Episode 981: Last night I dreamt I went to Manderley again

When Dark Shadows premiered in June 1966, it was supposed to bring the sensibility of the then-fashionable “Gothic romances” to the small screen. That did not prove to be much of a ratings draw, so six months later they introduced undead blonde fire witch Laura Murdoch Collins, who was at the center of a story that by March 1967 had swallowed up all of the major loose ends and committed the show to becoming a supernatural thriller.

Now, vampire Barnabas Collins has crossed over to an alternate universe. We have seen enough of “Parallel Time” over the last several episodes to know that it will feature a story derived from Daphne Du Maurier’s Rebecca, one of the foundational works of the “Gothic romance” genre. Viewers who have been with the show from the beginning will be intrigued at this return to its starting point.

The first person Barnabas meets is the counterpart of his distant cousin and onetime blood thrall, heiress Carolyn Collins Stoddard. This Carolyn finds him in a room deep in the great house of Collinwood and demands to know who he is and what he is doing there. He starts in on the “cousin from England” jazz that won him his place at Collinwood in the continuity we have been following so far. He cites the portrait of him that hangs in the foyer in the familiar timeline, only to be told that there is no such portrait in this house and that his story does not add up. Carolyn marches off to blow the whistle on the intruder, and Barnabas bites her. We can see that Parallel Time is going to move fast- it took Barnabas 28 weeks to attack Carolyn in the other universe.

Same as the old boss. Screenshot by Dark Shadows Before I Die.

This Carolyn is married to the counterpart of Barnabas’ servant Willie Loomis. While Willie is an uneducated ruffian, Will Loomis is the author of several books, including three bestselling novels and a biography of Barnabas’ late counterpart, who died a natural death in 1830. Will and Carolyn live in the Old House, which corresponds to Barnabas’ own house in the main continuity. Quentin Collins, another distant cousin, is the master of Collinwood here, and widower of Angelique, who corresponds to the wicked witch who made Barnabas a vampire in 1796 but was apparently a mortal woman and a native of the twentieth century here. Other characters we see today include: Julia Hoffman, in the other universe, a mad scientist and Barnabas’ best friend, but here a uniformed domestic and Angelique’s fanatical devotee, Mrs Danvers to her Rebecca; Carolyn’s mother Elizabeth Collins Stoddard, who is not the owner of Collinwood and the Collins family businesses but a guest in Quentin’s house; and Quentin’s new wife, Maggie Evans Collins. We also hear that Angelique’s father is “Tim Stokes,” the counterpart of Barnabas’ sometime ally, occult expert Timothy Eliot Stokes.

What we had seen of “Parallel Time” before Barnabas arrived let us know that Quentin was bringing a new bride home, much to the displeasure of Hoffman and Angelique’s other acolytes. We also knew about the Loomises. So that left us with two candidates to play the part of the intimidated, anxiety ridden “second Mrs de Winter.” Those were Kathryn Leigh Scott, who has been Maggie in the main continuity since episode #1 and has played other parts in time travel segments and as a ghost, and Lisa Blake Richards, who plays Sabrina Stuart, girlfriend of werewolf Chris Jennings.

I love Miss Scott, but I was hoping Miss Richards would be the overpowered new wife. Miss Scott has one of the deepest iconographies of any cast member. No matter how far Miss Scott dials down the big brassy Dark Shadows style of acting, regular viewers simply will not believe that she, answering to the name of Maggie, is going to be reduced to the position that the second Mrs de Winter finds herself in, where she is grateful to her own servants for allowing her a piece of bread and butter when she hasn’t eaten all day. It took all the abuse Barnabas could heap on her, supported by Julia’s magical powers of hypnosis, to break Maggie in 1967. Miss Scott was successful as neurotic intellectual Rachel Drummond when the show was set in 1897, but they went out of their way to show that Rachel was not Maggie. The second Mrs Quentin Collins not only has the same name as the wised-up representative of Collinsport’s working class whom we met long ago, we even hear today that her father was an artist who lived in the village, as our Maggie’s was.

Miss Richards, by contrast, would come in clean. Sabrina, stuck in a dead-end story where her character was a mute for a long time, has made relatively little impression. Miss Richards specialized in a very precise, understated approach. She would be the perfect choice to tackle the job Alfred Hitchcock gave Joan Fontaine in his 1940 feature adaptation of Rebecca and depict a character succumbing to obscure anxieties.

