrait why he can talk so freely to it when he is so stilted in his interactions with “Alexis,” since they are “one and the same.”

Roger cannot be frank with the three dimensional version of Angelique. Screenshot by Dark Shadows Before I Die.

Maggie has started getting everyone to evacuate the house. When she goes to her room to pack, she finds Quentin waiting for her. He is holding a handkerchief monogrammed “ECS.” He tells her it was Liz’. He demands that she tells him where “the doll” is. She has no idea what he is talking about. He looks directly at her and says in a slow, level voice that he will kill her. She runs away, somehow not persuaded of his innocence.

Maggie flees to the room where Roger killed Liz. She finds Roger there, and tells him Quentin is in the house. Roger locks the door to keep him out. There is no telephone in the room; they talk a bit about how to get across the hall so they can call the police. Maggie falls into Roger’s arms and starts crying. He starts burbling about all the terrible things that have happened. He mentions that Liz was killed in the room. Maggie looks up and says Liz was found in a different room, and that the police think she was killed there. Roger tries to say he was just rambling, but Maggie puts two and two together. She realizes Roger is the murderer, and he realizes that she has realized it. We end with his hands on her throat.

Louis Edmonds is simply amazing as Roger today. The rest of the cast gives him first-rate support, but it is a magnificent turn. If the Daytime Emmys had been around in 1970, this was the episode they should have sent to Academy voters to get him his award.

Episode 1052: Marked for murder

In #969, vampire Barnabas Collins was in the east wing of the great house of Collinwood. He opened a door to a room which, like all other rooms in that long-disused area, was bare and vacant. But he did not see it as it was. Rather, he saw the same space brightly lit, fully furnished, and richly decorated. Women who appeared to be matriarch Elizabeth Collins Stoddard and mad scientist Julia Hoffman were in the room, bickering in a way Liz and Julia never would about matters neither Liz nor Julia knew anything about. After a moment, this apparition dissolved and Barnabas could see the empty room.

Over the next two weeks, Barnabas and others at Collinwood witnessed the same phenomenon a few more times. In #970, Julia told Barnabas that Professor Timothy Eliot Stokes, expert on all topics relevant to whatever needs explaining, had told her about the many worlds hypothesis. She wondered if the room represented a portal between alternate universes, in which similar people lead different lives. Barnabas conceived the hope that he might escape the vampire curse and become human again if he could cross over into the universe that occasionally becomes visible in the east wing. He managed to make the crossing in #980, but found that his curse had followed him to the new continuity.

In #1002 and #1003, we saw that the phenomenon also operates in reverse. In the new continuity, Quentin Collins went to the east wing and opened the door, expecting to find the fully furnished room, but instead saw the bare room as it exists in the main continuity. There, he could see and hear children David Collins and Amy Jennings talking about how “Dr Hoffman” had told them that they should avoid the room because Barnabas got trapped there. Quentin saw the main continuity again in #1007, wicked witch Angelique caught a glimpse of it in #1008, and Barnabas and Quentin saw it together in #1012.

In #1031 and #1032, Barnabas returned to the main continuity for a brief visit. He met Julia in the room where the phenomenon occurs. He neglected to tell her that the people in the other universe can sometimes see and hear what is said in that room, and that he has already had to deal with suspicions from Quentin and Angelique because they have heard her saying that someone named Barnabas has crossed into their universe and that he is under a curse.

In #1035, Julia’s counterpart, the housekeeper in the great house, was looking into the room and heard that Barnabas is a vampire. Since Angelique already regarded Barnabas as an enemy and this Julia Hoffman was Angelique’s most fanatical devotee, she made her way to Barnabas’ coffin with a hammer and stake. She was in the act of bringing the hammer down in #1036 when Julia herself showed up behind her and beat her to death. Julia had crossed over from the main continuity to take her place at Barnabas’ side. She stole Hoffman’s French maid outfit, assumed her identity, and became a double agent, pretending to spy on Barnabas for Angelique when she is really spying on Angelique for Barnabas.

Lately, Angelique has been getting suspicious of Julia. Julia tells Barnabas about this. He urges her to go back to the main continuity. She tells him “I’ll be all right for now.” Later, she tells Barnabas she is going on a covert mission to meet Quentin, who is hiding from the law in a cave. He says this is too risky; she again says “I’ll be all right.” He stares at her silently for a long moment. Even Barnabas knows that a character who says “I’ll be all right” twice in one episode is doomed.

Angelique is in the east wing when she hears voices coming from the room where the phenomenon occurs. She opens the doors and sees the counterparts of Quentin and his wife Maggie. They are talking about Julia’s decision to follow Barnabas out of their native universe. They refer to Julia as “Dr Julia Hoffman” and talk about her extreme devotion to Barnabas.

Maggie and Quentin have an eavesdropper. Screenshot by Dark Shadows Before I Die.

