Episode 970: Another road

Yesterday, Barnabas Collins went to the long-disused east wing of the great house of Collinwood to search for the coffin that vampire Megan Todd occupies during the day. Barnabas is himself the vampire who ended Megan’s human life, passing his curse along to her. When his friend, mad scientist Julia Hoffman, makes a characteristic remark and tells him “you must not feel personally about Megan Todd,” Barnabas asks “How can I feel any other way?” Most of Barnabas’ feelings, in this or any other matter, consist of pity for himself, but there is a trace of sympathy for Megan in there someplace, probably.

Now, Barnabas has taken Julia to a spot that he happened upon while looking for Megan. While Julia was in the carriage house on the estate with matriarch Elizabeth Collins Stoddard, Barnabas saw two women who looked and sounded exactly like them in a brightly lit, fully furnished, heavily decorated room behind a pair of doors in the otherwise dark and empty east wing. Julia’s double was wearing a French maid outfit and giving orders to Liz’, which is probably someone’s fetish but which is totally out of character for the women Barnabas knows.

In #351, Barnabas was without a blood-thrall. Julia offered to guard his coffin during the day. They were not really friends at that point, and he reacted to her offer warily. Among his objections was that it was not suitable for her, as a medical doctor, to fill such a position. She assured him that she was not volunteering “to be your maid.” Longtime viewers might remember that line when they see Parallel Julia in her livery.

There was an invisible barrier in the doorway that Barnabas could not cross, and he was unable to attract the attention of the women who were so near to him, even when he shouted what he supposed to be their names. The doors closed, and when they opened again the barrier was gone, but so were the doubles of Julia and Liz, along with all the furnishings and lights that had surrounded them.

Thinking of what Barnabas has told her about the room, Julia hesitates to enter it with him. She dismisses her concern as “silly.” Regular viewers will perk up at this- labeling a fear as “silly” is the surest way of marking it as the basis of an upcoming major story point. Once inside the bare room, Julia starts thinking out loud:

JULIA: I was at Eliot Stokes’ house one night, oh, last spring. We were having a brandy after dinner and he started talking about time… He was complaining that we all simply accept it. We don’t have much choice, I thought.

But Eliot had been reading a theory. It sounded insane to me. A theory of parallel time… we live on this universe in 1970, right? We accept the fact that our time is the only time that we can truly know. Suppose time is like a road and parallel to it there’s another road. On one we live the lives we know, but on the other road our lives are different because we’re in a different time-band* and we’ve made different choices. For example, in that other band of time I could’ve made a different choice when I was at college. Instead of being a doctor I could’ve married and had children.

Barnabas, you don’t actually think through some warp in the time band that you have actually seen us living other lives?

BARNABAS: I don’t know, there’s got to be a more rational explanation.

JULIA: Must there?

So, now we know that we are about to launch a new kind of time travel story. The show has taken us back in time for long costume drama inserts, most notably from November 1967 to March 1968 when it was set in the 1790s and from March to November 1969 when it was set in 1897. Now they are going to travel sideways in time, and take us to a parallel universe where Julia is a maid and Liz is not the lady of the house.

Time bandits. Screenshot by Dark Shadows Before I Die.

At the end of the episode, Barnabas sees the room change again. Parallel Time Liz and Parallel Time Julia uncover a portrait that hangs there, the portrait of a woman whom PT Liz insists is dead and PT Julia insists is still the rightful mistress of the room. Barnabas recognizes the subject as the Parallel Time counterpart of his ex-wife, wicked witch Angelique.

With this, the behavior of PT Liz and PT Julia falls into place. We’re about to see a story derived from Daphne Du Maurier’s Rebecca. PT Julia is Mrs Danvers, the housekeeper maniacally devoted to Rebecca, the late wife of Maxim de Winter. PT Angelique is the one whose death and continued ownership of the room have been a point of contention between PT Julia and PT Liz. We’ve seen a photograph of Parallel Time counterparts of Barnabas’ distant cousin Quentin Collins and strange and troubled boy David Collins, signed “Your loving husband, Quentin.” PT Quentin is the one whom we have heard Liz say is returning with a new wife. In the main “time-band,” Quentin is a penniless rogue with a long supernatural backstory, but his counterpart is the master of Collinwood, and Liz ranks somewhere below the uniformed domestics in the household hierarchy. The David we know is the son of Liz’ brother Roger and a blonde fire witch named Laura Murdoch, but evidently his Parallel Time counterpart is the son of the counterparts of Quentin and Angelique. We have had no indication of who Quentin’s new wife is to be.