We hear today that this Maggie has a sister, which ours never did. Perhaps Miss Richards will appear as that character. We do not hear whether Sam Evans is still alive. He is dead in the main continuity, but that was the result of an attack by a monster who would not have existed in this one. Longtime fans might get their hopes up that we will see David Ford again as Sam’s counterpart. Carolyn Loomis tells Barnabas today that the idea of widowhood is not as unattractive to her as he seems to imagine; since Nancy Barrett had divorced Ford a few months before this episode was taped, bringing him back into the cast might have helped her add some zest to this aspect of her character.

The blocking does not always take into account the dimensions of the brief outfits Junior Sophisticates provided Miss Scott. So when Quentin carries Maggie into the great house today, the camera looks right up her miniskirt. The ratings were still high during this period, but you can tell no one was watching who worked for either ABC’s Standards and Practices Office or the Federal Communications Commission.

Episode 970: Another road

Yesterday, Barnabas Collins went to the long-disused east wing of the great house of Collinwood to search for the coffin that vampire Megan Todd occupies during the day. Barnabas is himself the vampire who ended Megan’s human life, passing his curse along to her. When his friend, mad scientist Julia Hoffman, makes a characteristic remark and tells him “you must not feel personally about Megan Todd,” Barnabas asks “How can I feel any other way?” Most of Barnabas’ feelings, in this or any other matter, consist of pity for himself, but there is a trace of sympathy for Megan in there someplace, probably.

Now, Barnabas has taken Julia to a spot that he happened upon while looking for Megan. While Julia was in the carriage house on the estate with matriarch Elizabeth Collins Stoddard, Barnabas saw two women who looked and sounded exactly like them in a brightly lit, fully furnished, heavily decorated room behind a pair of doors in the otherwise dark and empty east wing. Julia’s double was wearing a French maid outfit and giving orders to Liz’, which is probably someone’s fetish but which is totally out of character for the women Barnabas knows.

In #351, Barnabas was without a blood-thrall. Julia offered to guard his coffin during the day. They were not really friends at that point, and he reacted to her offer warily. Among his objections was that it was not suitable for her, as a medical doctor, to fill such a position. She assured him that she was not volunteering “to be your maid.” Longtime viewers might remember that line when they see Parallel Julia in her livery.

There was an invisible barrier in the doorway that Barnabas could not cross, and he was unable to attract the attention of the women who were so near to him, even when he shouted what he supposed to be their names. The doors closed, and when they opened again the barrier was gone, but so were the doubles of Julia and Liz, along with all the furnishings and lights that had surrounded them.

Thinking of what Barnabas has told her about the room, Julia hesitates to enter it with him. She dismisses her concern as “silly.” Regular viewers will perk up at this- labeling a fear as “silly” is the surest way of marking it as the basis of an upcoming major story point. Once inside the bare room, Julia starts thinking out loud:

JULIA: I was at Eliot Stokes’ house one night, oh, last spring. We were having a brandy after dinner and he started talking about time… He was complaining that we all simply accept it. We don’t have much choice, I thought.

But Eliot had been reading a theory. It sounded insane to me. A theory of parallel time… we live on this universe in 1970, right? We accept the fact that our time is the only time that we can truly know. Suppose time is like a road and parallel to it there’s another road. On one we live the lives we know, but on the other road our lives are different because we’re in a different time-band* and we’ve made different choices. For example, in that other band of time I could’ve made a different choice when I was at college. Instead of being a doctor I could’ve married and had children.

Barnabas, you don’t actually think through some warp in the time band that you have actually seen us living other lives?

BARNABAS: I don’t know, there’s got to be a more rational explanation.

JULIA: Must there?

So, now we know that we are about to launch a new kind of time travel story. The show has taken us back in time for long costume drama inserts, most notably from November 1967 to March 1968 when it was set in the 1790s and from March to November 1969 when it was set in 1897. Now they are going to travel sideways in time, and take us to a parallel universe where Julia is a maid and Liz is not the lady of the house.

Time bandits. Screenshot by Dark Shadows Before I Die.

At the end of the episode, Barnabas sees the room change again. Parallel Time Liz and Parallel Time Julia uncover a portrait that hangs there, the portrait of a woman whom PT Liz insists is dead and PT Julia insists is still the rightful mistress of the room. Barnabas recognizes the subject as the Parallel Time counterpart of his ex-wife, wicked witch Angelique.

With this, the behavior of PT Liz and PT Julia falls into place. We’re about to see a story derived from Daphne Du Maurier’s Rebecca. PT Julia is Mrs Danvers, the housekeeper maniacally devoted to Rebecca, the late wife of Maxim de Winter. PT Angelique is the one whose death and continued ownership of the room have been a point of contention between PT Julia and PT Liz. We’ve seen a photograph of Parallel Time counterparts of Barnabas’ distant cousin Quentin Collins and strange and troubled boy David Collins, signed “Your loving husband, Quentin.” PT Quentin is the one whom we have heard Liz say is returning with a new wife. In the main “time-band,” Quentin is a penniless rogue with a long supernatural backstory, but his counterpart is the master of Collinwood, and Liz ranks somewhere below the uniformed domestics in the household hierarchy. The David we know is the son of Liz’ brother Roger and a blonde fire witch named Laura Murdoch, but evidently his Parallel Time counterpart is the son of the counterparts of Quentin and Angelique. We have had no indication of who Quentin’s new wife is to be.