Julia reaches the cave where Quentin is hiding. She has talked him into going with her when Angelique shows up. Angelique claims that the police are swarming the area and that Quentin will be caught if he tries to leave. He obeys her instructions to take shelter in a tunnel deep in the cave. Julia asks what is going on, and Angelique replies with a question of her own. “First of all, I want you to tell me just exactly where you were going to take Quentin, Dr Hoffman.”

With this line, the “Parallel Time” segment has nowhere to go but its climax. Julia is the heroine of the show and the main audience identification character. This function is usually served by a character who is played by an actress twenty years younger than Grayson Hall was in 1970 and who does not spend as much time as Julia does covering up murders and making a mockery of all that is holy. But that’s who we’ve got, and once the self-pitying vampire for whom she has an all-consuming unrequited love rescues her from the arch-villainess the story will be over.

There are a couple of things today that make me wish “Parallel Time” had started differently and gone on a lot longer. The scene between the Maggie and Quentin of the main continuity includes a moment when Maggie says something Quentin regards as foolish, and he replies by saying “Maggie…” in a slow, irritated voice. This is the hallmark of the Parallel Time version of Quentin with whom we’ve spent the last twelve and a half weeks. The parts the actors take in the costume drama segments tend to influence the characters they play when they come back to a contemporary setting, and the purpose of Parallel Quentin seems to have been to find a new path of development for the original Quentin. But Parallel Quentin’s contempt for his wife has been a dead end, and hearing the charming rascal who took the show by storm in 1969 echo it strikes a sour note. If they had started with several weeks of a relationship between Quentin and his new bride that we could root for and then shown it slowly falling apart under the witch’s malevolent power, there might have been space to find something new in Quentin. But the breakneck pace of story progression to which Dark Shadows has been committed since the end of 1967 precludes anything like that.

Angelique mentions to Quentin that Maggie’s father Sam Evans died under circumstances that have never been fully explained, and that there are reasons to believe that his own father had a guilty secret in connection with it. That might have been an interesting thing to let the audience know before we came within sight of the end of the segment. Not only could it have given Quentin and his new wife something to feel interestingly uncomfortable about, but it would mirror the first 40 weeks of the show, in which the Sam Evans of the main continuity carried the heavy burden of a secret pertaining to an incompletely explained death. Longtime viewers might be excited to see that story turned inside out.

Episode 1046: Such a fearful unreality

Writer Gordon Russell takes bits of old episodes and mixes them as if he were rotating a kaleidoscope. There is a plot involved also, but the screen iconography is the main thing.

The show has been operating on the principle of the kaleidoscope for some time. They’ve traveled back in time repeatedly. Now they have traveled sideways in time and taken us to an alternate universe, which they insist on calling “Parallel Time.” Each of these segments represents a turn of the kaleidoscope, rearranging the actors, sets, musical cues, curse stories, imaginary geography of the estate of Collinwood and village of Collinsport, and other elements to create new patterns that shed unexpected light on familiar material.

Evil wizard Tim Stokes has used a combination of black magic and medical science to establish a remote connection between a woman named Roxanne and his late daughter, Angelique Stokes Collins. This connection drains the “life force” from Roxanne into Angelique, reanimating her and leaving Roxanne comatose. To sustain this circumstance, Roxanne must remain in precisely her current condition. If she dies, all of her “life force” will vanish, returning Angelique to the tomb. Whenever she recovers even a tiny bit of her lost strength, Angelique collapses, possibly to die.

Vampire Barnabas Collins and mad scientist Julia Hoffman are visiting from the main continuity, and they are determined to stop Angelique’s evil plans. They have learned what Stokes has done, and have taken Roxanne into their own custody. As we open, Julia has just given up on an attempt to revive Roxanne and gone back to the great house at Collinwood, where she is impersonating her own Doppelgänger, the housekeeper. This woman, also named Julia Hoffman, was Angelique’s most fanatical devotee until Julia killed her, stole her French maid outfit, and assumed her identity.

Alone with Roxanne in the secret room behind the bookcase in the front parlor of the Old House on the grounds of the estate, Barnabas gives a soliloquy about his feelings for her. She opens her eyes and sits up.

In the spring of 1968, Julia took charge of an experimental procedure another mad scientist had devised to free Barnabas of his vampirism. The core of this procedure was the creation of a Frankenstein’s monster named Adam. In #490, Julia ran the apparatus and was disappointed when Adam seemed still to be inanimate. She and Barnabas left the lab, and Adam came to life. Her disappointment and departure are repeated in this scene, though Barnabas is there to see Roxanne open her eyes.

When Roxanne comes to, we cut to the great house and see Angelique collapse. She crawls around on the floor, trying to make her way to a telephone. This action is shown in quick cuts, but not quite quick enough. It is so much the sort of melodramatic business that was overdone in movies in the 1940s and 1950s and parodied in sketches on The Carol Burnett Show in the 1960s and 1970s that it raises a bad laugh.