This is not the first reference to Rebecca on the show. When Clarice Blackburn joined the cast as housekeeper Mrs Johnson in September 1966, she was supposed to model the character on Mrs Danvers. Mrs Johnson came to Collinwood as a spy for Collins family nemesis Burke Devlin, driven by her certainty that Roger was responsible for the death of her beloved former employer Bill Malloy. Bill, like Rebecca, had drowned under suspicious circumstances, though he didn’t have much else in common with her. By the time the “Death of Bill Malloy” story played out, Mrs Johnson had taken on a new function as an inveterate gossip who made narrative progression possible by blabbing everything she knew to everyone she met. Blackburn’s outstanding talents made her a significant part of the show for quite some time; it’s a shame she isn’t going to be part of the upcoming segment.

Rebecca was not the only Du Maurier novel to inspire a story on Dark Shadows. Dangerously unstable ruffian Willie Loomis first freed Barnabas to prey upon the living after David and Mrs Johnson told him the plot of Du Maurier’s Frenchman’s Creek and claimed that it happened to one of the Collins ancestors. Searching for the treasure the pirate gave to the lady, Willie stumbled upon Barnabas’ coffin. He opened it, earning a bite that made him the vampire’s slave.

Willie’s mistake was that he did not know what kind of show he was on. When Dark Shadows began, executive producer Dan Curtis and ABC vice president for daytime programming Leonard Goldberg** meant for it to be the television equivalent of the “Gothic romance” novels that were so popular in those days. Du Maurier’s novels were among the cornerstones of the Gothic romance genre, and if it were still that kind of show in April 1967 Willie would have been on solid ground in his expectation that there might be a lot of jewels hidden in an unmarked coffin in the old mausoleum. But when Laura was on the show from December 1966 to March 1967, her story subsumed all the major plot threads into a tale of the supernatural. Willie and his sometime friend, seagoing con man Jason McGuire, were on the show as in-betweeners to sweep up the last non-paranormal odds and ends and help introduce the next uncanny menace.

Now, the show is heading in the opposite direction, and Willie is back to help take us there. In Parallel Time, Dark Shadows will finally do the Daphne Du Maurier adaptation that didn’t work out in the Bill Malloy story and that was never meant to work out for Willie. But Megan has to be destroyed before Barnabas can decamp for Parallel Time, and he and Julia order Willie to destroy her.

It was not a foregone conclusion that Julia and Barnabas would want to stake Megan. At the moment, Julia is giving Barnabas injections meant to relieve him of the effects of the vampire curse. Similar injections had worked in 1968 and again during the 1897 segment. Julia shows Barnabas the cross she wears to ward Megan off, and he does not recoil from it. That suggests the injections are having some effect on him, even though he keeps complaining that they aren’t doing anything to curb his bloodlust. When Julia and Barnabas find Megan in the east wing, she refuses the injections. When they find that she is feeding on Roger, they conclude that she cannot be allowed to see another night.

Willie is horrified by the command to drive a stake through Megan’s heart. He protests that he doesn’t even know her. As Barnabas and Julia tell him of the nightmare that awaits everyone if he doesn’t do as they say, he starts to talk about his fiancée Roxanne and the secrets he has been keeping from her. He worries about the image she will have of him if she finds out that he is the former blood-thrall of one vampire and the destroyer of another. “I mean, she’s gonna be thinkin’ I’m weird or somethin’!” I suppose that would be an occupational hazard for blood-thralls.

Willie is worried Roxanne might get the wrong idea about him. Screenshot by Dark Shadows Before I Die.

There is an odd moment when Julia is asking Liz about the east wing. Liz tells her that Roger knows more about the legends of the house than she does. When Julia was first on the show, she was posing as an historian looking into the old families of New England. In those days, Liz mentioned that Roger knew far less about the Collins past than she did, which fit with the original keynote of Roger’s character, an extreme lack of family feeling. But by this point, Roger has merged with the roles Louis Edmonds played in the 1790s and 1897 segments, both of whom were dedicated to the honor of the Collins name.