This is not the first reference to Rebecca on the show. When Clarice Blackburn joined the cast as housekeeper Mrs Johnson in September 1966, she was supposed to model the character on Mrs Danvers. Mrs Johnson came to Collinwood as a spy for Collins family nemesis Burke Devlin, driven by her certainty that Roger was responsible for the death of her beloved former employer Bill Malloy. Bill, like Rebecca, had drowned under suspicious circumstances, though he didn’t have much else in common with her. By the time the “Death of Bill Malloy” story played out, Mrs Johnson had taken on a new function as an inveterate gossip who made narrative progression possible by blabbing everything she knew to everyone she met. Blackburn’s outstanding talents made her a significant part of the show for quite some time; it’s a shame she isn’t going to be part of the upcoming segment.

Rebecca was not the only Du Maurier novel to inspire a story on Dark Shadows. Dangerously unstable ruffian Willie Loomis first freed Barnabas to prey upon the living after David and Mrs Johnson told him the plot of Du Maurier’s Frenchman’s Creek and claimed that it happened to one of the Collins ancestors. Searching for the treasure the pirate gave to the lady, Willie stumbled upon Barnabas’ coffin. He opened it, earning a bite that made him the vampire’s slave.

Willie’s mistake was that he did not know what kind of show he was on. When Dark Shadows began, executive producer Dan Curtis and ABC vice president for daytime programming Leonard Goldberg** meant for it to be the television equivalent of the “Gothic romance” novels that were so popular in those days. Du Maurier’s novels were among the cornerstones of the Gothic romance genre, and if it were still that kind of show in April 1967 Willie would have been on solid ground in his expectation that there might be a lot of jewels hidden in an unmarked coffin in the old mausoleum. But when Laura was on the show from December 1966 to March 1967, her story subsumed all the major plot threads into a tale of the supernatural. Willie and his sometime friend, seagoing con man Jason McGuire, were on the show as in-betweeners to sweep up the last non-paranormal odds and ends and help introduce the next uncanny menace.

Now, the show is heading in the opposite direction, and Willie is back to help take us there. In Parallel Time, Dark Shadows will finally do the Daphne Du Maurier adaptation that didn’t work out in the Bill Malloy story and that was never meant to work out for Willie. But Megan has to be destroyed before Barnabas can decamp for Parallel Time, and he and Julia order Willie to destroy her.

It was not a foregone conclusion that Julia and Barnabas would want to stake Megan. At the moment, Julia is giving Barnabas injections meant to relieve him of the effects of the vampire curse. Similar injections had worked in 1968 and again during the 1897 segment. Julia shows Barnabas the cross she wears to ward Megan off, and he does not recoil from it. That suggests the injections are having some effect on him, even though he keeps complaining that they aren’t doing anything to curb his bloodlust. When Julia and Barnabas find Megan in the east wing, she refuses the injections. When they find that she is feeding on Roger, they conclude that she cannot be allowed to see another night.

Willie is horrified by the command to drive a stake through Megan’s heart. He protests that he doesn’t even know her. As Barnabas and Julia tell him of the nightmare that awaits everyone if he doesn’t do as they say, he starts to talk about his fiancée Roxanne and the secrets he has been keeping from her. He worries about the image she will have of him if she finds out that he is the former blood-thrall of one vampire and the destroyer of another. “I mean, she’s gonna be thinkin’ I’m weird or somethin’!” I suppose that would be an occupational hazard for blood-thralls.

Willie is worried Roxanne might get the wrong idea about him. Screenshot by Dark Shadows Before I Die.

There is an odd moment when Julia is asking Liz about the east wing. Liz tells her that Roger knows more about the legends of the house than she does. When Julia was first on the show, she was posing as an historian looking into the old families of New England. In those days, Liz mentioned that Roger knew far less about the Collins past than she did, which fit with the original keynote of Roger’s character, an extreme lack of family feeling. But by this point, Roger has merged with the roles Louis Edmonds played in the 1790s and 1897 segments, both of whom were dedicated to the honor of the Collins name.

*The first appearance of this bit of Collinsport English.

**Not to be confused with his then-boss, network president Leonard Goldenson.