Barnabas takes Roxanne out of the secret room, to the parlor. He finds that she cannot speak. He shows her a drawing of her that he found in another secret room, the chamber in the back of the Collins family mausoleum in the old cemetery north of town. It is signed “Claude North.” Roxanne reacts to the drawing with delight and to the name “Claude North” with dismay.

In the summer of 1969, the show was set in the year 1897. One of the characters we got to know in that year was the mysterious Amanda Harris. It turned out that Amanda had popped into existence when an artist thought her up and made a sketch of her. This artist, a repellent little man named Charles Delaware Tate, had no idea he was endowed with the power to bring his fancies to life by drawing them until he met Amanda, at which point he developed an exceedingly unpleasant obsession with her.

Roxanne’s origins are at this point as unknown to us as Amanda’s were when we first got to know her. So the drawing will suggest to longtime viewers that “Claude North” will turn out to be this universe’s version of Tate. When Stokes tells Angelique that he might be able to bring Roxanne back by contacting North, the thought of having further dealings with the man is abhorrent to him. Like Roxanne’s own display of distaste at North’s name, that fits with the idea that he might be a version of the loathsome Tate.

In the great house, Maggie Collins, current wife of Angelique’s widower Quentin, finds Angelique crawling on the floor and picks up the telephone to call the doctor. Angelique says that she needs her father, not the doctor, puzzling Maggie. While they contact Stokes, Barnabas takes Roxanne to the mausoleum and shows her the secret room in an attempt to restore her memory and her power of speech.

In #283, the original continuity’s version of Maggie was a mental patient at Windcliff, a private hospital Julia controls. She had succumbed to amnesia, reverted to early childhood, and become largely nonverbal after an ordeal as Barnabas’ victim. In that episode, Julia took Maggie on a trip to the mausoleum, where Barnabas had tortured her, in an attempt to restore her memory and power of speech. Now, the relatively benevolent Barnabas is taking Roxanne to this universe’s version of the same location in the same hope.

Stokes attends to Angelique in her room. He gives her some medicine to keep her alive until they can find Roxanne. He warns her that if Roxanne manages to speak, her first word will send Angelique back to the grave. He performs an incantation to summon the spiritual forces of darkness to come to their aid. When Mrs Acilius and I were watching this on Amazon Prime, Stokes’ incantation was interrupted by an ad for Chipotle. I’d always thought calling on the Devil and his minions was likelier to bring Taco Bell upon you, but I don’t suppose Chipotle is all that different.

Stokes DoorDashes Chipotle. Screenshot by Dark Shadows Before I Die.

During the 1897 segment, we saw a new version of a character from an earlier phase of the show, undead blonde fire witch Laura Murdoch Collins. That iteration of Laura was a heat vampire who drained the warmth from the living to remain animated. They’ve given the current version of Angelique the same condition, though we haven’t seen it lately. In #737, Laura was in a bad way. She lay in bed and her thrall Dirk Wilkins cozied up to her in the most sex-like interaction we had seen on the show up to that point (or up to this point, come to that.) Angelique’s bedroom is laid out the same way today as Laura’s was then, and as Dirk was on Laura’s right, Stokes is on her right. Earlier episodes made it clear that there was something deeply weird about the relationship between Stokes and Angelique. In the contrast between this scene and the one between Laura and Dirk, longtime viewers can see that Angelique and Stokes’ particular weirdness does not involve incest per se. Rather, it is their shared dedication to evil for its own sake that warps everything between them.

Back in the Old House, Barnabas puts Roxanne to bed on her table in the secret room. He goes into the parlor. A car pulls up. It is Carolyn Loomis, wife of his late blood thrall Will Loomis. Carolyn chatters happily about some shopping she did and asks for Will. Barnabas realizes she does not know that Will has died. He breaks the news to her. He says that Angelique killed him, which is part of the truth. Carolyn says it is because of Barnabas that Will was killed, which is the other part of the truth. Barnabas seems to have a whole speech prepared about how he will avenge Will’s death by defeating Angelique, but Carolyn keeps interrupting to ask who will avenge it by defeating him

Elsewhere in the 1897 segment, Barnabas’ enemies had killed his blood thrall Sandor Rákóczi. In #798, Sandor’s wife Magda blamed Barnabas for her husband’s death. She told him she would avenge Sandor by killing him. She then despaired of that and offered herself to him as his next victim. Barnabas grandly replied, “No, Magda, you will not kill me, and I will not harm you. We will grieve together.” Carolyn does not allow Barnabas to speak so loftily.

Carolyn goes to the great house. She is just about to reveal Barnabas’ secret to Maggie when Barnabas himself shows up. While he defuses the situation, Stokes realizes that the Old House is vacant. He slips out to search for Roxanne there. When Barnabas returns, Roxanne is nowhere to be found.

It may seem unlikely that the show will resolve this cliffhanger in the obvious way, by showing us that Stokes took Roxanne from the secret room. They usually go for surprise. Nonetheless, longtime viewers will be inclined to expect this to happen, even though it is so on-the-nose. This room was first seen in #113, when crazed handyman Matthew Morgan opened it as a dungeon for well-meaning governess Victoria Winters. Not even Vicki’s charge, strange and troubled boy David Collins, knew of the room’s existence, and David knew the Old House better than any other character on the show at that point. The room is therefore uniquely Matthew’s territory.