*The first appearance of this bit of Collinsport English.

**Not to be confused with his then-boss, network president Leonard Goldenson.

Episode 969: On the same side at last

Wedding Day

On Dark Shadows, weddings are usually stopped when one of the couple makes a decision in the middle of the ceremony that leads to the exhumation of an empty coffin. In #270, the first wedding followed that pattern, when instead of saying her vows matriarch Elizabeth Collins Stoddard announced that she and her intended, seagoing con man Jason McGuire, had killed her first husband, Paul Stoddard. That led the sheriff to dig up the spot in the basement of the great house of Collinwood where Liz said Jason had buried Paul, only to discover an empty box. It turned out Paul wasn’t dead at all.

The next wedding we saw was in #397, set in the year 1796. Scion Barnabas Collins and wicked witch Angelique Bouchard managed to get through the ceremony, but before the night was out Angelique had been abducted by the late Jeremiah Collins, whom she had raised from the dead as a zombie. Jeremiah dug up his own grave, opened his empty coffin, and put Angelique in it.

In #625, well-meaning governess Vicki was supposed to marry an unpleasant man known variously as Peter and Jeff. Peter/ Jeff left the ceremony to dig up another grave, and find another empty coffin.

For sixteen weeks, Dark Shadows was dominated by an effort to take some themes from the tales of H. P. Lovecraft and build them into a story. We kept hearing about the Leviathan People, a race of Elder Gods who were trying to retake the Earth and destroy humankind. The Leviathan material never coalesced into a story, and they gave up on it last week.

The last event in the Leviathan segment was an attempted wedding between Liz’ daughter Carolyn and someone who appears to be a very tall young man, but is in fact a shape-shifting creature from beyond space and time. When he first assumed the form of the tall young man, the creature asked people to call him Jabe. That didn’t come off, so he answers to “Jeb” instead. The Leviathan plan has always called for Jabe to join himself with Carolyn in an unholy ceremony that would cause her to become the same sort of creature he is, and last Friday they stood by an altar in the woods while Nicholas Blair, the high priest of a cult devoted to the service of the Leviathans’ project, called on Jabe to take his place behind the altar. There, Jabe deviated from the rubrics of the ceremony. He smashed a small wooden box and called for Barnabas to rescue Carolyn. The wooden box was empty, but it was not exactly a coffin- it was the matrix from which Jabe first emerged, four months ago, when he was nothing more than a whistling.

After their traditional Collinwood non-wedding in #625, Vicki and Peter/ Jeff had a second ceremony in #637. They completed it, but shortly afterward the supernatural powers that allowed Peter/ Jeff to exist in the 1960s lost their grip and he vanished into a rift in time and space. Today Jabe and Carolyn also complete a second ceremony, but it seems their marriage is approaching a similar crisis. When Jabe smashed the box, Nicholas told him that his humanoid appearance was all that was left of him, and that it was only a projection from a true form that was destroyed with the box. He could not continue to exist as Jabe for very long. As Peter/ Jeff prolonged his time in the 1960s by force of will, Jabe has prolonged his own existence beyond what Nicholas had thought possible, but returning viewers will still expect him to vanish at any moment.

Moreover, Jabe has made many powerful enemies. One of them is Angelique. She has taken a cue from George MacDonald’s 1858 novel Phantastes and plagued him with a shadow that he does not cast but that follows him about. The shadow menaces Jabe a couple of times today, and each time it prompts him to shriek to Carolyn that they must flee. Since he won’t explain to her what is going on, we can only wonder if he will meet his demise before she concludes that he is an abject lunatic and files for an annulment.

Jabe faces his dark shadow. Screenshot by Dark Shadows Before I Die.

Meanwhile, Barnabas and his friend, mad scientist Julia Hoffman, are on a vampire hunt. Barnabas is a vampire himself; Angelique turned him into one when their marriage didn’t work out, Julia and another mad scientist cured him of the effects of that curse in 1968, and then Jabe placed another vampire curse on him more recently. Barnabas has bitten a woman named Megan Todd and accidentally turned her into a vampire. One of Megan’s victims, a man named Sky Rumson, tips Barnabas and Julia off that her coffin is hidden somewhere in the long-disused east wing of the great house. Barnabas conducts a search there while Julia goes with Liz to inspect the carriage house on the estate, where Jabe has been staying.