Like Matthew, Stokes is played by Thayer David. Stokes’s ancestor was eighteenth century indentured servant Ben Stokes, whose counterpart we saw in the 1790s segment as a commentary on Matthew, an example of the good and sane man Matthew might have been had he not grown up in the shadow of the ancient curses of Collinwood. Once those curses had been in operation for a little while, Ben started turning into Matthew. As Matthew inadvertently killed a man because of his unbounded devotion to matriarch Elizabeth Collins Stoddard, Ben inadvertently killed a man because of his unbounded devotion to Barnabas. As Matthew set out to cover up his accidental homicide by killing Vicki, who was played by an actress whose father was a Danish count, so Ben deliberately committed a murder to cover up his own accidental killing, and his victim was a lady with the title “Countess.” As a descendant of Ben and therefore a reflection of Matthew, it is a matter of course that Stokes knows about the room. Barnabas’ decision to hide Roxanne in the room is just one more case of a severe misreading of Dark Shadows by someone who didn’t watch the 1966 episodes.

Episode 1045: Have you a medical degree?

We open in the room atop the tower of the great house on the estate of Collinwood. Wicked witch Angelique, enemy of the mysterious Barnabas Collins, confronts Will Loomis, Barnabas’ henchman. She demands Will tell her Barnabas’ secret. Returning viewers know that Barnabas is a vampire, and Will is his blood thrall. When Will tells Angelique that he is incapable of betraying Barnabas, we know that he is making a literal statement of fact. But Angelique has power over Will, too. Caught between these opposing forces, Will does the only thing he can. He opens the window and flings himself to his death.

John Karlen plays Will, Lara Parker Angelique. In his post about this episode at his great Dark Shadows Every Day, Danny Horn observes that Karlen approached all of his parts as if he were in a play by Tennessee Williams. In a comment I left under that post, I said that while most of Karlen’s scene partners stuck with their own distinctive styles of acting while playing opposite him, resulting in surprisingly effective mashups of techniques that you wouldn’t think could coexist on any stage, Parker followed his volcanic lead in today’s first act. Will’s anguish and Angelique’s vehemence both go way over the top, but the result is far from hammy. Orson Welles famously said that hamminess is not overacting, it is false acting. There is nothing false between Will and Angelique today.

Just before Will jumped out the window, Julia Hoffman entered the room. Furious that Will has died without telling her what sort of creature Barnabas is, Angelique accuses Hoffman of startling him and ruining everything. Wondering if Will may have survived his fall, she orders Hoffman to accompany her to the foot of the tower. Hoffman kneels down and says that Will’s spinal cord snapped on impact resulting in instant death. Angelique says that she is intrigued by Hoffman’s diagnosis. “Have you a medical degree?”

Unknown to Angelique, the true answer would be yes. Angelique believes herself to be with Hoffman the housekeeper, her most fanatical devotee. In fact, the woman is Hoffman’s counterpart from an alternate universe, Dr Julia Hoffman, MD. Julia has followed her best friend Barnabas into this continuity and is assisting Barnabas in his battle against Angelique. Julia killed Hoffman and assumed her identity. Julia responds to Angelique’s puzzlement with a story about an incident when she saw a man fall from a roof and land in the same twisted position Will now holds. She remembered the words the doctor said when examining that man and merely repeated them when she saw Will’s distorted neck. Angelique compliments Julia on her extraordinary memory, and proceeds as if she were telling the truth. There seems little else she could do.

I remembered the line “Have you a medical degree?” from the first time Mrs Acilius and I watched Dark Shadows. Angelique has noticed that Julia is different from the Hoffman she knows, and has been showing signs of impatience with her. But she has not suspected she is a different person, only that she is going soft on her enemies. “Have you a medical degree?” makes it seem that might be changing. Julia may be in grave danger before long.

Barnabas rises from his coffin in the basement of Will’s house. He goes upstairs and finds Angelique waiting for him. She says she came, not to see him, but to console the widow Loomis. Thus Barnabas learns that Will has died.

Barnabas tells Angelique that he will avenge Will’s death upon her, but she tells him that he is the one to blame. It was because his power over Will matched hers that Will could respond to her commands only by killing himself.

Angelique’s counterpart in Barnabas’ own universe placed the curse that first made him a vampire. She was also wholly or partially responsible for the deaths of his mother, sister, aunt, uncle, fiancée, and many other people he cared about. So he reacts to the sight of this Angelique with barely controlled rage. For her part, she has no idea who he is, and does not know why he is hostile to her. She, therefore, is much cooler. The contrast is fascinating to watch, far more interesting than are the scenes between Barnabas and the other Angelique and one of the joys of the “Parallel Time” segment.

Julia and Barnabas are busy with a science project. They have learned that Angelique returned from the grave because her father, evil barfly Tim Stokes, somehow established a remote connection between her and a woman named Roxanne whom he keeps in the back room of his apartment. This connection, whatever it is, drains most of the “life force” from Roxanne into Angelique. This creates a delicate situation. If Roxanne dies, all of her “life force,” including that which animates Angelique, will vanish. But if she regains any of the force that has been taken from her, even enough to flutter her eyelids, Angelique will collapse and, unless Roxanne is brought back down to the prescribed level of debility, re-die.

When Julia and Barnabas first came upon Roxanne, they planned to kill her to finish Angelique off. Barnabas put the kibosh on that when he saw how pretty Roxanne was. Then they thought of destroying Angelique by reviving Roxanne, but, for reasons too silly to explain, they’ve decided they want to keep Angelique around. So now Barnabas has decreed that they will manipulate Roxanne’s condition to slow Angelique down. They have taken her from Stokes’ place and put her on a table in Will’s basement, somewhere away from the coffin. They have connected her to a lot of mad science equipment that is supposed to act on the “life force.” Longtime viewers know all about this equipment, because Julia had it in 1968 when she was building a Frankenstein’s monster as part of a project to cure Barnabas of vampirism.

The doctor is in. Screenshot by Dark Shadows Before I Die.

Julia runs the equipment. Roxanne’s condition does not change. Julia tells Barnabas that Angelique is expecting her back at the great house. In her absence, Barnabas takes Roxanne’s hand and stares at her. She opens her eyes and sits up. In the great house, Angelique weakens and collapses.

Many fans wonder where Julia could have got the “life force” equipment. In her own universe, she is a medical doctor and the head of a private hospital, so she could order anything she needed from a medical supply house. Here, her only identity is her imposture as Hoffman the housekeeper, who did not have a prescription pad.

I don’t see why people are so concerned with this. In 1968, the equipment originally belonged, not to Julia, but to another mad scientist, Dr Eric Lang. Barnabas and Julia simply stole it from Dr Lang’s house after he died. In this continuity, we haven’t heard about Dr Lang, but we hadn’t heard about him in the main continuity either until Barnabas fell into his clutches, at which point he already had all of his equipment. So we can presume Barnabas and Julia just found out when his counterpart would be out of the house and raided the place.

Will’s death marks his final appearance, but John Karlen will be back in a couple of months as Willie Loomis, the version of him we met in the main continuity. He will play other characters later, when the show will be set in other periods.

Episode 1044: A girl I’d like to meet

The whole idea of the supernatural is that what appears to be weak is able to overcome what appears to be strong. So, as far as we can tell the dead are infinitely weaker than the living, yet it is two dead characters, vampire Barnabas Collins and wicked witch Angelique Stokes Collins, who dominate all the living people they interact with today. Even dead characters who barely appear utterly outclass live ones. In the opening sequence, Barnabas and his blood thrall Will Loomis hear the voice of late housekeeper Julia Hoffman. Hoffman’s ghost does not manifest visibly; she is such a subtle presence that Will can’t tell the difference between her and a stray piece of purple cloth. Even so, he is helpless against the dead Hoffman. Only the equally dead Barnabas can talk her into getting out of their way.

As far as we can tell, people have more influence over each other when they are close together than when they are far away, and if one person is going to resuscitate another they have to be in physical contact. But Angelique’s father, a wizard known as Tim, somehow connected her to a girl named Roxanne when Roxanne was in the back room of his apartment and Angelique was sealed up in her tomb, miles away. That unexplained connection drained most of the “life force” from Roxanne into Angelique, allowing Angelique to move among the living and reducing Roxanne to a vegetative state. Roxanne must remain in precisely her current state of debility, or Angelique will die again. Whenever Roxanne regains even a minuscule amount of strength, Angelique collapses. If Roxanne were herself to die, the whole of the “life-force,” including the share which animates Angelique, would vanish. The first and third letters of Roxanne’s name specify what she is to Angelique, the ℞ prescribed for her.

As far as we can tell, the actions we take in our lives have consequences while the actions we do not take have none. But 13 weeks ago Barnabas crossed over into an alternate universe where counterparts of the people he knows are living with the consequences of actions he did not take when he met his universe’s counterpart of Angelique in the 1790s. In his life, Barnabas had an affair with Angelique, then spurned her when he found that the gracious Josette was available to him. In revenge, Angelique turned him into a vampire and brought death and misfortune to many others. In this continuity, Barnabas’ counterpart left Angelique alone, married Josette, lived a quiet life, and died a natural death.

Hoffman’s counterpart in Barnabas’ native universe is as devoted to him as Hoffman was to Angelique. This Julia Hoffman is a medical doctor and a mad scientist. She has crossed over to the current continuity, killed her counterpart, and assumed her identity. She is working with Barnabas against Angelique.