In the first months of the show, they went back and forth on whether the great house had a vacant west wing or a vacant east wing. They eventually settled on a west wing, and the west wing was an important locale at various points. Once in a while actors would slip and refer to an east wing. It was not until #648 that the show made it unequivocally clear that the house had both east and west wings, and not until #760 that we had a look inside the east wing. This is the first reference to it since then.

Barnabas is walking through a dark, dusty corridor, thinking that no one had been down it in “years.” Double doors open, and Barnabas sees a fully furnished, brightly lit room. He tries to enter, and suddenly turns into a mime struggling to escape from an invisible cage. He sees a framed photograph on a table in the room. The photograph appears to show his distant cousin Quentin sitting next to Liz’ nephew, strange and troubled boy David. It is signed “Your loving husband, Quentin.” Barnabas knows that Quentin and David have not been photographed together, and Quentin’s only marriage ended when he murdered his wife long before David was born, so neither the photograph nor the writing on it make any sense to him.

Barnabas sees Liz enter the room from a doorway on the other side. She is wearing a completely different outfit than she had on when Barnabas saw her shortly before. She does not see Barnabas or hear him, even though he is standing only a few feet away and calling out to her. She opens a closet and examines some clothes.

Julia enters, wearing a French maid outfit. She demands to know what Liz is doing. Since Barnabas knows Liz as the owner of Collinwood and Julia as a houseguest there, albeit one of unlimited tenure and an overpowering nature, her tone is as inexplicable as her attire. She orders Liz to leave the clothes alone. They argue about a person to whom they refer only as “she.” Liz says that “she” is dead, Julia insists that “she” will return. Liz wants to prepare the room for someone else’s use, Julia declares that only “she” will ever possess it.

Hoffman confronts Liz. Screenshot by Dark Shadows Before I Die.

The doors close. Barnabas cries out to Liz and Julia. He opens the doors again, only to find that the room is entirely bare. It has no furniture, no carpeting, no lights, no decoration of any kind. It is as dark and as dusty as the rest of the east wing, and appears to have been unvisited for as long.

Barnabas returns to the main part of the house. He sees Liz and Julia returning through the front door, dressed as they had been before they left for the carriage house and talking to each other in the same relaxed, friendly manner. Flummoxed, he asks Julia if they went anywhere other than the carriage house. She says they did not. He tells her he did not find Megan’s coffin, and tries to explain what he did in fact see.

The Man Who Wasn’t There

It would seem that whatever phenomenon Barnabas is seeing when he looks into this room is going to mark the beginning of the next phase of Dark Shadows. When Jabe smashed the box, he ended the Lovecraft segment. But the show had not set up any story to follow it. For the last few days, we’ve passed the time watching him and some other characters left over from it flounder about helplessly. Peter/ Jeff’s ghost showed up and claimed to have a grudge against Jabe that dated from the 1790s. Since Jabe did not exist in those days, I suspect the tale Peter/ Jeff tells is a remnant of some story they planned long ago but never developed, with Jabe hastily put in the place of some character they projected but did not introduce.

I’m not sure what the untold story and never-introduced character were, but there may be a clue in this episode. Sky Rumson was at one point under the power of the Leviathans. Barnabas tells Sky that Jabe has smashed the box and everyone is now free of their power, which fits with what we have seen and with what Nicholas told his henchman Bruno. Sky is indeed disconnected from the Leviathans- he now figures only as Megan’s victim. But for no reason that has to do with today’s events, he denies that and says “My deal was with Mr Strak.”

In #899 and #900, there was a flashback to the year 1949. We saw that Paul Stoddard unwittingly sold his daughter Carolyn to the Leviathans that year, and that their agent was a Mr Strak. Strak was played by John Harkins, who had played a monster in several episodes not long before. The whole point of Strak as a character seemed to be that he was someone Paul could never find again, so that he was entirely helpless in the face of the deal he had struck. The casting of Hankins reinforced that for viewers who recognized him, since he was pretty obviously there to use up the last two episodes on his contract. It would seem to defeat the purpose to bring his name up again, yet Sky’s reference to Strak marks the second time we have heard his name recently. Doomed Leviathan cultist Nelle Gunston told Barnabas in #951 that Strak had recruited Bruno.