Barnabas and Will take Roxanne from Stokes’ apartment to Will’s house on the grounds of the estate of Collinwood. Barnabas wants to control Angelique by periodically stimulating Roxanne a little, knocking Angelique out each time he does so. His original plan was to revive her altogether, destroying Angelique, but he has decided that if he does this he will have less of a chance of proving that Angelique, not foul-tempered sourpuss Quentin Collins, was responsible for the death of a man called Bruno Hess. As far as we can tell, people who can move around and talk are better able to defend their reputations than are those who are rotting in their graves, but Barnabas seems to think that it is the other way around in Angelique’s case.

Julia has refused to aid Barnabas in this nonsensical scheme, but now that Roxanne is in the house she acquiesces. Before she can get to work, they hear a knock on the front door. Will leaves Julia and Barnabas with Roxanne in the secret room behind the bookcase in the front parlor. Angelique herself is the visitor, asking to see Barnabas. Will tells her that Barnabas is not in and that he won’t be back for some time. She goes to the bookcase and appears to be reaching for the lever that exposes the secret room, but simply takes a book. She sits down to read while she is waiting for Barnabas. Will claims that he has resolved to stop drinking and resume his work as a writer, and that he has to be alone to do so. Angelique can’t think of anything to say to that, so she goes.

Once Angelique has returned to the great house, Quentin’s young cousin Amy Collins comes to her in the drawing room to say that she saw a man scurry across the grounds and climb in through a window, and that a few minutes later she heard a man outside her bedroom door. She could not see the man, but thinks he might be Quentin. Angelique tries to persuade her she did not see what she saw. Amy has given up when Angelique grows faint, the result of what is happening to Roxanne. When Angelique’s head clears, she asks Amy in a very serious tone to repeat exactly what she told her. Any inclination the girl may have had to believe that she was mistaken vanishes with this.

We next see Amy exploring the long-disused west wing of the house. She hears someone moving around among the cobwebs and bric-a-brac. She does not find this person, but does discover the statuette Angelique used as a voodoo doll when she cast the spell that killed Bruno, Bruno’s scarf still tied around its neck.

Julia, masquerading as Hoffman, returns to the great house. Angelique scolds her for neither being at hand when she wanted her nor keeping close enough track of Barnabas to prevent him taking Roxanne away from her father’s apartment. Julia answers the first of these complaints by referring to her other duties. She answers the second by trying to say that another of Angelique’s enemies might have made off with Roxanne. Angelique has no patience with either of these statements.

Will comes to the great house. Amy tells him about the man she saw on the lawn, says that she believes he was Quentin, and shows him the statuette with the scarf around its neck. Regular viewers not only remember Angelique using the statuette to strangle Bruno from afar, but will also remember that her counterpart in the main continuity used the same statuette in the same way to cast a choking spell on her husband Sky Rumson in #955, when Sky was trying to set fire to her (theirs was an imperfect marriage.) But out of that context, there does not appear to be anything sinister about the statuette. That isn’t a flaw in the prop- it’s the whole point. As a supernatural intervention, the voodoo doll is not supposed to look like it could have anything to do with the consequences of the spell it is used to cast.

Amy shows Will the statuette. Screenshot by Dark Shadows Before I Die.

Will recognizes the statuette as a voodoo doll, as his wife Carolyn had done when Maggie showed it to her the other day. That’s a breach of faith with the audience. Science fiction writer Arthur C. Clarke famously said that any sufficiently advanced form of technology is indistinguishable from magic. If the implements of witchcraft are things that could be sent off to the police lab for forensic analysis, they are not sufficiently advanced to stay outside the category of technology, and you are not telling a story about magic at all.

Will retraces Amy’s steps through the west wing, hoping to find Quentin and offer him his support. He makes his way to the tower room. The door opens, and he is startled to see who is entering.

Denise Nickerson was a splendid young actress. When she first joined the cast as Amy Jennings in the main continuity, she was central to the plot for months, and did a great job. We remember those days when she goes to the west wing looking for Quentin. It was Amy Jennings who, on her first night in the great house, entered the west wing and went straight to the room where the ghost of that universe’s version of Quentin was waiting for her. But she has been seen less and less. This is Nickerson’s first appearance in eight weeks, and it is hard to be optimistic that we will see much more of her in the future.

Episode 1042: Used as a voodoo doll, to cast spells

Vampire Barnabas Collins has crossed over from the universe where Dark Shadows took place for its first 196 weeks and established himself as a character on another soap opera with the same title, made by the same people and broadcast in the same time slot. His best friend, mad scientist Julia Hoffman, has joined him in the cast of this new show. Barnabas is pretending to be a descendant of another Barnabas Collins, who in this continuity lived a quiet life and died a natural death in 1830. Julia is impersonating another Julia Hoffman, who was the housekeeper at the great house of Collinwood and a fanatical devotee of the undead Angelique until our Julia beat her to death and stole her French maid outfit.

Barnabas has taken three victims. These are alcoholic novelist Will Loomis; Will’s wife, the former Carolyn Collins Stoddard; and masochistic barmaid Buffie Harrington. Will and Carolyn own the Old House on the grounds at Collinwood, which in his own universe was Barnabas’ home. He lives there now as their unwelcome guest. Buffie has not been seen since #1023, and is mentioned today for the first time since #1028. Will discovered Julia next to Barnabas’ coffin shortly after she killed Hoffman; when he saw the corpse, he realized who Julia was and was delighted to meet her. It becomes clear only today that Carolyn also knows who Julia is. It is Carolyn who brings up Buffie’s name in her conversation with Julia. Carolyn says that Buffie was working at Collinwood the previous year. She assumes that Julia will recognize Buffie’s name in connection with something other than her former employment on the estate, so it is plausible that she knows that she has been inducted into the sisterhood of the scarf, but it is not made explicit.

Staff conference. Screenshot by Dark Shadows Before I Die.

Carolyn and Julia are talking about the séance at which Angelique died the first time. This séance was reenacted in #990. They made a big deal at that time about how everyone involved in the original séance was in attendance at the reenactment, with only two exceptions. Foul-tempered sourpuss Quentin Collins, Angelique’s widower, refused to have anything to do with it. And since Angelique herself was in the tomb at that time, her identical twin sister Alexis sat in for her. Neither Carolyn nor Buffie was there; since someone has to tell Julia about the séance, it makes sense to retcon her into attendance. It is not immediately obvious why they have chosen to insert Buffie into it. Regular viewers may hope that means that we will see more of Elizabeth Eis’ fine performance in this role, but she doesn’t turn up today.

Two weeks after the reenactment of the séance, Angelique rose from the dead, murdered Alexis, and took her place. She has been impersonating her ever since. Barnabas and Julia know that the “Alexis” who is staying in the great house as Quentin’s guest is really Angelique, though they do not know about the sororicide. The conversation between Julia and Carolyn is the first time it is confirmed that they have shared their information with the Loomises.

Angelique suspects that Quentin killed her, and has decided to get revenge on him by annihilating his family (except for her own son by him.) As part of that plan, she used witchcraft to finish strangling a man named Bruno whom Quentin had just been choking. When a policeman in whose presence Quentin had a few minutes before vowed to kill Bruno with his bare hands strolled in and found Quentin over the body, he arrested him. Yesterday, Angelique talked Quentin into assaulting that policeman and escaping from jail so that he could interfere with the investigation into Bruno’s death. Apparently Quentin thinks courts love it when you do those things.

Angelique keeps needling Quentin’s current wife, the former Maggie Evans, by alternately describing the evidence of Quentin’s guilt and urging her to have total faith in his innocence. Maggie is already close to a breakdown, and this doesn’t help. Julia finds her outside Angelique’s old bedroom, where she is convinced she heard the piano playing. They enter the room, and find it vacant. Longtime viewers will remember early 1969, when supernatural forces tormented the living by making a sickly little waltz resound throughout the house, and will assume that Angelique is using magic to make Maggie to hear the music.

Julia urges Maggie to get out of the house for her sanity’s sake. As Maggie is starting to think that might be a good idea, Angelique enters. Angelique looks askance at Julia. Hoffman the housekeeper had not only been dedicated to her, but was barely able to control her loathing for Maggie. So far Angelique has not suspected that Julia is not who she appears to be. When she sees Julia’s sincere concern and hears a suggestion that Maggie do something other than fall into a trap, she wonders what is going on.

Julia returns to the Loomis house in time to see Carolyn have a vision of the fateful séance. When Carolyn comes out of the trance, she declares that she knows who killed Angelique.

Episode 1041: Called away on business

Foul-tempered sourpuss Quentin Collins has been charged with murder. He has a visitor in jail. He believes her to be Alexis Stokes, identical twin sister of his late wife Angelique. In fact, she is Angelique herself, come back to life and bent on revenge.

Angelique urges Quentin to escape from jail and set about proving his innocence. Quentin is not the brightest fellow, so this sounds like a good idea to him. When the policeman in charge of the place comes in, he jumps off a chair, delivers a karate chop to his neck, and runs out.

Quentin may not be smart, but he has style. Screenshot by Dark Shadows Before I Die.

From November 1967 to March 1968, Dark Shadows was a costume drama set in the 1790s. Another iteration of Angelique figured then as a witch. That Angelique deflected suspicion from herself by framing well-meaning governess Victoria Winters for her crimes. Vicki had shown significant brainpower early in the series, but by that point had apparently been eating lead coins for breakfast or something. She reached her absolute nadir when she talked her boyfriend, an insufferable jerk named Peter Bradford, into helping her escape from the Collinsport Gaol so that she could prove her innocence. But dumb as that idea was, at least Vicki was able to come up with it on her own. Quentin is so dense he needs Angelique to suggest it to him.

Episode 1040: Probably wondering

From its first episode, one of the principal sets on Dark Shadows has been the drawing room of the great house of Collinwood. So every violent death on the show has been pregnant with the possibility of a scene in which the characters gather on that set and a detective says that he supposes they are probably wondering why he asked them to join him there. We come as close to that scene today as we ever will.