Nicholas’ association with the Leviathans is also hard to explain. He was on the show in 1968 as Angelique’s boss. At that time the show was taking a peculiar sort of Christian turn, and it was very clear that Nicholas was in the employ of Satan. Indeed, just last week he invoked Satan at the ceremony to join Carolyn and Jabe. But the Leviathans are rooted in Lovecraft’s resolutely non-Christian cosmology, and when Jabe himself performed an incantation to raise some dead men to serve him as zombies he called upon multiple “gods of the underworld,” not Satan. Moreover, we know that Nicholas was at Collinwood in 1968, and Nicholas tells Jabe that he has been confined to the underworld since then. It is therefore nonsensical when Sky treats Nicholas as his long-established supervisor in the Leviathan cult.

I suspect that Nicholas’ role, the references to Strak, and Peter/ Jeff’s complaint against Jabe are all traces of a single never-introduced character. They may have intended, in the early stages of planning the Leviathan segment, to bring in a second Leviathan, one who had been lurking on the Earth for a long time and had great powers, though he could not fill Jabe’s intended place as harbinger of the new age. This projected character would have been the main villain of the second half of the Leviathan segment, which would have involved another trip in time back to the late eighteenth century. When the ratings sagged, they often scrapped a lot of what they had written and everything they had planned to get to something fresh. Since the Leviathan segment was a flop, it certainly would not be surprising if they had chucked that new villain, along with the second half of the Leviathan segment and its time-travel story, plugging in Nicholas, the references to Strak, and Peter/Jeff’s complaint to Jabe to cover what they tore out.

Closing Miscellany

The clergyman who marries Jabe and Carolyn is called “the Reverend Brand.” The clergyman who married Barnabas and Angelique in 1796 was called “the Reverend Bland.” Those names are similar enough that I have to suppose there was some point to it. Perhaps an inside joke between writers Gordon Russell and Sam Hall.

The show has been ambiguous about the Collinses’ precise religious affiliation. In the 1790s, we saw that repressed spinster Abigail Collins was a very extreme sort of Congregationalist, but the other members of the family pointedly referred to “Cousin Abigail’s religion” as one of the things that set her apart from the rest of the family. As the name suggests, Congregationalists vary quite a bit from place to place, so the other Collinses’ differences with Abigail do not mean that they were not of that tradition in the 1790s. As upper crust New Englanders of an early vintage, they would likely have been Congregationalists at some point, though by the 1790s, they may well have been Unitarians or Presbyterians. By the 1960s they could have been just about any kind of Protestant without occasioning comment. Today, Liz mentions that the Reverend Brand has a “vestry meeting” to attend. Only Anglicans call the lay leadership of their parishes a “vestry,” and the only Anglican denomination the Collinses could plausibly have belonged to in 1970 was The Episcopal Church.

We see Jabe and Carolyn asleep in bed together on their wedding night. This is the first time we see a couple sharing a bed on Dark Shadows. What’s more, while most sleepers we have seen have been fully clothed under their bedsheets, even wearing shoes, Jabe is wearing only pajama bottoms, and those are tugged down noticeably below his waist when he first gets out of bed. You can say goodbye to the uptight Sixties, it’s the Seventies now, baby.

The Sexual Revolution reaches the Collinses. Screenshot by Dark Shadows Before I Die.

During the joining ceremony between Jabe and Carolyn, Bruno was in the carriage house. There was a magical room there where Jabe changed between his human form and his rugose, paleogean one. When Jabe smashed the box, Bruno saw that room suddenly engulfed in flames. Later, he and Nicholas examined the room, and could not find any sign there had ever been a fire there. Nicholas explained that the fire was a supernatural manifestation, and that what it consumed was not any of the material aspects of the room, but its character as Jabe’s changing station. But Liz tells Julia she is going to the carriage house to inspect fire damage, and when they come back they say that they have seen such damage.

Danny Horn’s post about this episode on his great blog Dark Shadows Every Day is a particular delight. It’s so full of spoilers about the story that begins today that I can’t say much about it. I’ll tell you it is written from the perspective of a person who would be familiar with the versions of Liz and Julia that Barnabas encounters in the east wing, but not with him. Danny is writing from an imaginary world in which actor David Selby went into politics and was elected president of the United States in 2016.