The detective is Inspector Hamilton of the Collinsport police. That is itself a disappointment to regular viewers. In #1034, a detective played by Philip R. Allen made an appearance. He had little to do, but Allen was such a dynamic actor that it was gripping to watch him do it. When we heard that the police were on their way, we might have been excited to see Allen again. Inspector Hamilton is played by Colin Hamilton. It’s always a bad sign when the producers don’t trust an actor to answer to any name other than his own, and Hamilton’s performance is a case in point. The only note he strikes today is languid annoyance. Perhaps he had watched the Thin Man movies and been impressed by the use William Powell and Myrna Loy made of that note in their portrayals of Nick and Nora Charles in their drawing room reveals, but if so he had forgotten that Powell and Loy did other things as well.

Making matters worse, Inspector Hamilton does not actually have much to contribute. Sleazy musician Bruno Hess gave him photostats of a couple of pages of the journal of the late Cyrus Longworth, homicidal maniac, in which Cyrus speculates that his friend Quentin Collins murdered Angelique, his first wife. But Cyrus did not see Quentin commit that crime, so the papers are in no sense evidence.

Quentin gets very angry with Bruno. Standing next to Inspector Hamilton, he declares that Bruno will never make trouble for him again and that he will put a stop to him “with my bare hands!” He then rushes out of the house. At length, Inspector Hamilton moseys over to Bruno’s place.

The camera gets there before Inspector Hamilton does. We find Quentin crushing Bruno’s throat in his elbow. He releases him and shouts that he isn’t “worth killing!” A moment later, Bruno starts choking and falls to the floor. Quentin ridicules him, then kneels down and finds that he really seems to be unconscious. Inspector Hamilton then enters and says that he hopes for Quentin’s sake that Bruno isn’t dead. This line is a bit surprising; it would have fit with Colin Hamilton’s lazy performance had Inspector Hamilton said that he hopes Bruno is alive so he won’t have to stay up late doing paperwork.

As it happens, Angelique has returned from the grave and is impersonating her identical twin sister Alexis. None of the other characters in today’s episode are onto her. We see her flash a self-satisfied grin every time Quentin annoys Inspector Hamilton by proclaiming his intention of killing Bruno. We also see her cast the spell that causes Bruno to choke and die.

Quentin being innocent of strangling Bruno. Screenshot by Dark Shadows Before I Die.

Bruno’s death is no great shock. He smacked Angelique around yesterday, a sure sign of a short and unhappy future, and had been absent from the action and unmentioned on screen for more than six weeks before he came back on Tuesday. Actor Michael Stroka will be back later as another character.

Angelique could be fairly sure that Quentin was in Bruno’s cottage and that Inspector Hamilton was on his way there when she was casting the spell, but she has no powers of remote viewing. For all she knew, Quentin may have been choking Bruno while she was casting the spell. Had that been the case, we would have been presented with a puzzle in logic. Bruno would have died of strangulation while Quentin was strangling him, but there would be a sense in which we could say that Quentin was not the strangler. That sense might not have made much difference to Quentin’s felony exposure, though Angelique would also be guilty of the killing.

This scenario should remind viewers who have been with the show from the beginning of the first murder mystery on Dark Shadows, the vehicular homicide of a man known only as Hansen. Hansen was walking by the road one night in 1956 when a car hit him and continued on. The owner of the car, Burke Devlin, was convicted of manslaughter and sent to prison for five years. It later turned out that Burke had been blacked out drunk when he started driving the car away from a restaurant, and that he gave the keys to his passenger, Roger Collins, after they had gone some way. Roger was also heavily intoxicated, and he was behind the wheel when the car hit Hansen.

Burke claimed that Roger’s role in Hansen’s death exonerated him of guilt. But since Burke knew that Roger had had as much to drink as he had, handing the keys to him was scarcely more responsible than operating the vehicle himself. Indeed, by the time of the collision Burke had passed out, so if he had kept the keys the car would not have been moving and Hansen would have had nothing to fear. The fact that Roger was also guilty of a crime does nothing to clear Burke. Remembering that, we may wonder whether Angelique’s participation really clears Quentin.

The version of Quentin that became a major breakout hit was the one we saw in 1969, when the show was a costume drama set in the year 1897. That Quentin had all of the vices Roger had in 1966, and like Roger was witty and full of joie de vivre. The easygoing 27 year old David Selby had a sex appeal that reached young viewers who did not respond to Louis Edmonds in that way, and the show was free to make villains into permanent parts of the cast of characters at that point, so Quentin became what Roger might have been.

After the show returned to a contemporary setting in late 1969, it struggled to find a place for Quentin. Now they have crossed over into an alternate universe, and they have dabbled with the idea of turning his counterpart into an action hero like Burke. That hasn’t worked at all, but then Burke’s own arc of development fizzled out, so I suppose we can say that Parallel Quentin really is a mashup of Burke and Roger.